http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.
변환된 중국어를 복사하여 사용하시면 됩니다.
Theatre of Cruelty and Edward Albee's Who's Afraid of Virginia Woolf?
Kang, S.-j. MODERN BRITISH AND AMERICAN DRAMA SOCIETY OF KOREA 2011 p.5-26
Representation of Sexual Violence: Hot 'N' Throbbing by Paula Vogel
Park, K.R. MODERN BRITISH AND AMERICAN DRAMA SOCIETY OF KOREA 2011 p.27-56
The Ethics of Truths and Bare Life: Badiou and Beckett
Park, I. MODERN BRITISH AND AMERICAN DRAMA SOCIETY OF KOREA 2011 p.57-78
Irish Men in New York: Irish Characters, Identity and Memory in The Mulligan Guard Ball
Park, J. MODERN BRITISH AND AMERICAN DRAMA SOCIETY OF KOREA 2011 p.79-110
Reading Bernard Shaw's Too True to Be Good: Illness and Vision for the Remedy
Seo, Y.-y. MODERN BRITISH AND AMERICAN DRAMA SOCIETY OF KOREA 2011 p.111-138
Overcoming Father's Shadow in Fences
Wang, Y.G. MODERN BRITISH AND AMERICAN DRAMA SOCIETY OF KOREA 2011 p.139-166
Between True and Simulacre in True West
Yoon, S.-y. MODERN BRITISH AND AMERICAN DRAMA SOCIETY OF KOREA 2011 p.167-196
The Meaning of Escape in Sam Shepard's True West
Lee, W. MODERN BRITISH AND AMERICAN DRAMA SOCIETY OF KOREA 2011 p.197-218
Sex, Lies, and Education: Oleanna and Doubt
Lee, H.S. MODERN BRITISH AND AMERICAN DRAMA SOCIETY OF KOREA 2011 p.219-244
Glaspell's Aesthetics of Absence: Paradox Beyond the Grave
Hong, Y. MODERN BRITISH AND AMERICAN DRAMA SOCIETY OF KOREA 2011 p.245-282