`불후의 고전적 명작`의 장르적 교섭과 확장 = The generic collaboration and extension in pwulhwuuy kocencek myengcak (Immortal Classic Masterpieces)

다국어 초록 (Multilingual Abstract)

pwulhwuuy kocencek myengcak(Immortal Classic Masterpiece) was originally restricted to refer to the works that Kim Il-Sung created or directed during the period of anti-Japanese struggle, but it denoted Kim Jong-il`s works as well. In present, pwulhwuuy kocencek myengcak (Immortal Classic Masterpiece)is the term referring to all the literary works created by leaders of North Korea. As North Korea established its ideology, Juche, pwulhwuuy kocencek myengcak(Immortal Classic Masterpiece) became one of subjects necessary to be discovered and restored as well as the history of anti-Japanese revolution. When the works of Kim Jong-il were included and other discoveries of it made a progress, pwulhwuuy kocencek myengcak (Immortal Classic Masterpiece) once categorized as an anti-Japanese revolutionary literature, formedan independent category. This paper covers some of Kim Il-sung`s literary works which were performedas plays or theatrical operas or orally transmitted since the period of anti-Japanese struggle. In order to hold a new discussion on pwulhwuuy kocencek myengcak(Immortal Classic Masterpiece), this study will take a closer look at the process in which the oral literature acquired the name of pwulhwuuy kocencek myengcak(Immortal Classic Masterpiece) after the generic collaboration and extension rather than focus on the literary work as a part of idolization. Created outside of capitalism, pwulhwuuy kocencek myengcak(Immortal Classic Masterpiece) was influenced by time and memory. The first works discovered from oral transmission in 1953 show that layers between their ideology and reality were formed while they were collaborating with each different genre, and paragraphs with different formations and styles also appeared during the process of generic extension. pwulhwuuy kocencek myengcak(Immortal Classic Masterpiece) takes the form in which a representative writer is nominated among members participating in anaggregatory creation, without the notion of copyrights emphasized by capitalism. The great pieces of work, appraised by North Korea, are called pwulhwuuy kocencek myengcak(Immortal Classic Masterpiece), and they do not belong to a single author but to the nation itself as a public creative work. The prohibition of individual copyright, originated from the tacit approval of giving equal rights to all members and the inheritance of spirit of the father, Kim Il-Sung deteriorated by his sons, is believed to establish morals, disciplines and social orders by deterring instinctive impulse. In addition, pwulhwuuy kocencek myengcak(Immortal Classic Masterpiece), becomes a holy and divine work because it belongs to the Dearest Leader regardless of the artistic value in North Korea. The work, which centers on the representative author, Kim Il-sung, is also born again into various genre such as films, theatrical operas and novels, and produces a sheer variety of creators through the expansion of genre. Thus, although pwulhwuuy kocencek myengcak(Immortal Classic Masterpiece) is an aggregatory creation that has its main motif from orally transmitted stories, Kim Il-sung was entitled as a representative writer of the original work who contributed to providing primary ideas and partly participating in the production. Furthermore, through generic collaboration and expansion, a playwright, a producer and a author took responsibilities for the aesthetic expressions, leading to guarantee its artistic quality. Given the process of its production, distribution, and consumption, it is also found that pwulhwuuy kocencek myengcak(Immortal Classic Masterpiece) has the aspects of orality and accumulation.

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