金明國의 丙子 · 癸未通信使行 활동작품 분석 = Kim Myeong Kuk of Byeongja Dispatch (1636) and Kyemi Dispatch (1643) of the Figure research activities

다국어 초록 (Multilingual Abstract)

This dissertation explores a comprehensive study of painters accompanied by Chosun Tongsinsa who are dispatched to Japan in the late Chosun Dynasty.
16-17 century Japanese Zen Buddhism was in fashion. In particular, especially Zen Buddhism [Dharma a Figure] was like. Kim Myeong Kuk of Byeongja Dispatch (1636) and Kyemi Dispatch (1643), is an active painter. He is work in Japan was taste. He is background characteristics of the work will not. With minimal brush strokes that are drawn to the Dharma a Figure. In addition, the percentage figure was composed of the perfect.
He is Dharma a Figure painting in Japan was a better picture. Of He is [Dharma a Figure] investigated the Japanese. He is Japan’s demand for Kyemi Dispatch (1643) is second only to. Kyemi Dispatch (1643) He is to the Japan Shipbuilding and were asked to send the same people. Was asked indirectly. However, in 1662 to send the said Kim Myeong Kuk.
Was asked directly. 26 years after the year 1662 from 1636 hours. He is popular figure in Japan and Korea fashion that the first is a painter. He is Zen Buddhism in Japan, many will be left behind the picture.
But that will resolve the current Zen Buddhism of Kim Myeong Kuk jeomppunyida Figure 15. However, this figure is not accurate. Simply a picture of Kim Myeong Kuk is the picture portrayed. Zen Buddhism in Japan and seemed to figure. He is was treated in Japan.
He is evaluating all these people are talking about the activities in Japan. He is evaluating the People of God and was called Figure skills. Paper, Kim Myeong Kuk of Byeongja Dispatch (1636) and Kyemi Dispatch (1643) is to look at the pictures.
Of Zen Buddhism in Figure 15, 1/3 of the numbers shown [Dharma a Figure] were studied. Showed a typical four points. He is ahead of the rest of the Zen Buddhism will analyze the painting.

목차 (Table of Contents)

• Ⅰ. 머리말
• Ⅱ. 김명국 禪畵에 대한 일본 측의 求請배경
• Ⅲ. 김명국의 일본 활동작품, 〈達磨圖〉 · 〈蘆葉達磨圖〉 분석
• Ⅳ. 맺음말
• 〈參考文獻〉