Autorreferencialidad, política y literatura en Blanco nocturno, de Ricardo Piglia = Self-referentiality, politics and literature in Blanco nocturno, by Ricardo Piglia

다국어 초록 (Multilingual Abstract)

Writing about the work of Ricardo Piglia is not only writing about one of the most well‐known fiction writers in Spanish language, but also writing about one of the brightest and most influent literary critics and theorists nowadays. All of Piglia’s fictions require a double reading: about the fiction itself and, at the same time, about the implicit reflection that makes its deployment possible. Throughout the reading of his latest novel, Blanco nocturno (2010), this paper analyzes some key aspects of the work of the Argentinean writer, such as self‐referentiality, literary tradition, the concept of paranoid fiction, of literary character, and the mixture of genres and narrative tenses. With such a purpose, we will resort to the theorizations of Piglia himself about the narrative as well as to his declarations in different interviews, through which the composition of Blanco nocturno is directly or indirectly revealed. The information provided by the author about his work contributes to the creation of a new text, and point out to the queries about the aesthetic and political possibilities of the fiction.

참고문헌 (Reference)

1 Piglia, Ricardo, "Tesis sobre el cuento" (46) : 23-26, 2006

2 Egea, Leticia, "Sobre Blanco nocturno" 4 (4): 121-127, 2010

3 Barthes, Roland, "Sade, Fourier, Loyola" University of California Press 1989

4 Garzón, Raquel, "Ricardo Piglia: la épica de la novela policial [Entrevista a Ricardo Piglia]"

5 Pereira, María Antonieta, "Ricardo Piglia y la máquina de la ficción" (34) : 27-34, 1999

6 González, Susana Inés, "Piglia y Renzi: el autor y un personaje de ficción" 2002

7 Ludmer, Josefina, "Literaturas postautónomas" (17) : 2007

8 Alonso, Diego, "Las formas de la política y el estatuto de la verdad en las obras de Rodolfo Walsh y Ricardo Piglia, In Homenaje a Ricardo Piglia. Teresa Orecchia Havas (Comp.)" Catálogos 113-126, 2012

9 Bobes Naves, "La novela" Síntesis 1998

10 Mattalia, Sonia, "La ficción paranoica: el enigma de las palabras, In Ricardo Piglia, la escritura y el arte nuevo de la sospecha. Daniel Mesa Gancedo (Coord.)" Universidad de Sevilla 109-126, 2006

11 Casarin, Marcelo, "La escritura de Ricardo Piglia: los rastros de una pesquisa" 36 : 103-109, 2007

12 Piglia, Ricardo, "La Argentina en pedazos" Ediciones de la Urraca 1993

13 Massot, Josep, "El escritor existe para crear problemas [Entrevista a Ricardo Piglia]"

14 Zeiger, Claudio, "El campo literario [Entrevista a Ricardo Piglia]"

15 Figueiras, Mauricio Montiel, "De la tragedia a la conspiración [Entrevista a Ricardo Piglia]"

16 Piglia, Ricardo, "Crítica y ficción" Siglo Veinte 1990

17 Morán, Carlos Roberto, "Blanco nocturno, el regreso de Ricardo Piglia a la novela [Reseña de Blanco nocturno, de Ricardo Piglia]. Noticias desde el sur (Blog de La Comunidad, El País). 19 de septiembre"

18 Torres Perdigón, Andrea, "Blanco nocturno de Ricardo Piglia[Reseña de Blanco nocturno, de Ricardo Piglia]" (5) : 134-136, 2010

19 Piglia, Ricardo, "Blanco nocturno" Anagrama 2010

20 Grotto, Livia, "Bajo la materia de la verdad, un Blanco nocturno" 13 (13): 2012

21 De Man, Paul, "Allegories of Reading: Figural Language in Rousseau, Nietzsche, Rilke and Proust" Yale University Press 1979