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      판소리와 敍事巫歌의 對比硏究 = A comparative Study of 'Pansori' and Shanmanistic Narrative Songs

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      https://www.riss.kr/link?id=A75195313

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      다국어 초록 (Multilingual Abstract)

      Both 'Pansori' and Korean Shamanistic Narrative Songs (SNS) share a common point " in that they are both forms of' oral narrative verse.
      However the former has been transmitted by professional singers, or 'Kwang Dai" and the latter, by Korean Shamans through their rituals.
      This study compared and contrasted 'Pansori' with SNS based upon the following four view points:
      1. The characteristics of literary genre
      2. The form of oral performance
      3. The structure of the script
      4. The composition style of the script
      The results of the study are as follows :
      1. Pansori is a form of musical art which uses musical tones corresponding to a song's literary contents and SNS is the same in that sense. But in SNS, the verbal content play a major role which the musical tones and feelings play a relatively minor role.
      2. SNS has two forms of oral performance, the recitative type and musical play (singing)type, similar to that of Pansori'. The early form of oral performance of 'Pansori' was similar to the recitative type. It seems that development has been made from recitative to musical play (singing)similar to that of SNS history. SNS has originated from shamanistic myths. The recitative type has been used to call the spirit of god in the rituals. The recitative type, however, has been decreasing as the worship for the Shamanistic god decreased. To singing type, in the meantime, has become increasingly popular.
      3. In 'Pansori' both ordinary speech and singing are used interchangeable. Originally, the recitative performance was a proper form of oral performance bur the present varieties have been developed to entertain the audience. The musical play of SNS uses the same technique as does 'Pasori'.
      4. 'Pansori' sings 'kwang Dai' composed the oral text using ready made literary units such as folksongs, magic formulas, and others as did the shamans. Singers had to depend upon their memory and verbally improvised new items, The principle of composition of Korean Oral Narrative Verse seems identical to that of the European oral epic.
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      Both 'Pansori' and Korean Shamanistic Narrative Songs (SNS) share a common point " in that they are both forms of' oral narrative verse. However the former has been transmitted by professional singers, or 'Kwang Dai" and the latter, by Korean Shama...

      Both 'Pansori' and Korean Shamanistic Narrative Songs (SNS) share a common point " in that they are both forms of' oral narrative verse.
      However the former has been transmitted by professional singers, or 'Kwang Dai" and the latter, by Korean Shamans through their rituals.
      This study compared and contrasted 'Pansori' with SNS based upon the following four view points:
      1. The characteristics of literary genre
      2. The form of oral performance
      3. The structure of the script
      4. The composition style of the script
      The results of the study are as follows :
      1. Pansori is a form of musical art which uses musical tones corresponding to a song's literary contents and SNS is the same in that sense. But in SNS, the verbal content play a major role which the musical tones and feelings play a relatively minor role.
      2. SNS has two forms of oral performance, the recitative type and musical play (singing)type, similar to that of Pansori'. The early form of oral performance of 'Pansori' was similar to the recitative type. It seems that development has been made from recitative to musical play (singing)similar to that of SNS history. SNS has originated from shamanistic myths. The recitative type has been used to call the spirit of god in the rituals. The recitative type, however, has been decreasing as the worship for the Shamanistic god decreased. To singing type, in the meantime, has become increasingly popular.
      3. In 'Pansori' both ordinary speech and singing are used interchangeable. Originally, the recitative performance was a proper form of oral performance bur the present varieties have been developed to entertain the audience. The musical play of SNS uses the same technique as does 'Pasori'.
      4. 'Pansori' sings 'kwang Dai' composed the oral text using ready made literary units such as folksongs, magic formulas, and others as did the shamans. Singers had to depend upon their memory and verbally improvised new items, The principle of composition of Korean Oral Narrative Verse seems identical to that of the European oral epic.

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      목차 (Table of Contents)

      • 1. 序論
      • 2. 장르적 性格
      • 2 1. 판소리의 本質과 機能
      • 2 2. 敍事巫歌의 本質과 機能
      • 3. 口演形態의 對比
      • 1. 序論
      • 2. 장르적 性格
      • 2 1. 판소리의 本質과 機能
      • 2 2. 敍事巫歌의 本質과 機能
      • 3. 口演形態의 對比
      • 3 1. 판소리의 口演形態
      • 3 2. 敍事巫歌의 口演形態
      • 3 3. 演戱唱本 敍事巫歌와 판소리의 口演形態의 比較
      • 4. 敍事構造의 對比
      • 4 1. 판소리의 敍述構造 및 그 性格
      • 4 2. 敍事巫歌의 敍述構造
      • 5. 판소리와 敍事巫歌의 傳承文法
      • 5 1. 판소리의 傳承文法
      • 5 2. 敍事巫歌의 傳承文法
      • 6. 結論
      • 參考文獻
      • 英文要約
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