영화 제 5원소에 표현된 색의 상징성

공미선(Kong. Mi-Sun),채금석(Chae. Keum-Seok) 한복문화학회 2002 韓服文化 Vol.5 No.4

The movie, "The Fifth Element: is known as color-related. However the fame came from the facts not only that the iconography elements are related to colors but also that the theme of movie itself is related to the ancient color treatment.<br/> This movie is a SF (Science Fiction) aiming at the optimistic victory of goodness by contrasting the evil and goodness conceptually. The victory saves the earth that is comdosed of water. fire, wind. soil and the fifth element. the human. by generating the light as the combination of the elements.<br/> The victory of goodness implies that the subject. object. sender. receiver. and helper defeat the oPDOnents. It can be described symbolically that the colors of actor-clothes, orange. white, and green wins the black that is the symbol of evil. The water. fire. wind. and soil as the theme of movie has come from the ancient color-treatment. The light changes the red. yellow. and blue into the white. which is the message of human spirit. fleshly-dynamic vitality. and hope.<br/> Color symbol in the movie. The Fifth Element can be summarized as follows:<br/> 1. The theme-color of the movie. Le.. red. yellow. blue. and white represent the spirit and vitality as well as dynamic hope.<br/> 2. The colors of actor-clothes are represented as the goodness and evil; the goodness colors. orange. white. green, and blue are contrasted with the evil color. black.<br/>

파리와 로마의 오뜨 꾸띄르 (Haute Couture) 디자인의 특성

공미선(Mi Sun Kong) 한국복식학회 1998 服飾 Vol.39 No.-

In this research, first of all, the special features of Haute Couture design world (1990 ∼ 1996) prevailed in Paris and Rome are investigated, and additionally the understanding of collection concept and design structure analysis are performed to show the various methodology of creative design. Expression method and design method are the main criteria in analyzing, and the main results of this research are summarized as follows: 1. Most of designers in Paris and Rome express the traditional costume style. Paris designers are focusing on the expression of design morphology through the abstraction and reappearance without being confined to theme expression; Rome designers are expressing their main ideas utilizing the fashion image as their theme in lieu of expressing the design morphology. 2. Most of the designers in Paris and Rome are using simple lines for their design. Paris designers prefer the plastic design based upon formal and symmetrical balance of informal and asymmetrical balance to the partial transformation design;Rome designers are enjoying rather the partial transformation using the detail and trimming than the plastic design.

Christian Dior 오뜨꾸띄르의 디자인 오리지날리티

공미선(Mi Sun Kong),채금석(Keum Seok Chae) 한국복식학회 2003 服飾 Vol.53 No.2

크리에이티브 패션 디자인의 전개 방법에 관한 연구

공미선(Mi Sun Kong),채금석(Keum Seok Chae) 한국복식학회 2005 服飾 Vol.55 No.2

The creative fashion design is the technique which can be obtained through the structural analysis of the relationship between principle, element-combination and idea-expression. In the research, as the results of theoretical survey of design structure and idea-expression, the structural and subjective designs are classified and defined: a. the structural design is analyzed with the existing examples based on the combinational idea-expression of the O.C.L method, and b. the subjective design is also analyzed connecting the real examples to Gordon method, Synetic method, Association method, and expansive idea-expression-method obtained by the Experiences of Geometrical Combinations. The research can be summarized as follows: 1. The creative fashion design which emphasizes the geometrical structure utilizes the modification method which combines the shapes and constructs extraordinary structural beauty coming from the complex structural principle, that is, emphasis and balance. 2. The creative fashion design which emphasizes specific subjects utilizes the modification method which mimics representative and plastic resemblances and constructs symbolic structural beauty coming from the simple structural principle, that is, material elements.

영아전담기관의 음악활동에 대한 교사의 인식과 요구 및 실태

공미선(Kong Mi-Sun),김영연(Kim Young-Youn) 한국열린유아교육학회 2010 열린유아교육연구 Vol.15 No.5

본 연구의 목적은 영아음악활동에 대한 교사들의 인식 및 요구와 현장에서 이루어지고 있는 영아음악활동의 실제를 알아봄으로써 바람직한 영아음악교육 실천 방안 모색에 도움을 제공하는 것이다. 연구방법으로는 영아음악활동에 대한 교사의 인식과 요구를 알기 위하여 영아전담기관의 교사 211 명을 대상으로 설문조사하고 세 명의 교사와 심층 면담하였으며 현장의 실태파악을 위하여 기관의 일 년분 주간보육계획안 23부를 수집하여 내용 분석하였다. 연구결과 교사는 영아의 정서적 감수성 함양을 음악활동의 주요 목표로 삼는다는 점, 활동의 실천과정에서 음악교육내용의 중요성에 대한 교사의 인식이 높다는 점, 그리고 시청각교육을 동반한 영아음악활동워크숍과 이에 대한 기관에서의 연수비 지원 및 교재ㆍ교구의 지원을 요구 한다는 점이 밝혀졌다. 한편 분석된 주간보육계획안은 영아음악활동의 내용별, 월별, 주제별, 활동수의 차이를 보였는데 영아전담기관에서 실시하는 음악활동은 노래 부르기나 악기 탐색 및 연주하기, 몸동작으로 반응하기 등 다양하지만 그 중에서도 노래 부르기기 가장 빈번한 활동이라는 점에서 유아음악활동과 구별 되지 않았다. 이러한 연구결과는 영아음악활동은 표준보육과정과 영아발달에 준하여 보편적이고도 체계적으로 계획되어야 하되 활동의 효율적인 실천을 위하여 교수내용과 방법 면에서 차별화된 음악교사교육이 영아교사에게 제공되어야할 필요성을 시사한다. The purpose of this study was to examine the teachers' perception and practice on music activities in infants care centers. Survey with 211 infants' teachers in P city and its suburb and interview with three teachers were utilized as research methods in this study. In addition to these methods, yearly teaching plans collected from 23 infants care centers were analysed according to the main themes of the music activities and numbers of the activities designed for weekly and monthly units were categorized. As a result of the study, these followings were found: First, the teachers recognized the necessity of infant musical activities for the infants' emotional development; second, the teachers agreed on the importance and adaptation of the music activity contents suggested in the national curriculum guide for their infants; third, they wanted more frequent teacher music retraining program accompanied by audio-visual teaching aids and materials and financial support for these program attendance. Finally, from the analysis of annual teaching plans, singing was reassured as the major music activity for infants as same as for older children and some specific teaching themes such as 'care center', 'transportation', 'animals' and 'summer' were more frequently used for the music activities of infants.

산취급사업장근로자에서 산의 원천별 치아부식증의 분포 및 연관 요인에 관한 조사연구

박승민 ( Seung-min Park ),신명섭 ( Myung-seop Shin ),공미선 ( Mi-sun Kong ),김현덕 ( Hyun-duck Kim ) 대한구강보건학회 2016 大韓口腔保健學會誌 Vol.40 No.4

Objectives: No evidence has been found on various types of dental erosion, except for occupational dental erosion. This study aimed to evaluate the distribution of four types of dental erosion (occupational, dietary, systemic, and gastric) and its associated factors among workers in factories that use acids. Methods: Of 89,034 workers from 4,625 factories that use acids, 716 workers from 38 factories were selected for this cross-sectional epidemiological study by using three-stage stratified cluster sampling. Evaluation for dental erosion was performed by a trained dentist by using Kim`s criteria, and a saliva sample was collected directly from each participant. Data on acid sources and associated factors were collected by using questionnaires. By using a complex sample analysis, the T test and Rao-Scott chisquare test were applied to analyze the distribution of four acid factors and to evaluate the associated factors. Results: The prevalence of overall dental erosion was 37.7% for occupational dental erosion, 23.1% for dietary dental erosion, 3.1% for systemic dental erosion, and 3.2% for gastric dental erosion. The prevalence of severe dental erosion was 10.5% for occupational dental erosion, 7.1% for dietary dental erosion, 1.8% for systemic dental erosion, and 1.7% for gastric dental erosion. The factors associated with dental erosion were age, sex, acid exposure, dental cervical abrasion, and dental attrition. Conclusions: Our data showed that the prevalence of dental erosion was high, moderate, and low in occupational, dietary, and gastric and systemic dental erosions, respectively, among workers exposed to acids. The related factors differed according to the types of dental erosion. Our data suggested that different types of promotion programs for dental erosion should be considered according to acid source.

Analysis of Hemolytic Microflora from the Ark Shell (Scapharca broughtonii)

Dong-Gyun Kim(김동균),Bo-Hye Nam(남보혜),Hee Jeong Kong(공희정),Woo-Jin Kim(김우진),Bong-Seok Kim(김봉석),Young-Ju Jee(지영주),Sang-Jun Lee(이상준),Choon Goo Jung(정춘구),Mi-Sun Kong(공미선),Young-Ok Kim(김영옥) 한국생명과학회 2012 생명과학회지 Vol.22 No.5

남해연안지역은 피조개(Scapharca broughtonii) 양식으로 매우 중요한 지역이나 최근 대량폐사로 인하여 생산량이 급격히 감소하였다. 이러한 대량폐사의 원인을 구명하기 위하여 다양한 환경요인들에 대한 연구는 수행되었으나, 미생물학적인 연구는 미비한 실정이다. 본 연구에서는 폐사율이 높은 강진만과 폐사발생이 적은 진해만연안 피조개 양식장의 해저 퇴적물과 피조개 체내에서 분리한 미생물 균총에 대하여 분석하였다. 각각의 샘플에 서 배양 가능한 모든 미생물을 분리하였으며, 분리한 미생물 중 알파 또는 베타 용혈활성을 보이는 미생물을 모두 동정하였다. 피조개 체내에 존재하는 용혈미생물의 균총은 해저 퇴적물 보다 낮은 다양성을 보였으며, 극히 한정된 종의 미생물이 존재함을 알 수 있었다. 강진만에서는 17속(genus) 88종(species)의 미생물을, 그리고 진해만에서는 16속 64종의 미생물을 분리할 수 있었다. 샘플 내에는 Bacillus 속의 미생물이 가장 많이 분리 되었으며, 그 중 Bacillus cereus group의 종이 가장 많고, Paenibacillus, Lynsilbacillus, 그리고 Vibrio 종 등이 그 다음으로 많이 존재하였다. 속(genus) 수준에서는 두 지역의 특별한 차이를 발견할 수 없었으나, 진해만 연안에서는 64종이 발견되었고 강진만에서는 88종이 분리되어, 강진만이 좀 더 종 수준에서의 높은 다양성을 알 수 있었다. 따라서 피조개 대량폐사의 원인은 이러한 균주의 종 수준에서의 차이에서 기인하는 것 이라고 가정할 수 있었으며, 폐사지역에서 발견되는 미생물을 이용한 감염실험을 통하여 피조개의 대량폐사 원인 균을 구명 할 예정이다. The southern coast of Korea is important for the ark shell (Scapharca broughtonii) aquaculture, but the productivity was rapidly reduced during the previous decade by mass mortality. To overcome this economic loss, investigations only focused on environmental factors, and microbiological researches were performed insufficiently. In this study, two sites (Gangjin and Jinhae bay) were selected for their high and low rate of mortality, respectively, and the existence of microflora from underwater sediments in the bodies of S. broughtonii was analyzed. We screened the whole body of each sample and chose unique colonies, which exhibit alpha- and beta-hemolytic activity, for identification. The microflora in S. broughtonii was less variable than sediments, and restricted species were isolated. We identified 17 genera of 88 species and 16 genera of 64 species from the two bays, respectively. A major proportion was comprised of Bacillus species, with the Bacillus cereus group being the most common species among the Bacillus strains, while Paenibacillus, Lynsilbacillus, and Vibrio species were the second most abundant species. At the genus level, there were no significant microbial differences between the two coastal regions. 64 species were isolated from rare site (Jinhae bay), but more species (88) with greater variety were isolated from the frequent site (Gangjin bay). Therefore, it was assumed that the cause of mass mortality lay in the difference in specie-level diversity, and conducting investigations on the diagnosis of pathogenic species by challenging tests using isolated unique species.

의사소통의 측면에서 본 의복행동과 동서문화의 차이

오희선,공미선 釜慶大學校 1996 釜慶大學校 論文集 Vol.1 No.1

This study is to examine Eastern and Western clothing behavior through comparing perceived differences between Eastern and Western culture in respect of communication system. The results show that the cultural differences led to different clothig behaviors between the Eastern and Western people as the followings. First, Eastern culture shows the high conformity in which people prefer to wear the clothing for their rules, while Western culture emphasizes individual personality in which people wear the clothing for their image and convenience. Second, the Eastern people are very careful for their self-expression, and they are reluctant to expose their body parts to be polite for their clothing behaviors. But the Western people, rooted in their preferences of straightforward expression, prefer to expose their body parts and revolutionary design and colors for their clothing behaviors. Third, the Eastern people prefer to the formal wear emphasizing other's age or social status in the human relationship, while the Western people prefer to the casual wear which functions to achieve their tasks. Current development in scientific technique and traffic decreased cultural differences between East and West. Accordingly, clothing styles are becomming universalized.