This paper focuses on a particular construction of the self, a paradigmatic topic of Renaissance literature, in Giordano Bruno’s dialogue La cena de le Ceneri – The Ash Wednesday Supper (1584). In order to do so, it looks at the text from a ‘per...
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https://www.riss.kr/link?id=A103600104
Henning Hufnagel
(University of Zurich)
2016
English
Giordano Bruno ; Renaissance ; La cena de le Ceneri ; dialogue ; truth ; 브루노 ; 르네상스 ; 재의 수요일 만찬 ; 대화 ; 진리
KCI등재후보
학술저널
187-226(40쪽)
0
0
상세조회0
다운로드다국어 초록 (Multilingual Abstract)
This paper focuses on a particular construction of the self, a paradigmatic topic of Renaissance literature, in Giordano Bruno’s dialogue La cena de le Ceneri – The Ash Wednesday Supper (1584). In order to do so, it looks at the text from a ‘per...
This paper focuses on a particular construction of the self, a paradigmatic topic of Renaissance literature, in Giordano Bruno’s dialogue La cena de le Ceneri – The Ash Wednesday Supper (1584). In order to do so, it looks at the text from a ‘performative’ point of view, using a new method apt to reveal possibilities of the dialogue as a genre so far rather neglected in Bruno scholarship. The essay interprets the dialogue as a mise en scène of the author’s persona, the ‘Nolan’, an attempted ‘self-fashioning’ as a philosophic-scientific authority meant to underpin his Copernican cosmology. Through the Nolan, Bruno makes claims to absolute truth within a genre often correlated with a pluralistic concept of truth. Therefore he ‘performatizes’ his argumentation – Bruno relies less on discursively justifying his claims than on making them immediately evident – by introducing motifs of comedy and epic poetry into his text. In the end, however, the form of his dialogue itself seems to jeopardize the Nolan’s professed authority, creating ambiguity.
참고문헌 (Reference)
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2012-01-01 | 평가 | 등재후보학술지 유지 (기타) | ![]() |
2011-01-01 | 평가 | 등재후보 1차 PASS (등재후보1차) | ![]() |
2009-01-01 | 평가 | 등재후보학술지 선정 (신규평가) | ![]() |