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      • KCI등재

        Molecular cloning and expression analysis of a myosin light chain 1 (MLC‐1) gene from Indian meal moth Plodia interpunctella (Lepidoptera: Pyralidae)

        Qiu‐Ning Liu,Dan-Dan Bian,Chun-Lin Zhou,Bo-Ping Tang 한국곤충학회 2015 Entomological Research Vol.45 No.6

        Myosin light chain 1 (MLC‐1) protein acts in the organization, dynamics and transport processes associated with the cytoskeleton. In this work, an MLC‐1 gene was cloned and characterized from the Indian meal moth, Plodia interpunctella (Lepidoptera: Pyralidae). The isolated PiMLC‐1 cDNA is 913 bp, including a 5′‐untranslated region (UTR) of 79 bp, 3′‐UTR of 381 bp and an open reading frame (ORF) of 453 bp encoding a polypeptide of 150 amino acids, which contains two calcium binding domains (EF‐hands). The deduced PiMLC‐1 protein sequence has 39–94% comparison with other individuals. The qPCR analysis revealed that PiMLC‐1 was expressed in the four developmental stages (egg, larva, pupa and adult) and in all tissues tested, suggesting that it plays an important role in development of P. interpunctella. Based on the MLC‐1 amino acids, phylogenetic analysis showed a similar topology with the traditional classification, suggesting the potential value of the MLC‐1 protein in phylogenetic inference.

      • KCI등재

        Probabilistic Teleportation of the Three-particle Entangled State by Two Partial Three-particle Entangled States

        Qiu-bo Fan,Shou Zhang,Chung-In Um,Kyu-Hwang Yeon,Li-li sun 한국물리학회 2005 THE JOURNAL OF THE KOREAN PHYSICAL SOCIETY Vol.46 No.2

        A scheme to probabilistic teleportating an unknown three-particle entangled GHZ state by using two partial three-particle entangled GHZ states as the quantum channel is proposed. An unknown three-particle entangled GHZ state can be well teleported probabilistically by performing two Bell measurements on the sender's side and two Hadamard operations, one on the sender's side and other on the receiver's side, and then introducing an appropriate unitary transformation in each receiver's laboratory conditioned on the simple measurement outcome of the other.

      • KCI등재

        Superdense coding using a non-symmetric multipartite quantum channel

        Qiu-Bo Fan,Shou Zhang,엄정인,Feng-Yue LI,연규황,Li-li Sun,Zhe JIN 한국물리학회 2005 THE JOURNAL OF THE KOREAN PHYSICAL SOCIETY Vol.46 No.4

        We investigate superdense coding in the case of non-symmetric Hilbert spaces of the sender’s and the receiver’s particles sharing the multipartite maximally quantum channel. We also consider that a symmetric quantum channel is transformed into a non-symmetric one. As a result, the efficiency of information transmission is successfully increased.

      • KCI등재

        「遊山慕仙詩」의 構想과 表現 -『三敎指歸』와 關係를 中心으로-

        ( Yun Bo Qiu ) 한국일어일문학회 2013 日語日文學硏究 Vol.87 No.2

        「유산모선시(遊山慕仙詩)」는 공해(空海)의 한시문집『성령집(性靈集)』의 開卷作이며, 『문선(文選)』에 수록된 何초와 郭璞의 「유선시(遊仙詩)」에 대한 비평이다. 이 작품은 공해(空海)의 대표적인 한 수로서 주목 받고 있다. 지금까지의 선행연구는 다양하게 이루어지고 있지만, 동(同)작품의 구상과 표현을 공해(空海)작품의 흐름 속에서 고찰하고 있는 연구는 눈에 띄지 않는 것 같다. 그래서 本稿에서는, 「유산모선시(遊山慕仙詩)」라고 하는 시가를 공해(空海)문학의 흐름속에 관점을 두고 『삼교지귀(三敎指歸)』와의 관계를 중심으로 검토하고, 그 構想의 表現을 고찰한다. 本稿에 있어서 고찰한 결과 첫째,「유산모선시(遊山慕仙詩)」라는 詩歌는 『삼교지귀(三敎指歸)』와 같이 공해(空海)가 眞言密敎思想을 선양하기 위한 것이다. 그리고 양자는 함께 삼교논쟁(三敎論爭)이라는 사상적배경을 바탕으로 공해(空海)의 포교수단에 지나지 않는다. 둘째,「유산모선시(遊山慕仙詩)」는 『삼교지귀(三敎指歸)』의 構想을 근거로 하면서, 거듭 정리한 것이다. 『삼교지귀(三敎指歸)』로 이미 논하고 있던 三敎論을 詩歌라고 하는 형식으로 한번 더 정리 되었다. 그 詩文은 儒敎의 부족함에 대한 批評·道敎의 부족함에 대한 批評·眞言密敎의 우월함의 강조라고 하는 三段式으로 이루어져 있다. 셋째, 詩歌의 표현은『삼교지귀(三敎指歸)』와 같이 많은 중국 고전전적(古典典籍)을 차용하고, 그리고 동물 은유법라고 하는 문학표현을 받아들이고 있다. 중국 고전전고(古典典故)의 다량인용은 공해(空海)가 뛰어난 한시문의 교양을 나타내고, 양자의 인용 중복은 공해(空海)작품의 관련성을 나타내고 있다. 동물 은유법은 공해(空海)의 자비심을 드러내는 동시에 종교인으로서의 문학의식도 반영하고 있다. 따라서 本稿에서는 「유산모선시(遊山慕仙詩)」라고 하는 詩歌의 構想이라고 表現을 밝혔다. “Yusan-bosen-shi”, the beginning poem of Kuukai’s Chinese poetry collection “Shoryoshu”, comments and criticizes another poem “A Fairy Poem” by He Shao and Guo Pu stored in a "Selected Literature". As one representative poem of Kuukai, this work attracts attention. Although its previous research was performed variously, it seems that the research considering the concept and expression of the poem in the flow of the Kuukai’s work is not found. Therefore, this paper will view “Yusan-bosen-shi” in the flow of the Kuukai’s literature, examining its concept and expression with relation to “Sang? Shiiki”. As a result of the research, this paper draws the conclusions as follows. Firstly, “Yusan-bosen-shi” confesses Kuukai’s religious mind of esoteric Buddhism, like what he does in “Sang? Shiiki”. And both texts are carried out under the thought background of “Three Religions Concept”. Actually they are only the means of Kuukai’s preaching of his religious thought. Secondly, “Yusan-bosen-shi” further expounds the “Three Religions Concept” discussed in “Sang? Shiiki”, in the form of poem. It consists of three steps: the criticism of the insufficiency of Confucianism, the criticism of the insufficiency of Taoism, and finally the generalization of the superiority of the esoteric Buddhism over them. Thirdly, like “Sang? Shiiki”, the poem of “Yusan-bosen-shi” quotes a lot from Chinese classic works as a way to express , and takes in the figurative expressions called the metaphor of animals. Kuukai’s abundant quotation from the Chinese classic works shows his depth of knowledge of the Chinese literature. And the duplication of quotations in these two texts shows the relevance of the Kuukai’s works. The application of animal metaphors shows Kuukai’s merciful heart towards all living creatures. And all the above shows Kuukai’s literary consciousness as a religionist. Thus, the concept and expression of the poem “Yusan-bosen-shi” is clarified in this paper.

      • KCI등재

        三敎指歸 の蛭牙公子像

        구운파 ( Yun Bo Qiu ) 한국일어일문학회 2012 日語日文學硏究 Vol.83 No.2

        This article`s object of study is Situga(蛭牙) who is one of the characters in "Sango Shiiki"(三敎指歸)of Kuukai(空海) and is put in the panorama of the works of Kuukai(空海) in order to understand the character`s image, effect and nature. Besides in "Sango Shiiki"(三敎指歸), you can also see this character in the other works of Kuukai(空海). Therefore, this article will do research on his other works -- "Shoryoshu"(性靈集),"Jujushinron"(十住心論) with the purpose of better understanding the characteristics of his image and effect. The results of my research are as follows: Firstly, the reason why I set this character is the debate among Confucianism, Buddhism and Taoism in Japan at that period. In order to deal with his own insights into the three religions, Kuukai(空海)used his nephew as a model, commonly educated by the three religions. Therefore, that figure was the starting point of Kuukai(空海)`s literature. Secondly, in the addition to "Sango Shiiki"(三敎指歸), you can also find it in "Shoryoshu"(性靈集).The comparison to animals used in the two works is not to look down upon such people as Situga(蛭牙), but to influence and educate them, which is originated from Kuukai(空海)`s Buddhist merciful desire. So this figure also reflects his starting point of his thoughts of Esoteric Buddhism. Thirdly, with the help of this character, Kuukai(空海)can show his attitude to the debate of three religions and began spreading Buddhism from then on. As a monk sent to Tang, he learned authentic Esoteric Buddhism in Changan of the Tang Dynasty, which was brought back to Japan, and started to save all beings. After the "Shoryoshu"(性靈集) and other works, Kuukai(空海)`s thought ,dating from the setting of Situga(蛭牙), gradually became mature in the practice of all beings and finally formed the "Jujushinron"(十住心論). Situga (蛭牙) `s heart is the first heart of "Jujushinron"(十住心論)of the butting goat`s heart, which is the theoretical base on "Jujushinron"(十住心論). Consequently, Situga(蛭牙)`s real image and characteristic is made clear.

      • KCI등재

        공해문학에 보이는 법신관 -『삼교지귀』와 『성령집』를 중심으로-

        구운파 ( Yun Bo Qiu ) 한국일어일문학회 2014 日語日文學硏究 Vol.91 No.2

        본 연구는 공해(空海·774-835)의 대표작인 『삼교지귀(三敎指歸)』와 『성령집(性靈集)』을 중심으로, 공해 문학의 법신관(法身觀)을 고찰한 것이다. 진언밀교(眞言密敎)의 법신사상은 공해 문학의 중심사상이며, 공해 문학의사상적인 토대라고 말해도 과언이 아니다. 그리고, 법신사상은 공해의 종교인으로서의 문학의식을 반영하고 있다. 법신세계에 대한 문학적인 묘사는, 어디까지나, 특정한 대상을 경계하기 위해서다. 불교이론의 난해함을 문학적인 표현을통해서 해석하는 것은, 독자에 대한 배려이며, 사람들을 진언밀교에의 길로 이끌기 위해서다. 그의 문학창작은, 세속의 문학작품과 다르고, 중생구제를 목적으로 하고 있다. Focusing on the masterpieces,“Sang Shiiki” and “Shoryoshu” by Kuukai, thisessay does some research on the dharma-kaya view of the Kuukai literature. The dharma-kaya view of Shingon Mikkyo is a central idea of the Kuukailiterature, as well as the ideological foundation of the Kuukai literature. And the dharma-kaya view reflects Kuukai``s literary consciousness as a religionist. The literary depiction to the dharma-kaya world is to lead the society to the beliefin Buddhism. Through the literay description, it simplifies the buddhist theory,embodying his concern about his readers, and draws the way their belief. Hismasterpieces are different from ordinary literary works, aiming at saving the commonpeople. Besides, because of the Confucious education accepted during his childhood andconvertion to Buddhism as a young man, he is a Buddhist and of high literacy.Whilehis works are based on Buddhist thoughts we can also find out the literay performancin them, which is rarely seen in heian era. Therefore, after the analysis of this essay,we can have a good understanding of The View on dharma-kaya.

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