악학궤범에 나타난 처용무 복식고찰 = A Study of Clothing for Cheo-Yong Dancing Appeared in Ak-Hak-Gue-Bum

다국어 초록 (Multilingual Abstract)

The purpose of thesis is to make an analysis of a symbolic meaning color combination and construction for Cheo-Yong dancing as traditional royal dancing costumes shown in Ak-Hak-Gue-Bum.
Cheo-Yong dancing is originated by a primitive religion effected charmanism in
Shin-La period, developed as the royal dancing effected Buddhism in Go-Ryeo period.
After all, Cheo-Yong dancing was in all its glory as dancing in Jo-Seon period effected Eum-Yang-Oh-Haeng thought.
Cheo-Yong dancing costumes shown in Ak-Hak-Gue-Bum of Jo-Seon period was
consisted of Wei(衣), Gun(裙), Sang(裳), Han-Sam(汗杉), Kil-Kyoung(吉慶), Sa-Mo(紗帽), Dea(帶), Hye(鞋). Indeed it showed dignity of the royalty as the royal court dancing costumes from head to toe. In addition, Dan-Lyoung of Wei and Sang among every costumes from taking a style of official outfit showed a bureaucratic character. Also, Gun, Han-Sam, Cyun-Wei, Kil-Kyoung had charmanistic factors with wearing a costumes of the other sex. Moreover Man-Hwa moonyang represented that Wei, Cyun-Wei, Bang-SI was involved in the Buddhist character.
Cheo-Yong under the influence of Eum-Yang-Oh-Haeng thought was composed of
Oh-Bang Cheo-Yong dancing costumes have weared clothes each other colored
according to each directions like this East-West-South-North-Middle due to idea of Eum-Yang-Oh-Haeng thought royal dress for dancing and this idea also had effect on life style and Yellow clothes was placed in the middle and wore the clothes colored like this(Blue-Red-Yellow-White-Black). The Eum-Yang-Oh-Haeng thought is to make a harmony the positive and negative element in nature, symbol of all things, is in creative and disappearance and make a harmony the theory of each other very much.

목차 (Table of Contents)

• Ⅰ. 머리말
• Ⅱ. 처용무의 기원과 변천
• Ⅲ. 복식의 형태적 구성
• Ⅳ. 복식구성의 상징적 의미
• Ⅴ. 맺음말
• 참고문헌