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- 저자 : Vesta (검색결과 6 건)
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Experiencing the Art/Craft/Handmade/Studio Furniture Aesthetics in Postmodernism Theoretically (Ⅲ)
Vesta. A. H. Daniel,Sun-Ok Moon 한국가구학회 2009 한국가구학회지 Vol.20 No.3
Through this study, I explored a creation of the postmodern furniture aesthetics through the transformation by student?s interpretation in experiencing the art/craft/handmade/studio furniture aesthetics in postmodernism theoretically for ?wood culture experience class? or ?wood love experience class? by the Korea Forest Service because the class tends to focus on making simple wood works involved just in the practical part. Qualitative conceptual analysis as the principal methodology was used to achieve the theoretical context in the experience programs. Following the lesson one on defining the postmodern aesthetics in New Design furniture as metaphor and the lesson two on interpreting an aesthetics of art and everyday life with the wood furniture which expresses the metaphorical and symbolical aesthetics appeared as New Design furniture in postmodernism in the previous papers, I developed lesson three on creating an object using eco-friendly materials like wood in transforming an aesthetics of postmodern furniture as the final stage of the study. Therefore, the students will be able to create a piece of eco-friendly wood furniture for our environment as metaphor transformed by his/her perspective regarding a piece of selected New Design furniture.
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Daniel, Vesta. A.H.,Moon, Sun-Ok Korea Furniture Society 2009 한국가구학회지 Vol.20 No.3
Through this study, I explored a creation of the postmodern furniture aesthetics through the transformation by student's interpretation in experiencing the art/craft/handmade/studio furniture aesthetics in postmodernism theoretically for 'wood culture experience class' or 'wood love experience class' by the Korea Forest Service because the class tends to focus on making simple wood works involved just in the practical part. Qualitative conceptual analysis as the principal methodology was used to achieve the theoretical context in the experience programs. Following the lesson one on defining the postmodern aesthetics in New Design furniture as metaphor and the lesson two on interpreting an aesthetics of art and everyday life with the wood furniture which expresses the metaphorical and symbolical aesthetics appeared as New Design furniture in postmodernism in the previous papers, I developed lesson three on creating an object using eco-friendly materials like wood in transforming an aesthetics of postmodern furniture as the final stage of the study. Therefore, the students will be able to create a piece of eco-friendly wood furniture for our environment as metaphor transformed by his/her perspective regarding a piece of selected New Design furniture.
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문옥선(Sun Ok Moon),Vesta A. H. Daniel(Vesta A. H. Daniel) 한국가구학회 2001 한국가구학회지 Vol.12 No.1
This study explored the background of contemporary furniture design called New Design furniture, which newly expresses the aesthetics of communication in the postmodern era. Qualitative conceptual analysis as the principle methodology was used to explore the background of the decorative and meaningful contemporary furniture in postmodernism. Thereby, the postmodern concepts of Charles Jencks, Robert Venturi, and Michael Graves were analyzed in terms of their postmodern architecture and furniture. As initiatives of postmodern architecture and furniture, Jencks, Venturi, and Graves explored the pluralism and eclecticism, the decoration, the semantics, and the materials reestablished from the traditions of craft. As a result, their furniture was expressed by various wood and color; the furniture was beautiful, decorative, pluralistic, and eclectic for communicating symbol, metaphor, narrative, and/or humor with people; the furniture has influenced the communicative elements on the contemporary furniture design called New Design furniture design, which shows the blurring of fine arts and craft distinctions.<br/> Keywords: postmodern, modem, communication, semantics, symbol, metaphor, narrative, humor, pluralism, eclecticism, decoration, fine arts, craft<br/>
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문선옥(Sun Ok Moon),Vesta A. H. Daniel(Vesta A. H. Daniel) 한국가구학회 2001 한국가구학회지 Vol.12 No.1
This study explored the characteristics of contemporary furniture called New Design furniture design in terms of aesthetics of communication in the postmodem era. Qualitative conceptural analysis as the principal methodology was used to explore the characteristics of New Design furniture, which is accessible to the broadest possible public. Thereby, the communicative elements of symbol, metaphor, narrative, animation, imagination, humor, and/or wit expressed in New Design furniture were analyzed according to the designers' concept and work. As a result, the postmodem aesthetics of communication made New Design furniture accessible to the largest number of people through cultural considerations in New Design furniture as it influences designers' concept and work. However, it should problems of New Design furniture in connection with postmodem aesthetics affecting mass production. Therefore, the designers have begun rethinking, redefining, and redesigning their furniture aesthetically, functionally, economically, and ecologically.<br/> Keywords: postmodern, modern, communication, semantics, symbol, metaphor, narrative, humor. pluralism, eclecticism, decoration, fine arts, craft<br/>
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R. Uthrakumar,C. Vesta,C. Justin Raj,S. Krishnan,S. Jerome Das 한국물리학회 2010 Current Applied Physics Vol.10 No.2
The unidirectional crystal growth method has been employed for the bulk growth of semi-organic nonlinear optical bisthiourea zinc chloride single crystal along a-axis with high solute-crystal conversion efficiency. Single crystal X-ray diffraction studies confirm the orthorhombic structure. Optical studies reveal very high transmission of the crystal along the growth axis. Dielectric study shows that the dielectric constant decreases with increase in frequency. Microhardness measurements along the growth axis enunciate the favorable hardness behavior.
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문선옥,Moon Sun-Ok,Daniel Vesta A. H. Korea Furniture Society 2003 한국가구학회지 Vol.14 No.1
이 논문은 우리 환경의 생태계 보호를 위하여 뉴 디자인 가구가 어떻게 창조되고 있는지를 연구하였다. 즉, 오늘날 포스트 모던 시대에 뉴 디자인 가구 디자이너들이 환경 문제의 해결점의 하나로 새롭고 다른 방향으로 자신들의 가구를 창조할 수 있는가에 관한 담론이다. 우리가 안고 있는 생태계 보호를 위한 가구를 디자인할 때 필요한 재사용 및 재활용이 가능한 재료들, 유행을 초월한 가구, 가구의 견고성, 대량 생산 가구 등이 심각하게 분석되었다. 이 분석에 따르면 뉴 디자인 가구 디자이너들은 재활용된 재료들, 주거 환경 및 지속성, 새로운 가구 미학을 내포한 새로운 가구 디자인 철학을 얻을 수 있었다. 대량 생산된 가구는 경제성 때문에 많은 대중에게 접근되는 좋은 점보다는 우리에게 더 많은 쓰레기 더미를 준다라는 사실이 뉴 디자인 가구 다자이너들에게는 매우 심각한 문제였다. 따라서 가구 디자이너들이 양보다는 질에 중점을 둔 가구를 창조하는 것이 필요하다는 것이다. 결론적으로 환경적 책임을 느낀 뉴 디자인 가구 디자이너들은 튼튼하면서 재활용될 수 있으며 유행을 초월한 기능적이면서도 미적인 가구를 창조할 때만이 뉴 디자인 가구론 구입하는 소비자들이 뉴 디자인 가구를 올바른 방향에서 인식할 수 있을 것이다.
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