안수길의 대중소설에 나타난 ‘외화(外畵)’의 의의 - 『第二의 靑春』(1957-1958)·『浮橋』(1959-1960)를 중심으로 = The Significance of Foreign Movies in Ahn Su-Gil's Popular Novels

다국어 초록 (Multilingual Abstract)

Foreign movies in Ahn Su-Gil's novels are driving forces for narration. First, they are a code of forming love. Second, they are a means of communication between characters. Third, foreign movies are a tool for leading to the discourse on morality. Tryst, presented in 1949, shows an origin of the 'tryst motif' in popular novels, while at the same time it shows one of the methods in which a writer establishes a moral. In this novel, Ahn highlights the tryst as an object of precautions by the movie "Tryst," and puts a stress on the conjugal affection simultaneously. He cannot show love as men and women's affections in his popular novels, but accuses immorality of the tryst as a method of love. He uses the tryst motif in his novels to make for precautions against the tryst rather than to show the men and women's pure affections in his novels, and after all he makes them return to their home respectively. The American movies introduced in Ahn's popular novels indirectly suggest that the writer pays attention to the American-Western style modernization for the purpose of rebuilding morals in the Korean post-war society.

참고문헌 (Reference)

1 "현대영화감상" 신조사 단기4292년

2 "한국영화의 이해" 예니 1992

3 "한국영화 배급사 연구" 2003

4 "소품으로 본 한국영화사" 소도 2001

5 "발터벤야민의 문예이론" 1994

6 "미국영화/미국문화" 한신문화사 2000

7 "第二의 靑春" 일조각 1958

8 "映畵와 藝術" 1950

9 "映畵에 먹히는 文學精神-作家는 좀 더 고급해야겠다" 동아일보 1959