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Groeninger, David V Loyola University Chicago 2005 해외박사(DDOD)
Images and representations are important means by which the city is known and negotiated. During the years of rapid urbanization in the late nineteenth and early twentieth centuries the daily newspaper presented the most important and pervasive word versions of the city. Among the significant innovations of Chicago's newspapers in these years that shaped the idea of the city was the emergence of the local color columnist. This study examines the role of columnists in Chicago newspapers between 1890 and 1930 in creating a city of the mind. After a review of the literature on images of cities, the relationship of newspapers to modern city life in the thought of Robert Park, and the world of Chicago's newspapers at the turn-of-the-century, detailed studies of a number of the most important columnists of the era follow. George Ade's column of the 1890s in the Daily News, "Stories of the Streets and of the Town," presented a view of Chicago from the perspective of migrants from the small towns of the Midwest. In the same decade Finley Peter Dunne's column in the Evening Post, featuring the fictional Irish barkeeper, Mr. Dooley, offered readers a literary version of the Irish working-class neighborhood of Bridgeport. Ring Lardner's Tribune sports column of the teens, "In the Wake of the News," satirized not only Chicagoans obsession with sports, but also the middle-class culture of opera, musical theater, and the newspaper itself. Several columns in the black newspaper, the Whip, offered images of Bronzeville in the years after World War I that both reflected and helped shape the experience of African-Americans on the South Side of Chicago. Ben Hecht's "1001 Afternoons in Chicago" column in the Daily News expressed a new, anti-Victorian sensibility in the post-war era, but his most enduring contributions to the image of Chicago were on the stage and in the new medium of film. The columnists who wrote about everyday life in the city were the most distinctive and powerful newspaper voices in shaping the idea of Chicago and the civic personality of the city itself.
Connected isolation: Screens, mobility, and globalized media culture
Groening, Stephen Francis University of Minnesota 2008 해외박사(DDOD)
"Connected Isolation: Screens, Mobility, and Globalized Media Culture" is an analysis of the implications of individualized media forms that increasingly constitute and encroach upon what was previously regarded as public space. I argue that the role of screens in non-theatrical contexts requires that we reassess the importance of media distribution and flows. The reconfiguration of social spaces caused by the proliferation of screens leads to new aesthetic modes and new forms of sociality. The push and pull of those media forms results in a social order I call "connected isolation," a predicament in which subjects must isolate themselves in order to connect to the world through media technologies. These technologies compel separation from the local in order to achieve immediacy with the global, thereby reconfiguring long-standing categories of space. The unresolved tensions between public and private produced by these devices (the use of cellular phones in public areas, for example) express the emergent social order of connected isolation. My dissertation provides a deeper understanding of a larger cultural problematic--the role of communication technologies in structuring social belonging--through a focus on the tensions between community and technological innovation in a social milieu structured by mass media. To describe the emergence of connected isolation as a new social order, I engage four theoretical constructs: distraction, the "space of flows," "mobile-privatization," and the aesthetic of liveness. As specific objects of analysis, I examine corporate training films from the silent era, in-flight entertainment, cellular phones, and television screens in public spaces. This dissertation, then, moves between the sociology of culture, economic geography and social theory to arrive at some conclusions regarding electronic communications technologies and the proliferation of screens.