http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.
변환된 중국어를 복사하여 사용하시면 됩니다.
전통누룩 진균류를 이용한 입국의 제조 및 입국곰팡이의 동정
김재호 ( Jae Ho Kim ),권영희 ( Young Hee Kwon ),이애란 ( Ae Ran Lee ),김혜련 ( Hye Ryun Kim ),안병학 ( Byung Hak Ahn ) 한국균학회 2012 韓國菌學會誌 Vol.40 No.4
다양한 향미를 가진 막걸리의 개발을 위해 전통누룩으로부터 분리한 곰팡이로 입국을 제조한 후 품질특성을 분석하여 입국의 규격에 적합하며 이취가 없고 관능이 우수한 9균주를 입국 제조용 우수균주로 최종 선발하였다. 선발된 균주는 Aspergillus oryzae(C1-5-2-2, C20-7-3, CN1.3.1-4, CN16.19.1-1, N152-1, N220-1), Mycocladus corymbiferus (N162-2), Rhizopus oryzae(N20), Lichtheimia corymbifera (N21)로 동정되었으며, 제조한 입국의 산도는 5.0~6.8, 당화력은 128~241sp이었다. Various koji were prepared by fungi isolated from traditional nuruk and their quality characteristics were investigated. Acidity and saccharification power of their koji were ranged in 5.0~6.8 and 128sp~241sp. Nine fungi which were showed good quality and sensory evaluation were identified by analysis of their nucleotide sequences with PCR-amplified 18S rDNA internal transcribed spacer-1(ITS-1) and ITS-4 genes. Among them, six strains were identified as Aspergillus oryzae and the other strains were identified as Mycocladus corymbiferus, Rhizopus oryzae, Lichtheimia corymbifera.
전혜숙,이애련,류재운 東亞大學校 附設 生活科學硏究所 2003 생활과학연구 논문집 Vol.11 No.-
The purpose of this study is to look into the cosmetic culture of T'ang and its characteristics through reviewing historic relics such as paintings and 'doyng'(陶俑), which were created when the Chinese nation was founded and then prospered, and relevant literature. First, make-up for skin was based mainly on 'baekjang(白粧)' using 'bun(粉)' that had been applied to facial whitening since the period of Seonjin. But in the period of T'ang, methods of make-up with differently colored and perfumed 'buns' were popularized. 'Yeonji(연지)' as a main material for 'hongjang(紅粧)' was a red pigment, which was later added with oil and fat. The reason why 'hongjang' with yeonji added was in fashion in T'ang was not only because people of the Chinese nation pursued the beauty of red color, but also because the method of make-up was effective in protecting the skin. Second, partial make-ups of the T'ang period were investigated here in terms of some body parts, forehead, eyebrow, cheek and lips. 'Aekhwang(額黃)' meaning the make-up of the forehead was performed by way of decorating the middle of the body part with a yellow pigment. Originated from the decorative style of Buddhism, 'Aekhwang' was widely distributed as the religion prospered in the period of T'ang. 'Hwajeon(花鈿) used more colors, materials and patterns than 'aekhwang'. But the former was a transformation of the latter. The make-up of the eyebrow varied in shapes and names, having 15 to 16 methods ranging from 'ami(蛾眉)' meaning a thin, long eyebrow to 'kwangmi(廣眉)', wide eyebrow, as a variety of make-up materials were introduced into the Chinese nation. The traditional 'seokdae(石黛)' was not used any longer. Instead, one of imported cosmetics, 'najadae(螺子黛)' came to be widely used. For 'sahong(斜紅)' as the make-up of the cheek, yeonji was used to decorated scar shapes onto between hair on the temples and the eyebrow. While, 'jangyeop(粧?)' was a facial decoration which was made onto the dimple. It had been extended onto the rounded sides of the nose and varied in shapes since T'ang began to prosper. 'Sahong' and 'jangyeop' contributed to developing an unnecessary decoration like scar into a cosmetic culture. This is not easily acceptable from aesthetic views. So, the twos should be further studied. For a beautiful decoration of lips, 'sunji(脣脂)' and 'kuji(口脂)' were mainly used to dye the body parts. Lips as red as a cherry small in 'jeomsun(点脣)' and sensually mature in appearance, were popular in the period of T'ang. Based on the import of a great amount of cosmetic materials and trends of the imitation of aliens' white skin, make-ups in fashion in the period of T'ang were too much various and diverse in methods, including 'hongjang' making the face red for skin care and protection, 'buljang(佛粧)' seeking happiness under the prosperity of Buddhism and other special and unique decorations beyond conventional aesthetic views.
협동게임이 아동의 친사회적 행동 상호작용에 미치는 영향
이애련(Ae Ryun Lee),이재용(Jae Yong Lee) 한국체육교육학회 2000 한국체육교육학회지 Vol.5 No.1
The purpose of this study was to determine the extent to which cooperative games promote prosocial behavior interactions of young children. Specifically, this study attempted to investigate the extent to which cooperative games promote positive physical contacts and positive verbal interactions. Among the first graders of 31 Daeshin Elementary School children, two children who were either positive, average, or negative in physical activity levels were selected and observed. Prosocial behavior interaction checklists were prepared to record positive and negative physical contacts and verbal interactions and goal-related cooperative behavior. Nine weeks of data collection included four sessions of 30-minute cooperative game lessons per week for quantitative data. All 36 sessions were taught by a classroom teacher who was majoring physical education in the graduate school of a National Teachers College. The lessons were videotaped and recorded by using prosocial behavior interaction checklists. A trained observer watched six children using a recurring 30-second time sampling per child. Quantitative data were collected to show the incidence of specific behavioral interactions for each child. Qualitative research methods (i.e., field observation of game participants and teacher interviews) were used to provide a more descriptive analysis of the relationship between game factors and the resulting types and levels of behavior interactions for the game participants. The results of this study indicated that effects of cooperative games on the prosocial behavior interactions of young children as follows. First, positive interactions have significantly increased at the end of the nine week sessions both in physical contacts and verbal contacts than the earlier sessions of this study. Second, the incidence of negative physical contacts and negative verbal comments was low from the beginning and even less at the end of the 36 sessions. This appears to be the results of increased positive interactions among children. Third, a more goal-related behavior was observed than other behavior categories and was also increased significantly during the later sessions of the study. This means that the children in this study became to understand the content of cooperative games and enjoy the participating in cooperative games. It appeared that, after participating in cooperative games, they had changed from $quot;I$quot; perspective to $quot;We$quot; perspective to achieve the goal of the game and the incidence of negative behavior had been significantly decreased and that of positive behavior interaction had been significantly increased. In addition, recommendations for teacher educators and for the further study were presented.
1920년대 신문 · 잡지에 소개된 우리나라산 화장품 광고 고찰
이애련(Lee Ae-Ryun),전혜숙(Chun Hea-Sook) 한복문화학회 2016 韓服文化 Vol.19 No.3
Japan, which enhanced the economic, cultural exploitation in 1920, felt threatened by all national anti-Japanese will including March 1st Movement, and they changed into conciliatory cultural politics and permitted the publication of some Korean daily newspaper and magazine. To overcome the financial problems, Korean newspaper inserted the advertisement of Japanese products, as there are too many Japanese products in all areas of Chosun, Chosun Co. encouragement drive was spreaded to train economic ability and promote industrial economy, in order to counter against the promotion strategy of Japanese products consumption, based on national leaders of Chosun, intellect class, the religious person, landowners, youths, and ladies. Meanwhile, the Japanese cosmetics was sweeping the cosmetics market of Chosun in the 1920"s, but Korean cosmetics company such as Seungjik, Park"s shop, Dongik company, Yeongwon store, Donga ladies" store, Gyeongseong beauty shop, and Chosun ladies" pharmacy was facing against the promotion strategy of Japanese products consumption, along with Chosun Co. encouragement drive.
이애련(Lee Ae-Ryun),전혜숙(Chun Hea-Sook) 한복문화학회 2011 韓服文化 Vol.14 No.3
This study Investigated make-up illustrations found in Turfan remains formed during the Tang period to find the followings First, Turfan was a main traffic path to the West from the ancient times till the Tang period. The region was a furnace of various cultures like Chinese, Western, Nomadic and Southern ones because the Han nation and many other nations began to live together there since the pre-Han period. Second, the Turfan remains showed that already in the early Tang period, lots of exotic make-ups, novel and unique, prospered in Turfan, for example, eyelid and lip make-ups such as báizhuāng(白粧), táohuazhuāng(桃花粧), jiŭyūnzhuāng(暈酒粧), éhuáng(額黃), huādiàn(花鈿), xiéhóng(斜紅) and zhuāngyie(妝靨). According to ancient publications, heavy and brilliant exotic make-ups were popular among women of the region since the prosperous Tang period. This is mainly because Turfan had a geographical condition which allowed exotic cosmetic cultures to be introduced earlier than the main cosmetic culture of the Tang. There was a combination of various cultures, forming its own unique cosmetic culture in the early Tang period. Cosmetic culture has been socially spreaded and changed faster than any other fashions. Though common in pursuit for beauty. it has been a reflection of the social and cultural aspects of each period or each region, which is well supported by the Turfan remains of the Tang period.
아르눌 그레방의 『수난성사극』에 나타난 성모 마리아의 모습
김애련 ( Kim Ae-ryun ) 한국프랑스고전문학회 2008 프랑스고전문학연구 Vol.11 No.-
Selon le Pere R.L.Bruckberger, sur le point de l’eminente dignite de la femme, tous les mouvements feministes ont ete devances par l’Eglise catholique de Sainte Marie, puisque le culte catholique de Marie est immemoriel. Pourquoi ce culte de Marie? Qui est Marie? Notre etude a pour objet d’eclairer l’image de Sainte Marie dans le Mysore de la Passion de Notre Sauveur Jesus Christ pour avoir la comaissance vivante et concrete de cette Marie, objet de la culte catholique. A travers l’analyse de la parole, de la pensee et de l’action de Marie et des autres personnages autour d’elle, nous avons pu deduire l’image de Marie, Conception immaculee, Vierge Mere, Servante humble, Femme de la foi et de la charite, Mere de la douleur, et de l’eglise. Ces diverses images de Marie, pleine de grace de Dieu, ne sont pas seulement le fruit de la meditation de l’ecrivain mais aussi celui de l’eglise du moyen age, fondee sur la Bible et la Sainte Tradition. Et d'ailleurs, ce qui est important et significatif, ces images de Marie sont encore considerees comme pertinentes dans la mariologie de notre eglise contemporaine et nous appellent a suivre Marie comme un modele des croyants, ou plutot comme un modele de la femme. Et parmi ces diverses images de Marie, quelle est la plus soulignee par l’auteur? C'est l’image de Marie, mere de la douleur. Pouixjuoi? D'abord, c'est parce que A.Greban a voulu souligner la signification salvatrice de la Passion de Jesus a travers la souffrance de sa mere, Marie. Deuxiemement, les gens du moyen age aimaient parlcr de Marie d'une fagon tres affectueuse. Mais la raison plus profonde, c'est parce que la souffrance de Marie nous permet d'avoir l’intuition sur celle de Dieu qui souffre infiniment de nos iDeches. Pourtant, Arnoul Greban, ce theologien de l’espcrance n’a pas fini son oeuvre par cette triste image de Marie. Il nous a montre la bienheureuse Marie. Apres la resurrection, quand Jesus s'est apparu devant Marie, sa tristesse s'est changee en joie parfaite. Ici nous nous souvenons de son Magnificat, lors de la Visitation. Pour finir, Bienheureuse Marie, priez pour nous, nos pecheurs!
1920년대『동아일보』에 소개된 일본산 화장품 레도·호시의 광고 고찰
이애련(Lee, Ae-Ryun),전혜숙(Chun, Hea-Sook) 한복문화학회 2015 韓服文化 Vol.18 No.4
Through examining the advertisements for Japanese cosmetics “Redo” of as well as “Hoshi” of Hoshi Pharmaceutical Company, which were introduced to Korea through “Donga Ilbo” in the 1920s, the following findings were made: Redo included two types of soap, one type of tonic, two types of creams and three types of powder. The advertising is characterized by emphases on the whitening effect of the tonic, which is similar to today’s sun creams; the rejuvenating effects of the sun creams, which are similar to today’s hand creams; and the one-minute whitening of Redo Mary, which is similar to today’s BB creams and sun creams. Methods of promoting sale included the provision of gifts, prize contests, free samples for door-to-door sales, product demonstrations by actresses, women in traditional Korean costume, and illustrations featuring figures and products that aimed to promote an understanding of the use of the cosmetics. Meanwhile, Hoshi cosmetics by Hoshi Pharmaceutical Co. included two types of soap, one type of cosmetics, one type of cream, four types of powder and other cosmetics. The advertising is characterized by an emphasis on cosmetics manufactured by Dr. Beneru in France, and indicated all types of cosmetics and their prices through the use of a chart. Methods of promoting sale included an emphasis on the fact that the products were manufactured under the French system and that they surpassed the quality level of imported goods, thus differentiating the cosmetics from those produced by other companies.
이애련(Lee Ae Ryun),전혜숙(Chun Hea-Sook) 한복문화학회 2011 韓服文化 Vol.14 No.1
Illustrations of women's make-up that are found in the remains or relics of the T'ang period have are different from each other in characteristics. Particularly, the royal tomb named 'geon reung' consists of the tombs of crown prince Janghoe, crown price Euideok and princess Yeongtae. These three tombs have wall paintings inside which illustrated the court life of the T'ang dynasty in realistic and substantial ways. The paintings, kept in good state, include fine and brilliant illustrations of women. The wall paintings largely include illustrations of life customs and those of the universe, constellations and mythical animals. Court ladies appeared in the paintings are illustrated as wearing make-up without aekhwang, hwajeon, sahong and jangyeop. Their make-up appears to be non-decorative and relatively plain. Formed in 706, which belongs to the early period of the Prosperous T'ang, the three tombs suggests that cosmetic culture which was in fashion at that early time was relatively plain compared with that of the Prosperous T'ang period as a whole. And wall paintings inside the tombs appear to have illustrated figures in accordance with a funeral culture based on Confucian manners.