http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.
변환된 중국어를 복사하여 사용하시면 됩니다.
( Isono Yayoi ) 건국대학교 법학연구소 2015 一鑑法學 Vol.0 No.30
IAEAおよびICRPは、放射線防護のために緊急防護範圍(EPZ)を指定し、防護措置を 執ることを定めた。EPZの範圍は各國によって異なることを示した。イギリスの擴張 原則のように基準を定めるが、それぞれの地理的、社會的條件で擴張出來るとする例 もある。日本では、過酷事故を想定せずに、PAZを設けて置かず、また半徑10kmとい う狹い範圍しかEPZを想定していなかったために、大變な混亂を招き、現在に至って いる。日本で何が起こったかを驗證し、EPZの確定のために必要な事柄を課題として 取り出した。確定に當たっては、避難弱者や子供に重点をおくこと、プル-ムにより 圍範圍にホットスポットが出來ることや情報適用との關係を考えることが必要であ る。また、放射線防護は、人タの 「健康に生きる權利」を保護する措置であり、避難そ の他は住民自身の行動が求められるのであるから、策定過程には住民の十分な參加が 必要であり、情報へのアクセス權、決定への參加權が認められることが肝要である。
Role of Breast Tomosynthesis in Diagnosis of Breast Cancer for Japanese Women
Takamoto, Yayoi,Tsunoda, Hiroko,Kikuchi, Mari,Hayashi, Naoki,Honda, Satoshi,Koyama, Tomomi,Ohde, Sachiko,Yagata, Hiroshi,Yoshida, Atsushi,Yamauchi, Hideko Asian Pacific Journal of Cancer Prevention 2013 Asian Pacific journal of cancer prevention Vol.14 No.5
Introduction: Mammography is the most basic modality in breast cancer imaging. However, the overlap of breast tissue depicted on conventional two-dimensional mammography (2DMMG) may create significant obstacles to detecting abnormalities, especially in dense or heterogeneously dense breasts. In three-dimensional digital breast tomosynthesis (3DBT), tomographic images of the breast are reconstructed from multiple projections acquired at different angles. It has reported that this technology allows the generation of 3D data, therefore overcoming the limitations of conventional 2DMMG for Western women. We assessed the detectability of lesions by conventional 2DMMG and 3DBT in diagnosis of breast cancer for Japanese women. Methods: The subjects were 195 breasts of 99 patients (median age of 48 years, range 34~82 years) that had been pathologically diagnosed with breast cancer from December 20, 2010 through March 31, 2011. Both conventional 2DMMG and 3DBT imaging were performed for all patients. Detectability of lesions was assessed based on differences in category class. Results: Of the affected breasts, 77 (75.5%) had lesions assigned to the same categories by 2DMMG and 3DBT. For 24 (23.5%) lesions, the category increased in 3DBT indicating improvement in diagnostic performance compared to 2DMMG. 3DBT improved diagnostic sensitivity for patients with mass, focal asymmetric density (FAD), and architectural distortion. However, 3DBT was not statistically superior in diagnosis of the presence or absence of calcification. Conclusions: In this study, 3DBT was superior in diagnosing lesions in form of mass, FAD, and/or architectural distortion. 3DBT is a novel technique that may provide a breakthrough in solving the difficulties of diagnosis caused by parenchyma overlap for Japanese women.
吉本弥生(Yoshimoto, Yayoi) 일본어문학회 2016 일본어문학 Vol.75 No.-
“Friendship,” written by Mushanokoji Saneatsu, has been widely read as a youth novel and has been acknowledged as one of the masterpieces of the modern Japanese literature. It can be said that the central topics in this novel are Nojima’s love towards Sugiko, the friendship between Nojima and Omiya, and the gender issues, but I take a different approach to this novel by contrasting her relation to Nojima with her relation to Omiya and, in particular, considering the change of Nojima’s mental states. The feeling of the main character in “friendship,” Nojima, towards Sugikois considered to be idolatry, and it can be assumed that Nojima tries to attract her to resolve his lack of confidence. On the other hand, Omiya and Sugiko attract each other, developing a bidirectional love relation. In other words, Nojima’s love excluded the others, while the love between Omiya and Sugiko achieved an equal relationship between a man and a woman. However, the point at which Nojima is highly assessed in the novel is that his criterion for love is set on the personality of the woman. These criterion, in short, represent his honesty and cleanness, for which his personality “grows.” That Nojima highly values personality lets him be aware of his own problems and recognize the reality.
요시모토 야요이(Yoshimoto Yayoi,吉本弥,生) 일본어문학회 2015 일본어문학 Vol.69 No.-
武者小路実篤の思想は、「宗教性」という言葉に集約されて論じられてき たが、その内実にまで踏み込んだものはみられなかった。たとえば、武者小路実篤は早くから『論語』に親しんでいたが、これまでは、その点がほとんど注目されてこなかった。本稿では、『荒野』「わしも知らない」「人間万歳」の三作に武者小路実篤の宗教思想の内実を探り、『荒野』には、トルストイ的キリスト教思想とともに儒学思想が認められ、「わしも知らない」には、大乗仏教の影響があること、そして「人間万歳」では、キリスト教の考えが、どの宗教のものでもない多神教の世界に導き入れられ、かつ、神様も天使達も擬人化して描かれ、人間のような性質が与えられ、いわば新しい神話の形がつくられていることなどを明らかにした。その背景として、江戸時代に民衆のあいだに広まっていた儒学を中心にする三教一致論に立つ天道思想が明治期にキリスト教受容にはたらいたことなど、日本における近世と近代の思想的連続性の流れを考え、武者小路実篤もその流れのなかに置くことにより、はじめて、独自の宗教思想を形づくっていたことを明らかにしうるのである。