Waldorf 유치원 교육의 인격교육적 특성에 관한 고찰

주진희,유혜령 한국아동교육학회 2005 아동교육 Vol.14 No.1

본 논문에서는 발도르프의 유아교육에서 제시하고 있는 인격교육의 개념을 면밀하게 검토하고 그의 인격적 교육의 특징011 대해서 논의하였다. 여기에서는 오늘날 이루어지고 있는 과학적 경험적 기술을 극복하기 위한 방법으로 인격교육을 탐색하였다. 하이데거, 사르트르, 볼노브와 같은 실존철학, 현상학 및 인지학 가운데서 제기된 다양한 문헌들을 검토하여 방법론적 근거에 도움을 얻었다. 연구결과는 다음과 같다. 첫째는 인간기질과 인간존재의 3가지 영역에 관한 스타이너의 이론에서 보는 바와 같이 발도르프의 유아교육의 목적은 모든 아동을 인류학적 인간주의에서 교육을 실시하는 것으로 아동의 신체, 정신 그리고 영혼을 균형을 이룬 건강한 방법으로 통합하는 것을 추구하는 것이란 점이다. 아동을 전인격체로서 개발하는 것을 목적으로 하고 있다. 둘째는 발도르프 유치원에서는 신체적 활동이나 리듬활동은 아동을 현실적이고 인격적으로 의미있는 방법으로 유도할 수 있으며, 아동 자신들이 자신의 존재를 이 세계에 합치되는 것을 이해하도록 격려한다는 것이다. 셋째, Waldorf' 유치원의 공간은 인격 형성을 돕는 특성을 지니고 있음을 알 수 있다. 인격 교육을 '사람임' 이 아니라 '사람됨'의 문제로 이해하였을 때, 어린이의 생활세계 경험은 사람됨을 형성하는 밑바탕이 된다. 넷째, 인간은 타자와의 관계를 통해서만이 자신의 정체성을 구성할 수 있다. 발도르프 유치원에서 어린이들은 관계성을 강조하는 자연물 교구와 교사와의 활동을 통해 자신의 존재와 타자의 존재에 상호 중첩되어 있음을 배우게 된다. 다섯째, 발도르프 유치원에서는 어린이의 자유를 실천하여 인간의 가능성을 실현하도록 한다. This study attempts to understand the characteristics of humanity education in the Waldorf kindergarten education. This is to investigate any better way of pursuing humanity education going beyond its present scientific-empirical prescriptions. Various sources of literature have been reviewed, among which some readings on existential philosophy, phenomenology and hermeneutics, such as Heidegger, Gadamer, Sartre, Bollnow, etc., were helpful in building up the methodological guidelines. Besides, Korean and English versions of Waldorf-related materials, no German one, have been analyzed, because of the researcher's limited linguistic ability. The findings of the study are as follows: First, as shown in the Steiner's theories of human temperament and of the three realms of human beings, the aim of the Waldorf kindergartens is to educate the whole child on the basis of anthroposophical humanism. Pursuing to unify the child's body, mind and soul in a balanced and healthy way, the Waldorf educators aim to develop the child into a whole being. Second, physical activities and rhythmic experiences in the Waldorf kindergartens can make the child experience the world in an authentic and personally meaningful way, and encourage to understand his/her own being as a co-attuning one with the world. Third, the shapes of outeriors and interiors of the buildings and spaces are the parts of humanity education, which teach the child trust, sincerity, peace, and harmony in a lantent manner. Fourth, the Waldorf educators cultivate the sense of all-relatedness and -responsible through providing the play settings of natural materials and incomplete toys, in which the child can create the spacious room for a open dialogue with them and feel the responsibility for others. Fifth, not only the educational but also the administrative systems of the Waldorf kindergarten education are designed in order to accomplish the humanity as it naturally is, and to allow the child to accomplish his/her humanity freely out of the various kinds of existing constraints.

FET형 습도센서의 제조 및 그 특성

이성필,윤여경,김성진 慶南大學校 附設 工業技術硏究所 1998 硏究論文集 Vol.16 No.-

실리콘 마이크로 테크롤로지를 이용하여 MOSFET의 게이트 금속 전극사이에 감습물질인 TiO₂ 박막을 형성하여 MOSFET의 전계효과와 TiO₂박막의 습도감지 특성을 결합시킨 형태의 FET형 습도센서를 제조하고, 습도변화에 따른 감지 특성을 조사하였다. 제조된 HUSFET은 전형적인 enhancement 특성이 나타났으며, 문턱전압은 상대습도 60%에서 약 2.7 V였다. 상대습도가 30%에서 90%로 증가함에 따라 HUSFET의 문턱 전압은 3.0 V에서 2.4 V로 감소하였으며, 드레인 전류는 335μA에서 405μA로 증가하였다. 드레인과 게이트 전압을 고정하였을 때 HUSFET의 감도는 3.2gμA/RH로 나타났다. A new device, named humidity sensitive field effect transistor(HUSFET), for an integrated humidity sensors has been fabricated using conventional silicon micro-technology. The gate structure of the HUSFETs is TiO₂/Si₃N₄/SiO₂and water molecular permeable electrode is formed by thin porous gold. The fabricated devices showed typical enhancement mode characteristics and threshold voltage was about 2.7 V in 60 %RH. It can be seen that the threshold voltages of HUSFET decreased from 3.0 V to 2.4 V and the drain current increased from 335μA to 405 gμA according to increasing the relative humidities from 30% to 90%. The sensitivity of HUSFET was 3.2μA/RH when the drain and gate voltage are constant.

혈액 투석 환자에서 중심정맥 협착에 대한 스텐트 삽입술 : Wallstent Placement

임대승,노상필,이유선,정승현,김보영,이정우,강정아,김정희,이민수,정준용,최시완,정진옥,성인환,이강욱,신영태 충남대학교 의과대학 의학연구소 2002 충남의대잡지 Vol.29 No.1

Stenosis of central vein is a common complication arising after percutaneous subclavian vein catheter insertion performed for temporary vascular access in chronic renal failure patients undergoing hemodialysis. There are several treatment methods for the condition like percutaneous angioplasty(PTA), stent insertion, and surgery, but recent trend is toward PTA and stents. Among the patients diagnosed with chronic renal failure from March 1993 to May 2002 and undergoing hemodialysis through AV fistula, the 14 Patients in whom central vein stenosis arose were selected for the study. A total of 28 percutaneous interventions(5 PTA and 23 stent placement) were performed, and restenosis rate and the time taken till the restenosis in de novo lesions and instant lesions were compared. All 28 cases were operated successfully. The 14 cases that received both anigioplasty and stent placement initially. (de novo lesion : 14 cases), Among the 10 cases with de novo lesion that followed up more than 1 year, 3 cases are currently undergoing hemodialysis without restenosis, and the remaining 7 cases have recurred stenosis with the mean time to restenosis of 10.9 months. In the 7 cases in whom stenosis recurred, 11 interventions were done(instent lesion: 11 cases). 4 of these were using only ballon angioplasty with 100% restenosis rate and the mean time of 3 months until restenosis. The remaining 7 cases were using both balloon angioplasty and stent placement, also with 100% restenosis rate but with the mean time of 12 months until restenosis, which was later than the group receiving only balloon angioplasty. In treating the patients with central vein stenosis, stent placement seems to be more advantageous over PTA in terms of restenosis rate and the mean duration of patency. In the case of instent lesion, inserting the stent for the second time after stenosis recurred lengthened the duration of patency compared to performing balloon angioplasty alone.

Fusion of DEMs Generated from Optical and SAR Sensor

Jin Kyeong Hyeok,Yeu Yeon,Hong Jae Min,Yoon Chang Rak,Yeu Bock Mo 대한공간정보학회 2002 대한공간정보학회지 Vol.10 No.5

Development of the novel coating formulations for skin vaccination using stainless steel microneedle

Kim, Seong-Jin,Shin, Ju-Hyung,Noh, Jin-Yong,Song, Chang-Seon,Kim, Yeu-Chun Springer-Verlag 2016 Drug delivery and translational research Vol.6 No.5

<P>This study focused on the development of novel coating formulations for stainless steel microneedles against influenza A virus. With in vitro studies, various viscosity enhancers and stabilizers were screened based on the hemagglutination activity of the vaccine, which was coated and dried onto a stainless steel chip at room temperature for 1 day. Following the long-term storage test, the hemagglutination activity and particle size of the vaccine, which was formulated with conventional or methylcellulose or hydroxyethyl cellulose and dried onto the microneedle, were monitored. Next, to evaluate the in vivo immunogenicity and protection effect of each dried vaccine formulation, mice were immunized by the antigen-coated microneedle, which had either the conventional or the proposed formulation. Two novel formulations were chosen in the preliminary screening, and in further evaluations, they exhibited a 20% higher HA activity during storage for 3 months, and no aggregation was observed during storage after drying. In a mouse model, the microneedle with the novel formulation elicited a higher level of IgG and IgG2a was more prevalent in the IgG isotype profile. In addition, mice immunized with the HEC-coated microneedle survived with small weight loss (>90 %) against lethal challenge infection. Overall, the novel formulation hydroxyethyl cellulose preserved significantly higher HA activity during the production and storage of the microneedle as well as improved the in vivo immunogenicity of the vaccine.</P>

1920년대 스트라빈스키의 피아노 탐구와 그 결정체 < Serenade in A >

김여진 ( Kim Yeu Jin ) 한국피아노학회 2016 피아노음악연구 Vol.10 No.-

신고전주의의 영향으로 옛것과 새것을 세련되게 조화시킨 스트라빈스키의 피아노곡 『Serenade in A』는 복잡한 화성과 애매모호한 음악구조 때문에 많은 피아니스트들로부터 과소평가되어져 왔으며 특히 국내에서는 문헌자료나 논문을 찾아보기 힘든 작품이다. 스트라빈스키 피아노 음악에 대해 폭넓은 이해, 정확한 해석, 그리고 심도 있는 연주를 위해 문헌연구가 필요하다고 본다. 스트라빈스키가 1920년대 피아노라는 악기에 집중한 역사적 이유와 이 곡의 탄생 배경을 살펴보고, 그의 관현악곡들을 통해 즐겨 사용하는 음악어법들을 확인하여 이 곡에 적용시켜 곡의 구조를 분석한다. 곡의 분석을 통해 프레이징을 이해하고, 페달, 터치, 악상, 템포 등과 관련하여 작곡가의 의도를 파악한다. 역사적인 관점에서 신고전주의의 등장, 반복된 악기편성과 편곡과정들, 플레이엘회사와의 계약관계, 악화된 재정 상황 등의 이유로 스트라빈스키는 1920년대 피아노곡 작곡에 몰두하게 된다. 특히 마지막 이유인 경제적 결핍으로 인한 피아니스트로서의 활동을 위해 콘서트용 피아노 레파토리가 필요하였다. 그리하여 탄생한 곡 중 하나가 바로 『Serenade in A』이다. 음악 구조적인 측면에서는 4개의 짧은 악장 구성이나 대위법적 진행들 모두 바로크 조곡의 영향임을 보여준다. 반면에 음악어법은 전통적인 화성에서 벗어나 온음음계, 8음음계, 반음계를 많이 사용하였고 조성축을 사용하여 두 개의 조성을 동시에 나타냄으로서 무조음악과는 다르게 애매모호하게나마 조성감이 느껴지는 그만의 독특한 음색을 창출하였다. In comparison with his well-known orchestral works, fewer than twenty keyboard works of Igor Stravinsky (1882-1971) has been underestimated from many scholars and pianists for a long time because of its complicated harmonic intricacy and ambiguous musical structure. Domestically, it is very hard to find research papers and articles in terms of Stravinsky`s piano music. Thus, tracing his imaginative effort deserves investigation. It will provide us a wide range of musical comprehension, helps achieve a better interpretation, and then create an effective performance. This paper will exam three aspects of stravinsky`s Serenade in A, focusing on its historical context, his own harmonic usages, and an analysis of its musical structure. First of all, it is essential to explore why Stravinsky focused on composing piano works during the 1920s. In historical context, there were four distinct reasons: 1)important change in musical aesthetics during this time affected his musical decision. After the war, younger composers such as Bartok, Poulenc, Saite, Hindemith including Stravinsky were tired of nineteenth- century Romanticism and Expressionism because of its tendency to exaggerate musical gesture and express its too subjective emotion. They began to turn their eyes to the music of the Baroque period in order to find new styles and forms. Thus, they revived earlier concise form and then successfully utilized these forms within extended tonality, modality, or atonality. 2)his frequent writing of piano parts in ensemble works led him to thoroughly absorbed in piano music. When he composed 『The Wedding』, he had difficulty finding good performers in the aftermath of the war. In the process of trying to many different kinds of instrumentation, he reconsidered a piano as a pitched percussion. Moreover, he had transcribed 『Three Movements from Petrushka』 for piano solo. Through a series of piano adaptation, his interest to piano writing had increased. 3)a six-year contract with the Pleyel company (piano manufacturer) had Stravinsky transcribing most of his major works for the Pleyela piano. Although the piano is mechanical instrument, it allowed him to take a close look at the piano. 4)his financial difficulties due to both economic constraints from Russia and no royalties from his scores forced him to turn towards a career as pianist and conductor. He had to compose piano works as part of repertories to perform in pubic. Secondly, In terms of his harmonic usages, Stravinsky uses diatonic collections, octatonic collections, or simultaneous combinations of the two instead of a traditional tonality. He avoided producing conventional harmonic sonority not only by inserting many foreign tones and chromatic elements but also by leading to many unresolved passages and lacks of accustomed harmonic continuity. He creates an idiosyncratic harmonic organization by the superimposition and juxtaposition of two different kinds of triads, which is called a tonal axis. Lastly, an analysis about 『Serenade in A』 shows how Stravinsky skillfully combined traditional and new musical usages. Although harmonic language is original and innovative, musical structure and texture exhibit influence of the Neoclassical period because of its simple form derived from Baroque suite and transparent piano texture of the second movement affected by Mozart sonata. Contrapuntal progression from two voices up to six voices can be found everywhere in the third movement. In conclusion, the piece reveals Stravinsky`s clear intentions to adapt his own musical idiom to conventional form. Through the analysis, we can find good clues with regards to performing issues. Despite no pedal indications throughout the piece, it is possible to use a pedal to cover many bigger chordal passages. With lack of pedal, this piece requires a less percussive quality and rather deeper sensibility due to legato and espress. marks. Stravinsky`s stand of anti-Romanticism seems to affect his dynamics. He minimized indications in his score, disagreeing with abuse of dynamic marks. Thus, the range of dynamics is narrow and written dynamic markings are sparse. Tempos are very clear because of the metronome markings. We can follow his marked tempo.

COMPARISON BETWEEN COVERT AND OVERT NARCISSISM:A QUANTITATIVE RESEARCH ON NARCISSISTIC CONSUMERS IN LUXURY CONSUMPTION

Seong-Yeon Park,Yeu-Jin Kang 글로벌지식마케팅경영학회 2016 Global Marketing Conference Vol.2016 No.7

Since there are intimate relationships between customers and customer equity, this study aims to explore the effects of covert and overt narcissistic consumers on luxury brands’ customer equity. The authors confirm the significance of the previous qualitative study on the two types of narcissists in regard to luxury consumption and customer equity by using quantitative methods. Narcissism basically means a self-loving tendency in one’s mind. People with narcissism overly respect themselves and act in an egotistical way(Lasch, 1980). Some scholars state that there are distinctions in narcissists in that they can be either overt or covert. Covert narcissists are hypersensitive, feel inferiority, pursue social power and honor, crave compliments, have strong jealousy, feel dissatisfaction with work and society, have fragile egos, and a likelihood of conscience contamination. People with covert narcissism also try to avoid damage both physically and emotionally. Overt narcissists pursue social success, lack depth, ignore and devalue others, have strong aspirations, and passion for ethics, social politics, and aesthetic issues. They believe in their own grandiosity, which causes direct expression of exhibitionism, self-importance, and a preoccupation with getting the attention and admiration from others(Hendin & Cheek, 1997; Park & Kang, 2013; SALMAN AKHTAR & Thomson Jr, 1982).

모르타르의 압축강도에 미치는 시멘트 강도의 영향에 관한 실험적 연구

최세진(Choi, Se Jin),정용(Jeong, Yong),박창수(Park, Chang Soo),오복진(Oh, Bok Jin),여병철(Yeu, Byung Chul),김무한(Kim, Moo Han) 한국콘크리트학회 2004 한국콘크리트학회 학술대회 논문집 Vol.2004 No.5

A STUDY OF COVERT AND OVERT NARCISSISTIC CONSUMERS IN LUXURY BRAND MANAGEMENT

Seong-Yeon Park,Yeu-Jin Kang 글로벌지식마케팅경영학회 2015 Global Fashion Management Conference Vol.2015 No.06

Cyclic Voltammetry에 의한 전자전도성 고분자인 Polypyrrole 박막의 전기 화학적 특성 분석

진정우,여태환,김훈상 중앙대학교 생산공학연구소 1994 생산공학연구소 논문집 Vol.3 No.2

전자전도성 고분자인 polypyrrole 박막의 cyclic voltammogram을 실험 및 이론에 의하여 동일한 조건 하에서 구하고, 이 박막의 전기 화학적 특성을 이해하기 위하여 서로 비교 분석하였다. 적정조건 하에서 모사된 cyclic voltammogram은 실험에 의한 cyclic voltammogram과 정량적으로 일치하였으며, 예측된 종속 변수들의 변화에 의해 switching 공정이 polypyrrole 전극에 대한 상대이온의 존재량과 전극의 활성 면적에 의해 지배된다는 것을 알 수 있었다. 또한, 민감도 분석을 통하여 전기 이중층이 전기화학반응보다 cyclic voltammogram에 더 큰 영향을 끼친다는 것을 알 수 있었다. Experimental and theoretical cyclic voltammograms for electronically conducting polypyrrole film are obtained from the identical conditions and compared each other to characterize electrochemical behavior of the polymer. A comparison of the experimental and simulated cyclic voltammograms shows quantitative agreement. The profiles of the dependent variables show that the switching process is governed by the availability of the counterion to the polypyrrole electrode and the amount of electroactive sites. Sensitivity analysis shows that the double layer effects have more influence in the cyclic voltammograms than the electrokinetic effects.