겸재진경산수화(謙齋眞景山水畵)에 나타나는 절파성(浙派性)에 관한 고찰 = A study on China Northern School Painting reflected in Kyeom-jae Jinkyoung Landscape Painting

다국어 초록 (Multilingual Abstract)

This papers is contemplated China Northern School Painting style reflected Kyeom-jae jin kyoung landscape painting. Actually julpa painting style which originates Myung Period Daejin who was kind of master artisan. That``s why julpa painting style is very technical and artificial. Julpa painting style was inspiring middle of Chosun artists. Anyhow Kyeom-jae also applied that kinds of style to his work of art. Here are some common point there are such as follows; speedy sketching drawing, contrast light & darkness, freely composition, strong ink & colors. These phenomenons are having pictorial art. Matter fact, style is one of the most elusive terms in art history. Formalism has excluded the painter’s active role in the choice of style from discussion of the nature of a painting. The inherent visual features of a painting are, in fact, inseparable from the painter’s self and identity. This last point is more meaningful to this papers. I think the painter’s self and identity is showed up by art of drawing. However China Northern School style of Kyeom-jae`` the art of drawing is very important for the recognized and analysis about intention of Kyeom-jae as artist. I focused on how julpa painting style became Kyeom-jae``s the art of drawing. However I discovered the Jin kyoung landscape painting``s already used that China Northern School Painting style from he began to make work of art which is buljongdo『辛卯年楓嶽圖帖』 to late one inwangjasaekdo<仁王霽色圖>. Specially he``s nansijun(亂柴준) & bubuckjun(斧劈준) are very useful one which was becoming Kyeom-jae style by julpa painting style.