논고 : 이탈리아 르네상스 시각세계의 구성요소-시론 = The Components of Visual Culture in Renaissance Italy: a Seminal Study

다국어 초록 (Multilingual Abstract)

This essay assesses the possibility of the study of Italian Renaissance an in terms of [he so-called ``visual culture``. Looking into an as pan of human culture and proposing that the study of art is ultimately integrated into the much broader study of human life, it will suggest that the art-historical study of Italian Renaissance, the area which has been traditionally associated with cultural studies since its beginnings, should once again take a pioneering role of reorienting the objects of an history with reference to the new point of view arising from the visual culture. It will value most the period eye` proposed by Baxandall in 1972 as the starting points of the study of Renaissance an from the perspective of visual culture, but show that his theory must be tuned so as to accommodate a wider range of visual culture in Renaissance Italy. The period eye originally suggested by him is preoccupied with value-free matters such as mathematical education, dancing, and religion. This study adds to it more socio-political and gender-biased eye, In conclusion, it will argue what is of importance here is not to list up the various components of visual culture but to recapture the process of the making of visual network in Renaissance Italy.