헤밍웨이의 『노인과 바다』 : 회화기법의 성공적 복귀와 우화의 시학 A New Poetics of Allegory = Hemingway's Successful Return to the Painting Technique in The Old Man and the Sea

다국어 초록 (Multilingual Abstract)

The purpose of this study is to analyze both the successful return to the painting technique and the development of the poetics of allegory so noticeable in The Old Man and the Sea. After the photographic realism of "Up in Michigan." Hemingway successfully transformed the painting technique into the style and technique of his earlier works, such as "Big Two hearted River" and The Sun Also Rises. In his middle period works, such as Across the River and into the Trees. For Whom the Bell Tolls, and To Have and Have Not. Hemingway put aside the painting technique and his Iceberg Theory. As a result, these works failed critically. However, Hemingway successfully returned to his painting technique in The Old Man and the Sea.
In all his writing. Hemingway best applied the applied the Iceberg Theory of painting technique to The Old Man and the Sea, so this work has deeper levels of symbolic meaning. In The Old Man and the Sea the reader can find various techniques applied successfully, such as image word, symbolic technique, organic composition, objective expression of inner emotion, the stylization of painting technique itself, the rhythm of forward and backward movement of narration, etc. This novella probably makes the most use of Hemingway's Iceberg Theory. With these techniques the style is tense on the surface and suggests myriad layers of meaning in the deep structure. Hemingway successfully constructs a method of adding extra meaning to this work that on the surface appears so simple. He also achieves an objective tone by the simple coupling of the structure. For all its apparent simplicity, however, Hemingway's sentence structure, which leaves more to the reader's own insight, is suggestive. The stripped-down diction, the simple syntax, the repetition, and the use of conjunctions for rhythmic purposes are simplifying techniques used in this story of Santiago. The coupling of the Iceberg Theory style of painting technique and the symbolic of Christian allegory, chiefly produced by Santiago's character, makes beautiful poetics.