痲疹篇 저자와 저술 시기에 대한 고찰

유철호(Chul-Ho Yoo),김남일(Nam-Il Kim) 한국의사학회 2012 한국의사학회지 Vol.25 No.2

A thesis insisting that Sugjong’s medical doctor Yoo Itae(劉以泰) and the author of Marjinpyeon Yoo Itae(劉爾泰) are not a same person and his activities were in Heonjong(현종) period, and his writing Marjinpyeon is in 1846, is published. In this study, I’d like to reveal that Yoo Itae(劉爾泰), the Marjinpyeon’s author and Yoo Itae(劉以泰), Sugjong’s medical doctor are a same person through analysis of Geochang Yoo’s genealogy, articles, The True Record of the Joseon Dynasty, Seungjeonilgi, Taeweonseonsaengan, Sancheong-gun’s paper, Sancheong Hyanggyo’s paper, Sancheong-gun’s paper, The geographic paper, Dongyuhagan, Sawoo Munjib, and analysis of folk story, the wrote year of his Marjinpyeon and Inseomunkyunrok and his birth year. According to my analysis, Yoo Itae(劉爾泰) the Maninpyeon’s author and Yoo Itae(劉以泰), Sugjong’s medical doctor are a same person. And Marjinpyeon is written in 1696, the year of Byongja, and other his books, InseoMungyonlok at 1709, the year of Gichug. In conclusion, Yoo Itae(劉以泰劉爾泰) was a famous medical doctor at Sancheong, born in 1652 (HyoJong the 3rd year) and passed in 1715 (SugJong the 41th year), left books of Marjinpyeon, Silheomdanbang, and Inseomunkyunrok.

투고논문 : 청천(靑泉) 신유한(申維翰) 한시(漢詩)의 『초사(楚辭)』 수용양상(受用樣相)

최유진 ( Yoo Jin Choi ) 동방한문학회 2007 東方漢文學 Vol.0 No.33

본 논문은 18세기 전반에 활동한 중인층 문인인 靑泉 申維翰(1681~1752)의 의고주의 한시창작의 일환으로서 『楚辭』의 학습과 수용양상을 살피는 것을 목표로 하였다. 신유한은 先秦古文에 대한 애호에서 나아가 그것들의 문학적 가치와 수사적 탁월함의 인식을 기반으로 이를 詩文에 적극적으로 도입하려 하였다. 그는 『詩經』 이후에 정감의 진솔한 표현을 실현하고 계승한 것이 『楚辭』라 하여 그 가치를 인정하였는데, 이는 난초와 佩玉 등에 가탁하여 시인의 울결된 감정을 기탁하고 시적으로 형상화하여 詩道를 완전히 구현한 것이라는 인식에서 비롯된 것이다. 또한 『楚辭』에 쓰인 수사법을 사물에 감정을 가탁하는 수법(實中有虛)과 가설적 수법(虛中有實)로 나누어 분석하고, 시인의 내면에 있는 감정과 의지가 그것을 표상하는 사물과 상황의 설정을 통해 표현되고 있다고 보았다. 한편 신유한 한시의 실제 시작에 있어서 의고주의적 태도가 『楚辭』 등에 나타난 전통적 상징을 수용하면서도 그것이 개인적 상징체계로 변용되는 양상을 고찰하였다. 신유한 한시에 높은 빈도로 등장하며 중요한 의미를 지니는 상징들을 검출하여 분석한 바, 龍과 봉황 등은 주로 자신의 불우한 처지와 관련된 의미를 내포하고 난초, 계수나무 등은 자신의 고결한 인격의 표상으로써 작용하고 있음을 보았다. 아울러 『초사』에 담긴 道家的·遊仙的 사상과 모티브가 그의 한시에 어떠한 양상으로 도입되었는지를 살펴보았는데, 기질적으로 중국 고대 남방문화권과 친연성을 보이면서도 완전히 신선적 사상으로 경도되지 않고 현실참여적인 태도에서 벗어나지 않음을 알 수 있었다. The purpose of this manuscript is to study a receptive aspect and learning of the Chu-Ci as a part of writing of Chinese poetry with pseudo-archaism [擬古主義] by Shin Yoo-Han who was active as a literary man of the middle class in the first half of the 18th century. He intended actively to introduce something to have been based on their value of literature and recognition of a rhetorical excellence as well as loving of Pre-Qin archaic texts[先秦古文] into poetry and prose. Following the Shih-Ching[詩經], he recognized the value of the Chu-Ci as it realized and succeeded a true expression with sentiment. This came from recognition that it made an orchid or a jade commit the care of a poet`s sentiment with a depressed mood what expresses thought or feeling through things, and it embodied a poetic ideal to be of imagery with poetry. Also, it analyzed to divide a rhetorical method which was written in the Chu-Ci into Expression of feeling through things[實中有虛] and Expression of supposition[虛中有實]. It found that the poet`s inner sentiment and will would be expressed through setting of situation and things which symbolized it. On the other hand, in an actual poem writing of his Chinese poetry it considered such aspects that his attitude of pseudo-archaism was diverted it into a personal symbolic system as well as accepting a traditional symbol appeared on the Chu-Ci. This manuscript analyzed the symbols with a significant meaning and a high frequent appearance on his Chinese poetry, so that it found that the dragon and a Chinese phoenix have a meaning related to himself who was in adverse circumstances and the orchid and a cinnamon tree was worked as a representation of himself own noble-mindedness. Besides, it studied that motive and thought of Taoism which was contained within the Chu-Ci was introduced into his poetry with any aspect. Thesis found that he was of a friendly disposition to Southern cultural area in Chinese ancient history, however he did not devote himself to a perfect Taoism and also he did not escape from himself own attitude of participation in reality.

1960년대 동시의 형식 실험

김유진(Kim, Yoo-jin) 한국아동청소년문학학회 2021 아동청소년문학연구 Vol.- No.28

이 연구는 1960년대 동시의 형식 실험을 분석하고, 이러한 형식 실험이 추구한 동시의 현대성과 미학성의 성격을 고찰하고자 했다. 1960년대 동시의 형식 실험을 대표할 수 있는 조유로와 이석현의 작품을 분석하고, 그들의 창작이 개인의 창작론과 창작 지향에 따른 면밀한 실천임을 살펴보면서, 이것이 오늘날 동시 장르에 여전히 유효한 질문과 모색임을 분석했다. 현재 동시 장르의 새로운 형식에 대한 모색은 ‘어린이 독자’라는 아동문학 장르의 대명제 아래서 실험과 전위의 범주가 상당 부분 제한적으로 규정되며 되풀이되고 있다. 따라서 동시의 형식 실험이 가장 전위적이고 광범위하게 일어났던 1960년대의 창작 양상과 의미를 밝히는 일은 단지 특정 시대나 특정 작가의 개별 창작 시도를 문학사적으로 복원하는 데 그치지 않고 2000년대 후반부터 다시 활발해진 오늘날 동시의 창작 실험에 대한 모색과 연결되며 확장될 수 있다. In the 1960s, several children’s poets introduced various forms in their works the most in the history of children’s poetry in South Korea. Of those, Joe Yoo-ro is incomparable. He tried various forms in his six children"s poetry books published in the 1960s. Also, he clarified the underlying philosophy and purpose in the preamble of each book. Therefore, the meaning of his works can be better understood when linked to his purpose and philosophy about creation. The narrative poems of Lee Suk Hyun are also noteworthy. Lee Suk-hyun coined his second poetry book <House of echoes> (St. Paul Publisher), published in 1966, ‘a book of the narrative poems’. Lee Suk Hyun is the representative poet of creating the narrative poems in the 1960s. He also had a clear purpose of the narrative poems as a form experiment. According to the magazines and critics of children’s literature in those days, he took the creation of narrative poems very seriously in the area of the form experiment in children’s poetry, by participating in the discourse of the narrative poems or encouraging other poets such as Park Kyung-yong to create such poems. Therefore, his narrative poems should be also analyzed considering his philosophy about creation. Because the form experiment in children’s poetry has been limitedly repeated under the assumption of ‘children as readers’, the form experiment in the 1960s still contributes to the current creation practices. The examination of the creation trend and its meaning in the 1960s, the era when the form experiment in the children’s poetry was the most radical and extensive, is not just limited to a cultural and historical restoration of a specific era or a specific poet’s individual try of creation. This is related to and expands through the pursuit of the creation experiment in children’s poetry that has been revived since the late 2000s.

A Constructional Analysis of English Exclamatives

Yoo,Eun-Jung 한국언어학회 2009 언어 Vol.34 No.2

While illocutionary force of exclamation is manifested by many different sentence types, it is controversial what kind of sentences have sentential force of exclamatives. Drawing upon some recent works such as Michaelis and Lambrecht (1996b), Ginzburg and Sag (2000), and Zanuttini and Portner (2003), this paper focuses on essential semantic properties of exclamatives, factivity and scalar implicature. We argue that in English, not only wh-exclamatives but also inverted exclamatives and nominal exclamatives are characterized as exclamative constructions by these semantic properties. Departing from Zanuttini and Portner (2003), who, linking such semantic properties to syntactic components, recognize a factive marker and wh-operator as key syntactic elements, this work proposes an analysis in which different syntactic forms exhibit the same core semantic properties of exclamatives. While none of the previous analyses account for the three different types of exclamatives, i.e., WH, inverted, and nominal exclamatives by a coherent mechanism, the present paper provides a unified account of their semantic properties within the framework of HPSG, with their syntactic differences taken care of by different phrasal type constraints.

서해 NLL상 남북간 무력 충돌 배경과 해법에 관한 연구

Yoo,Ho-Yeol,Kim,Tae-Rae 고려대학교세종캠퍼스 공공정책연구소 2021 Journal of North Korea Studies Vol.7 No.2

In the study, we aim to analyze the background of the military policy in the armed conflicts between the two Koreas in the Yellow Sea. We also try to identify internal or mutual relations between the two Koreas. If we develop an analytical framework that can explain the process of armed conflict between the two Koreas, we will have the means for establishing an empirical and institutional mechanism that can transform inter-Korean relations into a more stable and controllable system. In the future, when armed conflict occurs in the Yellow Sea, it is possible to predict how the North s response will change, and this analytical framework may help to prevent an unnecessary escalation of a war by quickly taking countermeasures. Given that strategies and behaviors of the North Korean system are relatively consistent and predictable to some extent, it is necessary to conduct various analyses and comparative verification of the North’s provocations to understand the essence and substantive truth of their provocations. At the same time, if we fail to misjudge or learn lessons from North Korea s provocations, the North will likely continue to test us and control the overall situation on the Korean Peninsula in a harsher manner. In that term, preparing various countermeasures for North Korea s provocations against South Korea is very necessary, and it may contribute to resolving the North s provocation itself. The possibility of North Korea s numerous provocations in the Yellow Sea still exists, but the systematic analysis through the flow and context of the times will help us identify the military and political strategies inherent in them. As we prepare for a more concrete and realistic response to the North s intention to dilute and utilize provocations against the South through deceptions, it will eventually be possible to ease tensions between the two Koreas and build trust through the virtuous cycle.

A Fault Detection System Design for Uncertain Fuzzy Systems

Yoo,Seog-Hwan 한국정보기술응용학회 2005 한국정보기술응용학회학술대회 Vol.2005 No.1

Opening Speech

Yoo,Jeanie 한국청소년시설환경학회 2005 한국청소년시설환경학회 국제심포지엄 Vol.2005 No.1

한국문학에서의 구술성 - 미국의 한국문학 구에 대한 한 고찰

( Yoo¸ Jung-min ) 한국어문학국제학술포럼 2009 Journal of Korean Culture Vol.12 No.-

역사, 혹은 문학사의 기술에서, 무엇을 ‘선택’하고 ‘배제’할 것인가의 문제는, 곧 무엇을 ‘정전(canon)’으로 삼을 것인가, 우리가정전이라고 받아들였던 것의 실체와 그 선택의 기준은 무엇인가, 연구자가 선택한 방법론은 무엇인가의 문제와 깊이 연관되어 있다. 기존 역사에서 주목되어진 것들, 혹은 문헌으로 남아 전승되어오는 과거의 유산, 그리고 다른 연구자들의 -미국의 입장에서 는 한국학자들의- 축적된 연구 성과를 비판적으로 검토하고, 다시 일정한 기준과 방법론에 의해 새로운 해석을 도출하고, 이를 통해 현재적 의미의 또 다른 정전 성립을 시도하는 것이다. 본 논문에서 다루고자 한 ‘구술성(orality)’이라는 주제는 넓은 의미에서 정전(canon) 성립의 문제와 맥락을 같이한다. 필자는 최근 ‘한국문학을 처음 접하는 벽안의 연구자들이 처음 주목한 한국문학의 특징은 무엇이었을까, 그들은 이것을 어떻게 학문적으로 이론화하였을까, 그리고 이러한 시도가 우리에게 시사하는 바는 무엇인가’ 등의 문제를 살펴볼 기회가 있었다. 그리고 개인적으로 바로 이 ‘구술성’이라는 개념이 미국학계에서 한국문학을 이해하는 데에, 나아가 다른 인접 학문과의 연계의 맥락에서도 중요한 위치를 차지한다고 파악하였다. 본고에서는 주요한 몇 가지 저작을 중심으로 한국문학에서의 구술성 문제, 서구문학사의 전통, 중문학계의 적용사례 등의 순서로 살펴보았다. 1. Perspective: Nature of Literary Canon Formation My paper explores the question of how well can we understand the reality of the literary situation of the past by reading traditional literary histories that have been widely used for college curricula and popular readings. Although several famous writers and model texts are being chronologically listed, the scope of many literary history narratives has been limited to the existing sources of some written and printed materials, which were mostly typeset on paper and transmitted to us successfully. Regardless of how coherent and convincing the historical narratives may be, however, there is always the danger of misleading readers into blindly believing that the compilers selection of the authors and model works are able to deliver the whole picture of the literary past. What if there had been influential writers of the day, however, who, because of the modern compilers' oversight or subjective judgment, were never registered as canonical figures? It is also possible that handwritten manuscripts by original authors underwent a certain degree of revision, or even distortion, while being printed into book format. Consequently, there could be a great disparity between what we believe are the most significant works of past eras and what the literati of the day produced. Writing a literary history means, in a way, 'canonizing' a couple of selected literary works. A 'literary canon' signifies a body of 'superior texts' and those canons are placed in the hierarchy of literary works and assigned authority by institutional fiat. In this regards, I must point out that, first, this canonizing process can vary and be altered, depending on who it is that conducts the selection and compilation. Consequently, the chosen canons are not always stable or perfect, although they are 'fluid' and 'potential' and are always open to being substituted later. 2. Studies on the Notion of 'Orality' The topic of this paper, the notion of 'orality,' can be understood in the context of writing literary history. I argue that the conventional literary histories are frequently based on very limited extant sources, and that the more the canonizing process itself is heavily filtered by a particular medium, such as 'writing' or 'printing.' The genre of Sijo, for example, is often introduced as a written text in many high school and college textbooks. As Kevin O'Rourke persuasively indicates, however, it was originally a 'performative' genre presented in song form, and as late as 1920s it became ossified as a literary text by some nationalist intellectuals, such as Yi Kwang-su and Ch'oe Nam-son, who saw the inherent possibilities of the uniquely Korean Sijo as a vehicle of raising national consciousness. To understand the significance of the notion of 'orality' in literary history-writing, a few important authors can be referenced. More than any earlier scholar, Milman Parry succeeded in understanding Homeric poetry, a primitive genre, on poetry's own terms. According to Parry, Homeric Greeks valued cliche, because not only the poets but the entire oral inspirational world of the day relied upon the formulaic constitutions of thought. By constantly repeating the same formulaic phrases, that is cliches, knowledge could be transmitted, and remembered, in an oral culture. The 'conventionality' or 'banality,' which implies somewhat negative connotation in literature, would be the key essential concept in understanding the oral tradition. At Harvard, the Widener library has invaluable resources for the study of oral culture the Milman Parry Collection. It includes the audio recordings and notes of South Slavic songs, made by Milman Parry in 1933-35, as well as recordings collected by Albert Lord, the author of the Singer of Tales. Gregory Nagy, a current Harvard professor, acceded to the tradition of the research on the oral literature and offers diverse classes on the performative quality of literature. Walter Ong is another remarkable figure in the study of 'orality.' In his Orality and Literacy, Ong distinguished the 'pristine oral culture' from the 'subsequent writing culture,' and then argued that writing practice made words appear similar to 'things,' a sort of visible mark, which signals words to decoders. Although I agree with Ong's idea about the impact of writing on orality as well as on human consciousness, I claim that his understanding of the orality and literacy is too dichotomized: It may give the false impression that the two concepts are mutually exclusive, that they never coexist. Furthermore, Ong's perspective is based heavily on the idea of 'progress' of the production of knowledge, emphasizing the unilateral shift from oral culture to the literal/written world and then to the electronic age of second orality. I prefer to examine the 'vitality' of tradition, springing from the mutual interaction between the two.

Brain Death and Life Ethics from the Perspectives of Religions

Yoo,Kyoung-dong 이화여자대학교 생명의료법연구소 2019 Asia Pacific Journal of Health Law & Ethics Vol.12 No.3

After brain death criteria was first established at Harvard University in 1968, Korea included brain death in mthe guidelines for the determination of death, through the organ transplant law in February 1999. Since then, various legal, medical, ethical, and social issues regarding the determination of death related to brain death have surfaced, but no research has been conducted from the perspectives of comparative religion regarding the position towards the brain death. The author will examine the life ethics related to the brain death from the perspectives of the Catholicism, Protestantism, Judaism, Buddhism, Hinduism, Islam and Confucianism. Three arguments will be unfolded through this paper at large. Firstly, internal and external perspectives on the brain death will be briefed, and secondly, issues related to brain death will be examined from the perspectives of various religions, and thirdly, a few proposals will be made from the perspective of the life ethics. Through this paper’s various religion’s organic perspectives on the entire human life overcoming biological or reductionist perspectives regarding the brain, the author expects the understanding of the human life to deepen in relation to the brain death.

Traditional Markets Performance Analysis Considering the Impact of Large Discount Stores

Yoo,Byong-Kook,Kim,Soon-Hong 한국유통과학회 2019 KODISA ICBE (International Conference on Business Vol.2019 No.-

The support policy for the traditional market has been a uniform support method focused on facility investment. As a result, it did not show any remarkable achievement compared to huge financial support. Therefore, the need for differentiated support methods based on more rigorous performance evaluation for each traditional market has been raised. In this paper, we will modify the traditional DEA model using the two stage method for a more reasonable evaluation of the traditional markets. After calculating the bias-corrected estimator of efficiency scores using bootstrap from original ones in the first stage, the relationship between environment factors and the bias-corrected scores is assessed. Among the five environmental factors, the residential population and the presence of large discount stores or SSMs were statistically significant.