http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.
변환된 중국어를 복사하여 사용하시면 됩니다.
Shakespeare와 Cronin의 소네트에 나타난 주제와 시율비교 : The Sonnets 와 The End of the Modern World를 중심으로
신동일 한국현대영미어문학회 2001 The Journal of KACELLS Vol.6 No.1
This work is an attempt to survey the themes of the Shakespeare's The Sonnets and Cronin's The End of the Modern World, and to clarify prosody and meter in fixed meters between them. And the latter focused on the characteristics of phonological domain in Modern English through classifying Prosodic Rules, Resolutions, Metrical Rules, Rhythm Rule, Extrametrical rule, Iambic Inversion and pause in their lines. The Sonnets consists of 154 poems and its main theme is love among the poet and a young man and a dark lady. The first part(1-17) deals with advices of a friend's marriage and succession of his beauty. The second part(18-126) shows admirations and advices of a young man, and the last part(127-154) the beauty of a dark lady and his blame of her disgrace. Shakespeare transformed the recognition of life and love into 'verbal fluency' and 'diversity'. He showed not romantic but real love and used various techniques to widely express the same theme. On the other hand, The End of the Modern World is made up of 161 poems and their themes are about his personal aspects of world events and artists as witness. He gathers up all the materials of thirty years of thought, combines all his readings in European philosophy and history. It has three parts; the first part(1-48), the second(49-98), and the last(99-161). Each part, he described his ideas and complex speculation about various topics. He pursues the real world for common people. In iambic pentameter, there are 5 meters consisted of 5 stressed syllables and 5 stressless ones. But sometimes the line appears more or less than 10 syllables. In the more syllables' case, it needs to control the number of syllables by prosodic rules and resolutions. In the less, however, pause or catalexis is needed. This study analyzed the lines of Cronin's poems, to set up his metrical rules, and to compare his rules in meter with those of Shakespeare. As to his Prosodic Rules, Resolution, Rhythm Rule, and other rules, we find that there is no remarkable difference in his poems from Shakespeare's. Considering these prosody and meter in the fixed meters, study on metrical rules reflect the unique characteristics of real utterances of English, and help taste and hear the poetry as it is.