RISS 학술연구정보서비스

검색
다국어 입력

http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.

변환된 중국어를 복사하여 사용하시면 됩니다.

예시)
  • 中文 을 입력하시려면 zhongwen을 입력하시고 space를누르시면됩니다.
  • 北京 을 입력하시려면 beijing을 입력하시고 space를 누르시면 됩니다.
닫기
    인기검색어 순위 펼치기

    RISS 인기검색어

      검색결과 좁혀 보기

      선택해제

      오늘 본 자료

      • 오늘 본 자료가 없습니다.
      더보기
      • 무료
      • 기관 내 무료
      • 유료
      • Home on the Range : the Cowboy and the Noodle Chef

        Holberg, Amy Ewha Institute of English and American Studies 2008 Journal of English and American studies Vol.7 No.-

        Juzo Itami's 1985 film Tampopo, the story of a cowboy who rescues a female noodle chef, relies on the exchange of iconic images of masculinity within a cinematic economy which refers to itself rather than to any national culture, but which still results in a film that describes a particular experience of urban Japan in the 1980s. Tampopo's frame story, that of a yakuza who loves food, sex, and cinema, announces the film's self-conscious, self-reflexive nature from its opening, and highlights the cinematic economy at work, one in which questions of gender performance are paramount. As this is a social satire centered around food, food preparation becomes a vehicle for the public performance of other standards of behavior, consumption, and exhibition. Recent studies on Japanese masculinity are discussed to investigate the central role of the cowboy in Tampopo, a character and hero who is pure cinema-neither from Japan or the city, but, who, as expected, saves the day.

      연관 검색어 추천

      이 검색어로 많이 본 자료

      활용도 높은 자료

      해외이동버튼