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      惡性(악성)과 善性(선성) 사이 ―≪三言(삼언)≫ 속에 나타난 "善惡竝存(선악병존)"인물 연구 = Between Evil(惡性) and Goodness(善性) ―“Seonakbyeongjon(善惡竝存)” Character in San-Yan(≪三言≫)

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      https://www.riss.kr/link?id=A100681608

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      This research considered ``Seonabyeongjon(善惡竝存)`` character in San-Yan(≪ 三言≫)by dividing into three types according to ‘time stream and change’, ‘expression method of behavior and emotion’, ‘reaction of ideology and action’...

      This research considered ``Seonabyeongjon(善惡竝存)`` character in San-Yan(≪ 三言≫)by dividing into three types according to ‘time stream and change’, ‘expression method of behavior and emotion’, ‘reaction of ideology and action’. First, in case that ‘Seonakbyeongjon’ phenomenon is outstanding according to the order of time, characteristic of ‘deviation’ and ‘return’ appears in common, where the characters show different personality and behavior each other before and after success. Next, this research investigated the characters where ‘goodness’ and ‘evil’ coexist according to practical situation. There ‘Seonakbyeongjon’ aspect appears successively with ‘evil’ and ‘goodness’, however, they sometimes appear at the same time. Their ‘evil’ appears definitely, however ‘goodness’ does not appear so definitely as ‘evil’. Their ambiguous and fluid personality is two-faced, differently from the characters which show clear and fixed personality, also has self-centered and selfish personality. Lastly, there‘s a character who shows contradictory behavior before and after the event, they show the characteristic to move from ‘goodness’ to ‘evil’, or ‘evil’ to ‘goodness’. In this behavior change, it can be said that change of belief that the character has influenced most greatly, actual difference of behavior is drawn due to change of thought. Through the above consideration, character of ‘Seonakbyeongjon’ not only reveals uniform personality of character, but also shows more various and changeable figure. This process of revealing parallel and resist action of ‘goodness and evil’ has an important meaning in the aspect of investigating multi-aspect personality of character by escaping from the sight of concentrating on the conflict that is frequently shown in general novel. In the rhetorical aspect of character drawing, also, fluid and characterful character``s personality is realized through the shape that conflicts and changes internallyㆍexternally, rather than simple and fixed character shape, these characters enrich the content and meaning more by giving activity and liveliness in the work. Through this series of analysis process, this research could have an opportunity to consider the character again that did not receive attention meantime, also, through investigating the characteristic of various characters, and could more widely understand personality of characters. Also, this research has an important role of generally understanding the work by organically connecting description structure and content, subject idea and artistic achievement of the work.

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