이순신 장례과정 연구

홍순승(Hong, Sun-seung) 순천향대학교 이순신연구소 2010 이순신연구논총 Vol.- No.14

이순신은 1598년 11월 19일 노량해전에서 전사한 후 남해 및 고금도에 안치 되었다가 고향인 아산으로 운구되어 다음 해 2월 11일 금성산에 안장되었다. 그리고 15년 뒤인 1614년 현재의 어라산 묘소로 이장되어 오늘에 이르고 있다. 본고는 이순신의 장례 과정을 운구 과정, 초장 과정, 이장 과정, 묘소 관리로 나누어 살펴보았다. 이순신의 전사 직후 그의 유해는 관음포와 노량포구를 거쳐 통제영이 있던 고금도로 옮겨졌다. 그 후 역로를 따라 아산으로 운구 되었다. 초장은 전후의 혼란 속에서도 거국적인 애도 분위기 속에 예관, 사제문, 부의 및유가족 은전 등을 포함한 예장으로 행해졌다.이장은 이순신 사후 평가의 진전에 따라 상향된 위상에 맞는 새로운 장의 요구 , 풍수지리설의 유행, 선조의 현양을 통한 가문의 과시, 공신들의 이장 성행 등을 배경으로 파악했다. 현재의 어라산 묘소는 이장시 묘역 확장 및 다양한 석물이 배설되었고. 그 후제3공화국 시절 대대적인 수보가 있었다. 결론적으로 이순신의 초장 및 이장, 묘소 관리는 각각 당대의 역사적 평가를 반영한 가운데 이루어졌다. After Admiral Lee Sun-Sin died in No-Ryang Naval Battle on November 19, 1598 and he was temporarily buried in Nam-Hae Island, Go-Geum Island, whose coffin was carried to be laid to rest in his hometown Asan, and in turn was permanently laid to rest in Mt. Geum-Sung on the next February 11, 1599. After 15 years, in 1614, his corpse was carried to Mt. Eur-Ra in which the burial site remains to the present time. This article divides his funeral proceedings into four parts: funeral procession, the first burial, moving the corpse to a new place, and the management of the graveyard and the tomb. Upon Admiral Lee Sun-Sin s death, the corpse was carried to Go-Geum Island, the headquarters after passing by Gwanumpo and Norangpogu. Afterwards, the corpse was carried to Asan along the post road. Though the chaos prevailed right after the war, the first burial and funeral was involved in the nationwide sorrowful mood, with the dispatched condolence delegations, ancestor worship, memorial, and condolence money and goods, the solemn funeral with majesty, and the special grace for the bereaved. The reason to move the tomb into a new place was that Admiral Lee Sun-Sin won a reputation for his great achievements after his death. Therefore, he had grown in stature, which was conducive to bring honor to his family and the prevalence of meritorious retainer ancestors tombs to a new place, and Chinese geomantic principles. The current graveyard of Admiral Lee Sun-Sin in Eu-Ra Mountain features extension of the area and establishment of stone figures by his descendants. In the third period of the Republic, the graveyard of Lee Sun-Shin was as good as that of the Royal Family s. Admiral Lee Sun-Sin s the first burial and movement of the burial site into a new place and the maintenance of the graveyard, like all the other Royal Family s counterparts, establish an outstanding historical reputation of him at the time.

Comparison of Melanoma Subtypes among Korean Patients by Morphologic Features and Ultraviolet Exposure

( Hong Sun Jang ),( Jee Hung Kim ),( Kyu Hyun Park ),( Jae Seok Lee ),( Jung Min Bae ),( Byung Ho Oh ),( Sun Young Rha ),( Mi Ryung Roh ),( Kee Yang Chung ) 대한피부과학회 2014 Annals of Dermatology Vol.26 No.4

Background: Genetic alterations have been identified in melanomas according to different levels of sun exposure. Whereas the conventional morphology-based classification provides a clue for tumor growth and prognosis, the new classification by genetic alterations offers a basis for targeted therapy. Objective: The purpose of this study is to demonstrate the biological behavior of melanoma subtypes and compare the two classifications in the Korean population. Methods: A retrospective chart review was performed on patients found to have malignant melanoma in Severance Hospital from 2005 to 2012. Age, sex, location of the tumor, histologic subtype, tumor depth, ulceration, lymph node invasion, visceral organ metastasis, and overall survival were evaluated. Results: Of the 206 cases, the most common type was acral melanoma (n=94, 45.6%), followed by nonchronic sun damage-induced melanoma (n=43, 20.9%), and mucosal melanoma (n=40, 19.4%). Twenty-one patients (10.2%) had the chronic sun-damaged type, whereas eight patients (3.9%) had tumors of unknown primary origin. Lentigo maligna melanoma was newly classified as the chronic sun-damaged type, and acral lentiginous melanoma as the acral type. More than half of the superficial spreading melanomas were newly grouped as nonchronic sun-damaged melanomas, whereas nodular melanoma was rather evenly distributed. Conclusion: The distribution of melanomas was largely similar in both the morphology-based and sun exposure-based classifications, and in both classifications, mucosal melanoma had the worst 5-year survival owing to its tumor thickness and advanced stage at the time of diagnosis. (Ann Dermatol 26(4) 485~490, 2014)

Oil Contents and Fatty Acid Composition of Korean Perilla (Perilla ocimoides L.) Collections

Hong,Seong-Taek,Son,Suk-Yeong,Jong,Seung-keun,Rho,Chang-Woo,Yun,Jong-Sun 한국자원식물학회 2003 Plant Resources Vol.6 No.3

This study was carried out to obtain informations on the variations of oil content and fatty acid composition among 90 Korean perilla collections. Average oil content of 90 perilla collections was 44.2% with a range from 29.7% to 61.9%. Perilla collections with late-maturing, super-large seed and gray seed coat showed higher oil content than other types in general. Average saturated fatty acid content in perilla oil was 9.0% with a range from 8.2% to 10.7%, while average unsaturated fatty acid content varied from 89.3% to 91.8% with a mean of 91.0%. Contents of saturated and unsaturated fatty acids were not related to maturity. There were no differences in the contents of saturated and unsaturated fatty acids according to maturity. Linoleic acid and linolenic acid contents were the highest in the super large-sized group(15.5%) and in the large-sized seed group(61.4%), respectively, while contents of fatty acids among the perilla collections were variable with different seed coat colors. Most of the traits studied were not significantly correlated with oil content, but linoleic acid($\omega$ 수식 이미지-6) content was negatively correlated (r=-0.217*) with linolenic acid(ω-3) content.

檀園 金弘道의 風俗畵 硏究

洪勇善 新羅大學校 1978 論文集 Vol.6 No.-

Kim, Hong-do (pen name:Dan-won) was the greatest genius in the art of the Yi Dynasty. In his genre paintings are expressed the common people's consciousness and the social life of his days. This is remarkable because genre paintings were generally considered vulgar by many and his courage as a genre painter defying the prevalent taste of the nobles was admirable. Thus the painting style of the later Yi Dynasty assumed a new aspect through his example. His paintings expressed the life and feelings of the underprivileged in all its everyday triviality. In contrast to one of his contemproaries, Hye-won, who is wellknown for his paintings of women, he showed marked interests on himan side in his realistic paintings He used humor and irony to paint the plight of the common people in their poverty. Dan-won's genre paintings had a great influence on his contemporeries and those who followed him. They exhibited the features of the epochal symbols in the later period of the Yi-Dynasy, and a new renaissance in the Korean art. It is deeply regretted that his style of painting declined after him during the 19th century without further expansion.

유비쿼터스 환경의 임베디드 기기들을 위한 가상기계의 설계 및 구현

최홍석(Hong-Suck Choi),김영근(Young-kean Kim),권혁주(Hyuck-Ju Kwon),이양선(Yang-Sun Lee) 한국멀티미디어학회 2006 한국멀티미디어학회 학술발표논문집 Vol.2006 No.2

본 논문에서는 유비쿼터스 환경의 임베디드 기기들을 위한 가상 기계인 임베디드 가상기계 (EVM)를 설계하고 구현 하였다. 임베디드 가상기계는 각 개발 언어로 작성된 프로그램과 의미적으로 동등한 중간 코드를 입력으로 받아 소프트왜어 레벨로 프로그램들을 실행 시켜 주는 프로그램으로, 하드웨어의 역할을 소프트왜어로 구현한 일종의 가상 기계이다. 소프트웨어로 구현 된 임베디드 가상기계는 운영체제나 임베디드 기기 등에 탑재 시 하드웨어의 구애를 받지 않고 어플리케이션의 실행이 가능하므로 플랫폼에 독립적인 장점을 가진다. 또한 임베디드 가상 기계는 순차적 언어와 객체 지향 언어를 수용하는 중간 코드를 입력으로 사용함으로써 각 언어에 대해 의존적으로 수행되는 MS사의 .NET과 Sun사의 JVM과는 달리 C/C++/Java 언어에 독립적인 실행이 가능하다.

THE KOMPSAT-I PAYLOADS OVERVIEW

Park, Hong Yul,Choi, Gi Hyuk,Yoon, Hyeong Sik,Lee, Seunghoon,Woo, Sun Hee,Shim, Hyung Sik,Oh, Kyoung Hwan,Cho, Young Min,Yong, Sang Soon,Lee, Sang Gyu,Heo, Haeng Pal 대한원격탐사학회 1998 International Symposium on Remote Sensing Vol.14 No.1

Korea Aerospace Research Institute (KAKI) is developing a Korea Multi-Purpose Satellite I (KOMPSAT-1) which accommodates Electro-Optical Camera (EOC), Ocean Scanning Multi-spectral Imager (OSMI), and Space Physics Sensor (SPS). The satellite has the weight of about 500kg and will be operated on the 10:50 AM sun-synchronized orbit with the altitude of 685 km. The satellite will be launched in 1999 and its lifetime is expected to be over 3 years. The main mission of EOC is the cartography to provide the images from a remote earth view for the production of 1/25000-scale maps of KOREA. EOC collects 510 - 730 nm panchromatic imagery with the ground sample distance(GSD) of 6.6 m and the swath width of 17 km by push broom scanning. EOC also can scan ±45 degree across the ground track using body pointing method. The primary mission of OSMI is worldwide ocean color monitoring for the study of biological oceanography. It will generate 6 band ocean color images with 800 km swath width and 1km GSD by whiskbroom scanning. OSMI is designed to provide on-orbit spectral band selectability in the spectral range from 400 nm to 900 nm through ground command. This flexibility in band selection can be used for various applications and will provide research opportunities to support the next generation sensor design. SPS consists of High Energy Particle Detector (HEPD) and Ionosphere Measurement Sensor (IMS). HEPD has missions to characterize the low altitude high-energy particle environment and to study the effects of radiation environment on microelectronics. IMS measures densities and temperature of electrons in the ionosphere and monitors the ionospheric irregularities at the KOMPSAT orbit.

종달리 소금의 상품화 방안

홍선기(Sun-kee Hong) 제주학회 2017 제주학회 학술발표논문집 Vol.2017 No.2

The so-called senary industry (or the sixth-level industry) refers to the industrial consolidation for increased efficiency that takes place between selected areas from the primary sector (including agriculture, forestry, and fisheries), the secondary sector (including the manufacture of goods and processing of raw materials) and the tertiary sector (including the provision of services and distribution of goods). Japan has already utilized its various seafood to produce a range of senary products since the early 2000s as a measure of regional revitalization. It works to create added value by focusing on the production of small commodities and multiple items and by adding local specialty associated with regional indigenous industries to the products. In particular, Japan has nurtured its senary sector with a focus on raw materials such as salt and salt-based items as a way of highlighting the local specialty of the production sites and promoting the products as premium. Although the method of producing sun-dried salt (as it is dried in the mud flats in Korea) disappeared, Japan still produces and sells salt in other various ways. Since 2002, salt has been traded and imported without any restrictions, leading to free distribution of salt from overseas production sites. The growing popularity of natural food and the increased recognition of imported salt required administrative guidance on the safety and quality of the products for the protection of consumers. In this sense, Japan legislated the ‘Fair Competition Act on Display of Edible Salt’ and mandated the sales of salt with the related accreditation labeled. Salt products currently manufactured and sold in Japan are grouped and categorized based on type, such as rock-salt, sea salt, special salt from overseas, and more, featuring some 150 different items. Vol. 3 of the Chronicle of Korean Fisheries (1910) documented the record from 1573 (mid-Joseon era) where then-Jeju Governor Kang Yeo designated the mud flat of the village of Jongdal-ri as a suitable salt field. He then sent a community leader to the Korean mainland who later returned with knowledge on how to produce salt and shared it with the villagers. Later historic records show that 353 households in the 1900s included nearly 160 residents involved in salt production, with 46 kilns used to boil brine. Instead of sun-drying the salt, the villagers poured seawater onto the sand to melt the bittern and boiled the brackish water in the traditional caldron. Jeju is a tourist destination and has the potential to develop a range of cultural products using its UNESCO Natural Heritage title. Although there is no longer salt production in Jongdal-ri, this could change. If Jeju succeeds in restoring production techniques and reviving the artisan high-quality salt industry, it can presumably produce an island-specific salt that is different from the mudflat-based ones of Jeollanamdo (a province in the southwest of Korea). It may be a good strategy for regional revitalization to bring recognition to Jongdal-ri of Jeju by producing artisan, high-quality salt in small yield rather than in abundance.

야쿠트어 폐쇄자음 연구-러시아어 차용어휘 분석-

강덕수 ( Duck Soo Kang ),김지선 ( Jee Sun Kim ),홍준희 ( Jun Hee Hong ) 한국외국어대학교 언어연구소 2007 언어와 언어학 Vol.0 No.39

Duck-soo Kang.Jee-sun Kim.Jun-hee Hong. 2007. A Study of Obstruents in Yakut through Analysis of Borrowed Words from Russian. Language and Linguistics 39, 1-16. One of the most important constraints in Yakut is connected with syllabic structure. Its syllabic structure is based on CV. So the constraint of "NoGeminates" is strictly applied. And the harmony between features is also considered important. Yakut has the strict constraint on the phonotactical relations. In Yakut a feature [constricted glottis] works more vigorously than [voiced]. This feature is combined with a feature [+back] or [+lab], making new constraints on the initial place: *#[+back, -CG], *# [+lab,+CG]. Finally, consonantal assimilation in obstruents of Yakut is dominated by 2 lows of constraints. VowelHarmony >> Ident-CV[pl] >> NCP >> *[+palatal]# >> Ident-IO; *#[+back, -cont][+back,-high] >> *#[+back,-CG], *# [+lab,+CG] >> [+cont] >> NoGem >> Ident-IO >> *[+voiced]#

'한국회화사' 재구축의 과제

홍선표(Hong Sun-pyo) 한국미술사학회 2004 美術史學硏究 Vol.- No.241

The present paper purposes to discuss tasks in reestablishing Korean painting history through the issue of 'meta art history' from the viewpoint of science history and theory history. Currently research and perception on Korean painting history is being developed focused on the subject and the object or nation and anti-nation based on the theory of internal development as the anti-colonial view of history. Taking typical landscape paintings and real landscape paintings as examples, the two were understood as opposite to each other in a way that former was non-subjective. imitative, ideological and foreign while the latter was national independent. original, realistic and modernistic, produced from the native color of Chosun. However, such a perception is hardly explainable considering that Jeong Seon, Kim Hong-do and other literary and professional artists in the late Chosun Dynasty created works of both tendencies without conflict. Like real landscape paintings, genre paintings and folk paintings developed as pan-East Asian genres and perception on them must also be reconstructed in the context of the circulation of East Asian practice and culture not in the view of modernism or nationalism. In modern paintings as well, Choi Woo-seok's <portrait of Admiral Lee> and other historical portraits are in fact military divines for the construction of the Great East Asia that borrowed the image of Toyotomi Hedeyoshi,and the fact that it was a symbol of 'Japan-Chosun Integration' combined with Shinto arts, which was the national polity of 'Empire' is a good example showing that it is urgent to overcome the existing frame of perception, which has been established as a discourse of resistance through reconstructing the frame of perception. To reconstruct Korean painting history. which has been defined and represented in Western modern ideologies and languages, in a form coincident with the realities, it is essential to reconsider the paradigm of art culture in the world system of East Asia, in which national boundaries have been drawn unilaterally and the others were excluded or reduced. Therefore, it is urgent above all to reconstruct Korean painting history in the structure of the paradigm of East Asian art culture and historical context, comprehending all similarities and differences between Chinese and Japanese painting histories and going beyond unilateralistic self-sufficiency and closeness or the narrowness of nationalism based on unilateralism. An East Asian standpoint to examine the reality of Korean painting history is to look the whole picture of East Asian art culture including elements jointly promoted through mutual relationship under the objective conditions of geography and system and others and to identify similarities and differences among the countries. Similarities and differences among the countries must be identified not by the relationship of universality and peculiarity established from the existing dichotomic view of the center and the surroundings but by structural elements that form the paradigm of East Asia art culture. To establish a diachronic system as 'Korean painting history' as well as synchronic perception as East Asian art history. it is required to reconstruct Korea art history as a continuing serial, breaking off the discontinuing or separated systems before and after the modern ages. Current texts of art history survey, which stop its description at the end of the Chosun Dynasty, are limited to traditional art history or ancient art history, so they are characteristically 'Korean Ancient Art History' or 'Korean Traditional Painting History.' In addition, although it is a part of Korean art history, Korean modern & contemporary art history is studied separately with little structural understanding of connection and evolution in the whole context. Such a research trend also caused dichotomic perception and discontinuity of traditional arts and creative arts, making it difficult to

무용수의 캐릭터 창조를 위한 즉흥(Improvisation, Etude)법 적용 및 비교 분석

홍선미(Hong, Sun-Mi) 한국체육과학회 2023 한국체육과학회지 Vol.32 No.6

This study was conducted by the necessity of concrete ways to create characters of dancers. The purposes of this study are to design a program using Improvisation for the creation of dancers’ characters, to examine the effects of the program, to compare them with the results of a preceding research using Etude by Hong, Sun-Mi(2008) researched for the same purposes, and then to discuss the range of applying both Improvisation and Etude to the creation of dancers’ characters. In the research method, this study designed and applied a program, drew the results of inductive analysis by collecting data from participants’ self-report, in-depth interview, and participant observer’s daily log for 12 weeks, and then comparatively analyzed the results with the preceding research. In the results of this study, first, the expression of impulsivity according to the matter of direction of consciousness was shown in Improvisation. Second, they were compared through analysis, observation, and visual creation. Third, they focused on the set-up of plot and creation of creative movement respectively, which was a difference. Fourth, there was a common feature such as expression of inner feelings and movements by motivation.