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      • 佛敎儀式舞踊의 나비춤에 含有된 動作美 分析

        李炳玉,林靑和 龍仁大學校 1995 용인대학교 논문집 Vol.11 No.-

        This study analyzed the names of dances differently compared with the existing one, and there are Baerae style(배래 사위), Humjong style(험종 사위), Palgusoo style(팔거수 사위), Jungiee style(정지 사위), Goopimkaegie style(굽힘깨기 사위), Jungiog style(정족 사위), ongsoobae style(옹수배 사위), Yangsoohap style(양수합 사위), palsoochag style(팔수착 사위), Hoewonban style(회원반 사위), Punsoo style(평수 사위). Kopongori style(꽃봉오리 사위), Yonkot style(연꽃 사위), Hajchae style(학체 사위), Kulshinsoo style(굴신수 사위), Jwawoochigi style(좌우치기 사위), Ureuneun style(어르는 사위), Hanbaldeun style(한발든 사위), Balgoopim style(발굽힘 사위), Majeum style(맺음 사위) etc. in the style of dances. The harmonic line succession of them express the Nabichum. These names of dances are included in the Shixdangjakpub of Yungsanje the most magnificent and luxurious, and Dangjwa leads the whole ceremony, Dangkyung takes the role of playing the bell and Woonban and a couple of Tajoo perform the dances named Tahoo, Barachum and Nabichum. I expect that the study by an on-the spot investigaion concentrating on the action of dance instead of the history of dance will help following researchers. Nabichum has the feature of gracious, cautious and refined beauty. Also the Kumjogbaerae taking a serious view of the rhythm of Bumpae and Worshiping in the first beat makes the form of Nabichum. Nabichum has following basic elements Hapiangchak style(impressing the one mind with the joined hands fixed on the chest), Palsoojog style(impressing the respect with the arms crossed), Pyung style(wearing unfolded arms, bending the knees slowly), Yangsoohab style(dropping and raising the wrists wish the body pointed at this building that contains a statue of Buddha), Hak style(raising the Dopo dress like a crane unfolding the wings), Juawoota style(drawing a lotus blossom by the both hands with the eyes seeing right and left at 45 degrees) and Mooyo style (moving the arms like butterfly, bending the knees simultaneously). Nabichum is seldom spreading in public because it can't be approached with out the special performances by Buddhist priests. That's because conflicting thoughts between the succeeding situation and limited formation that the art of Dance includes. though the history of Buddhism is very long considering that it was introduced into Korea in the period of the three Kingdoms and it has mixed with folk belief and realistic desires of people. Buddhist dance has admitted the tradition of Korean public culture and contributed to the creative development of Korean dance. that is to say, the procedure of Buddhist ceremony performing Buddhist dance has rearranged accepting the traditional folk belief. But we can recognize that Bumpae and Jakpub have kept the feature of Buddhist music and dance through their melody and motion because Buddhism has accepted the folk belief with its own independence. On the other hand, the Jakpub as a Buddhist dane has affected the development of folk dane like Seungmoo(승무) But these Buddhist dances has almost destroyed today. The reason that first, since most Korean Buddhism orders head for Sunjong(선종), people don't have interest in Buddhism ceremony. Second, the interest in modernization of Biddhism ceremony has made people forget the traditional ceremony. These days, a part of Taegojong(태고종) has succeeded to the Jakub but these problem should be solved following days and aside from religious side, we should preserve it as a valuable properly.

      • 초등학교 탈춤 교육모형 개발연구

        이병옥 한국초등무용학회 1996 한국초등무용학회지 Vol.1 No.1

        An Approach to a Substantial Instruction in Mask Dance Appropriate to Primary Schools as Ones of Dancing Curriculum Since the New Curriculum has been declared, primary schools have already beillg applied to this 1995. Throughout the educatlonal history of Korea, it is the first time that Mask Dancing has appeared in athletics as one of the folk dancing fields tetally nonexistence. In consideration of the above, the treatise puts its emphasis on the improvement of Mask Dancing direction appropriate to each level of schools and also on the basic situation of Mask Dances as an educational curriculum itself. 1st studied on the educational value on Mask Dance as a basic study on Mas Dancing curriculum, then the principles of selecting on what to instruct and Iastly the history of Mask Dancing and its dramatic features as a basic theory of Mask Dance. 2nd. considered what to teach and how to teach Mask Dance under the new curriculum and the status of Mask Dance in athletics, and also on the liable problems in teacning Mask Dances by using textbooks. 3rd, collected and considered all the possible types and steps of Mask Dance throughout the country and analysed the principle types and steps to select some modeis to teach and to establish the teaching plans of Mask Dance. 4th, formed a masterplan appropriate to each level of schools by integrating the above results. Some of the main points of the above master plan according to Primary schools are as follows. Teaching basic forms and steps of Mask Dances that is, teaching basic theory and practice. making them interested in Mask Dances and also making them to know precious cultural heritage

      • 종양형성에서의 Ku단백질의 역할

        조병옥,박춘매,장인엽 朝鮮大學校 附設 醫學硏究所 2007 The Medical Journal of Chosun University Vol.32 No.2

        Ku is a protein which act as a repairing enzyme for the DNA double strand breaks (DSBs). It has a heterodimeric structure composed of two subunits, Ku70 and Ku86. The detail mechanism of Ku in DNA repair processes is still not unknown, but it is certain that Ku is a one of key protein in maintenance of chromosomal integrity and cell survival. Recent studies reported that dysfunction of Ku protein is related to the development of radioresistance in case of overexpression of Ku and tumorigenesis with Ku underexpression. As Ku may act as either a tumor suppressor or an oncoprotein, precise regulation of Ku function may be important for the tumor suppression. Ku may be used for the treatment of cancer to resist radiotherapy or chemotherapy.

      • 간경변증과 간세포암 환자에서 원인에 따른 Child-Pugh 점수, PGA 지수와 MELD 점수간의 상관관계

        문병식,안혁수,안득수,이승옥 대한간학회 2003 Clinical and Molecular Hepatology(대한간학회지) Vol.9 No.2

        서론: 간경증변의 정도를 정량적으로 측정하는 것은 여러 면에서 매우 중요하며, 이의 척도로 Child-Pugh 점수를 가장 보편적으로 이용되고 있고, 또 다른 척도로서 PGA 지수와 MELD 점수가 이용되고 있다. 이에 저자들은 간경변 환자와 이에 동반된 간세포암 환자에서 각각 알콜에 의한 경우와 바이러스성 간염에 의한 경우로 나누고, 각각에서의 Child-Pugh 점수, PGA 지수와 MELD 점수를 측정하고, 이들 척도간의 상관 관계와 각각의 원인에 따른 척도간의 차이를 비교 분석하였다. 대상과 방법: 2000년 3월부터 2002년 7월까지 알코올과 B형 간염바이러스에 의한 간경변증 또는 간세포암으로 진단된 339명의 환자에 대해 챠트를 분석하여, 간경변증과 이에 병발된 간세포암으로 진단된 경우로 구분하고 각 원인에 따라 네가지군으로 분류하였다: 알코올에 의한 간경변증 환자군: LC-Al, B형 간염 바이러스에 의한 간경변증 환자군: LC-B, 알코올에 의한 간경변증에 병발된 간세포암 환자군: HCC-Al,B형 간염 바이러스에 의한 간경변증에 병발된 간세포암 환자군: HCC-B. 각 네군 환자의 Child-Pugh 점수, PGA 지수와 MELD 점수를 측정하여 이를 비교 분석하였다. 결과: 총 399명 중 간경변으로만 진단된 환자는 201명 (LC-Al: 100명, LC-B: 101명)이었고, 간경변을 동반한 간세포암으로 진단된 환자는 138명 (HCC-Al: 31명, HCC-B: 107명)이었다. Child-Pugh 점수, PGA 지수 및 MELD 점수의 평균값은 각 군간의 통계학적인 차이가 없었다. 모든 환자군에서의 Child-Pugh 점수와 PGA 지수간의 상관관계는 정비례 관계를 보였으며(LC-Al 0.602, LC-B 0.770, HCC-Al 0.435, HCC-B 0.502), Child-Pugh 점수와 MELD 점수간의 상관 관계는 또한 정비례 관계이었다(0.548, 0.794, 0.708, 0.670). PGA 지수와 MELD 점수간의 상관 관계는 HCC-Al 군을 제외한(0.236) 다른 세 군에서 정비례 관계를 보였다(0.419, 0.622, 0.348). 질환별 상관 관계는 간세포암이 병발된 환자군보다 간경변증만 있는 환자군에서 상관계수 값이 더 높은 경향을 보였고, 원인별 상관 관계는 알코올에 의한 환자군보다 B형 간염 바이러스에 의한 경우에 상관계수 값이 더 높은 경향을 보였다. 결론: 간경변증 환자와 간세포암 환자에서 Child-Pugh 점수, PGA 지수와 MELD 점수간의 상관 관계는 정비례하였다. 간경변증만 있는 환자에서 간세포암 환자에 비해 각지수간의 상관계수 값이 높은 경향을 보였고, 원인이 B형 간염 바이러스인 경우에 알코올인 경우 보다 상관계수 값이 높은 경향을 보였다. Background/Aims: to determine the treatment modalities and the prognosis of a patient with liver cirrhosis, quantitative estimation of liver function is important. We assessed the Child-Pugh score (CPS), the common method as a severity index for the cirrhosis, the Promthombin, Υ-GT, and Apolipoprotein Al (PGA) index and model for end-stage liver disease(MELD) score. The purpose of this study was to evaluate the correlation between these indices in the patients with cirrhosis only and hepatocellular carcinoma (PHC), according to underlying causes (HBV and alcohol). Methods: We reviewed medical records of 339 cirrhotic patients with/without hepatocellular carcinoma and divided patient groups by disease and underlying cause: cirrhosis caused by alcohol; LC-Al, hepatocellular carcinoma with cirrhosis caused by HBV; HCC-B. We assessed the CPS, PGA index and MELD score and calculated the correlation coefficient between these scores. Results: Among the total of 399 patients, 201 patients were diagnosed on the liver cirrhosis only, and 138 patients on the hepatocellular carcinoma with cirrhosis. In each groups, mean score values were not significantly different in CPS, PGA index and MELD score. The correlation of CPS, PGA index and MELD score in all groups, except for the correlation of PGA index and MELD score in HCC-Al group, was significantly positive (p<0.05). Compared to correlation coefficients between three indices, the patients with cirrhosis only had higher tendencies than the patients with hepatocellular carcinoma. The patients by HBV had higher tendencies than by alcohol. Conclusions: The correlations between CPS, PGA index and MELD score showed significantly positive correlations in the patients with liver cirrhosis only and hepatocellular carcinoma with cirrhosis (except in HCC-Al group). The patients with cirrhosis only had higher correlation coefficients than the patients with PHC and patients by HBV had higher than by alcohol.

      • 포스트모던 댄스의 한국적 수용에 관한 연구

        李炳玉 龍仁大學校 1990 용인대학교 논문집 Vol.6 No.-

        Modernism appears hieratic, hypotactical and formalist, post modernism strites US by contrast as playful, paratactical, and deconstructionist. In this, it recalls the irrererent spirit of the Avant-Garde, and so carries sometimes the label Neo-Avant-Garde. Yet post modernism remains "Cooler" in McLuhan sense, than older vanguards-cooler, less cliquish, and far less aversive to the pop, electronic society of which it is a part. 1. Our portrait of the arts of the twentiethㆍcentury is to form under the stylistic heads of Modernism and post modernism, is must be a portrait of an age in which thos critical Methods are not solution But them selves phenomenon. 2. The post-industrial society is thus also a communal society in which thesocial unit is the community arganization rather than the individual 3. The striking result of the retormation, which installed individual conscience as the source of judgement. It(post-modern temper) provides the psychological apear head for an onslaught on the values and motivational patterns of ordinary behavior, in the time of liberation, eroticism freedom of impulse and the like.

      • KCI등재

        급성 충수돌기염의 조기 진단을 위한 초음파검사의 의의

        오병연,임경수,이영주,김원,최옥경 大韓應急醫學會 1998 대한응급의학회지 Vol.9 No.4

        Background: In the most of emergency department, the diagnosis of appendicitis has been carried by clinical history, physical examination and plain X-ray. But the diagnostic accuracy by these methods was so low that unnecessary operation was common performed, and sometimes the operation was delayed till the physicians could confirm the acute appendicitis clinically. Although many kinds of diagnostic tools such as CT scan, laparoscope, and etc, we believe that ultrasonography(US) would be a quick and sensitive diagnostic method for the evaluation of acute appendicitis in the Emergency Department. Methods: Forty-seven patients who were clinically suspected as acute appendicitis were evaluated with the grayscaled US by emergency physician. The probe of US was placed on maximal tender point of abdomen, and the appendix image was evaluated while probe was pressed deeply and gently. When the blind loop was found at maximal tender point of abdomen, we evaluated the diameter of appendix, the presence of compressibility, peri-appendiceal fluid collection and other mass effect. As soon as the ultrasonographic evidences of the appendicitis were noticed, the operations were done and pathologic report were reviewed later. Results: Among the forty-seven patients, forty patients were diagnosed as a appendicitis by Us, and most common ultrasonic findings were as follows; 1) non-compressible blind loop larger than 5 mm in diameter, 2) wall thickening more than 3 mm, 3) peri-appendiceal fluid collection, 4) periappendiceal mass. Among remaining 7 patients in whom we could not get any positive findings of appendicitis, abdominal CT scan was carried in 2 cases who had direct and rebound tendemess on right lower abdomen, and CT scan showed the evidences of the appendicitis. The other 5 cases without rebound tendemess were observed for 2 hours, and abdominal pain was disappeared lately. Finally forty-two patients were operated and confirmed as acute appendicitis by pathologic reports; 24 were reported as suppurative appendicitis, and 12 cases of gangrenous appendicitis, 3 cases of perforated appendicitis, and 3 cases were peri-appendiceal abscess. The specificity of US in the diagnosis of acute appendicitis was 71.4%, and the sensitivity was 95.2%. Conclusions: In some patients suspected appendicitis, emergency physicians could diagnosis acute appendicitis accurately and rapidly by use of ultrasonography. Although the US was an accurate imaging modality to diagnosis acute appendicitis and evaluate its complications, we recommend a laparotomy or abdominal CT scan in the patients with negative US findings in spite of presence of peritoneal irritation signs such as rebound tenderness and/or muscle guarding on right lower abdomen.

      • 原始韓國舞踊의 類型과 特徵 硏究

        李炳玉 龍仁大學校 1994 용인대학교 논문집 Vol.10 No.-

        In order to inquere into Korean ancient dances through literature research this thesis classified the primitive period of the prehistoric times, and the ancient times into the castle town nation times, the Three Kingdoms times and the Unified Silla dynasty times, and analysed and put together a social background, the generative and formative process of the ancient dance, and the evolving process of the ancient dance chronologically. The dance has been generated in a social background with a history of mankind, and its some part has disappeared on the one hand and its another part has been generated on the other. For that reason this thesis attempeted to clarify the social background concretely from the aspects of natural environment, village life, custom social institution, religion and belief culture and so on, and inquired into dance, classifying its function into an incantatory function, entertaining function, and artistic function. In particular, the ancient times is the living dance times, when people took advantage of the dance as a means for bring it into life, and the dance has developed into several forms of dances gradually with the evolutions of the times. If the generative and formative processes of the dance are summarized and investigated chronologically, it is as follows : In the hunting times of the primitive times the incontatory dance was generated from imitating the motions of animals or natural objects. At the turn of the agricultural times people, who come to perceive God, made use of dance as the language for communicating with God, as the symbol of prayer and the meaning of their wishes and as a means of religious ceremonies or rites.

      • 남방계와 북방계 탈춤의 생태환경적 비교연구

        이병옥,소병구 龍仁大學校 人文社會科學硏究所 2005 인문사회논총 Vol.- No.12

        The differences between the northern and southern dances are, While shoulder dance developed in the north, hip dance developed in the south, northern dance has bending movements of lower and upper body shile southern dance has bending the upper body to the sides. Also, one can see That while body motions, such as the body. shoulders and wrists have developed in the north. peripheral movements. such as eyes, neck and finger have developed in the south. Regarding the northern and southern dance. when comparing the northern and contral and southern mask dance in general. jumping and bending the body up and down wards. which are dynamic dances that move the entire body, including the torso and wrists while peripheral dances such as hands, hips, stepping, bending the body towards left and right and standing dance, tha thave small amount of movement but uses the peculiarity of the body. compared to the central southern mask dance. northern dance has more faster. extroversive and diffusing dances while central south mask dances have slower, introvert and imitations. However, the labor and occupation aspects show different conditions from climate and ecologcal conditions. It have been found out that the characteristics of the occupation and labor dances present the characteristics of northern nomads faintly but it displays the agricultural people of the south strengly. That is to sy, the northern IIaeseo mask dance does have a bit of northern nomadic culture but it is only faint and the central Sandae and southern Ogwandae and Yaryu mask dance show the characteristics of southern agricultural people strongly.

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