꽃장식 요소로써의 절화식물 이미지 분석

홍윤주(Yun Joo Hong),이종석(Jong Suk Lee),곽혜란(Hye Ran Kwack) 한국원예학회 2004 한국원예학회 학술발표요지 Vol.2004 No.5

화예디자인 교육 콘텐츠 개발을 위한 선행연구

홍윤주 ( Hong Yun Joo ) 한국화예디자인학회 2020 한국화예디자인학 연구 Vol.42 No.-

본 논문에서 현대사회는 인구감소와 평균수명의 증가로 평생교육과 원격교육의 필요성이 증가되고 있으며 많은 사람들이 질 좋은 교육적 혜택을 받을 수 있게 되었다. 게다가 일상과 학습이 함께 결합되는 교육의 대중화와 일상화가 교육적 특징이다. 개개인은 더욱 쉽게 지식에 다가갈 수 있게 되었으며 이에 동영상이 중요한 역할을 담당하게 되었다. 영상콘텐츠는 교육의 대중화와 일상화를 이끌어내는 가장 기본 매체이며 정보통신기술의 발달과 미디어 콘텐츠 제작, 편집기술의 대중화로 누구나 쉽게 만들고 공유할 수 있게 되었다. 영상교육콘텐츠 사업은 SNS를 통해 세계적으로 증대할 것으로 보이는데 특히, 화예디자인 관련 영상콘텐츠 교육산업은 환경이 필수인 시대에 적합한 콘텐츠 분야로 여겨진다. ‘1인 가구, 1인 미디어’ 시대가 특징인 현시대에 식물로 구성된 환경은 인간의 정서적인 능률과 환경의 쾌적성, 안정감을 회복시켜서 스트레스로부터 보호해 준다. 즉 본능적으로 인간은 자연에 대한 선호성을 가지고 있기 때문에 식물은 인간성 회복을 위해 중요한 역할을 한다. 이러한 배경 하에 화예디자인은 고성장, 고부가가치 및 고용 창출 효과가 높은 유망산업분야가 될 것으로 기대된다. 인류 4차 혁명시대에 경쟁력 있는 영상콘텐츠는 미래국가의 성장을 좌우 할 것으로 예상되면서 화예디자인 분야교육콘텐츠 산업에 수요자 눈높이에 맞는 의견과 감성적인 사고가 반영된다면 더욱 발전된 화예디자인 분야의 발전을 기대해 볼 것이다. In this paper, the need for lifelong education and distance education is increasing due to the decrease of population and the increase of life expectancy. In addition, the popularization and everydayization of education, which combines daily life and learning, is an educational feature. Individuals can more easily access knowledge, and video plays an important role. Video content is the most basic medium that leads to the popularization and daily life of education. With the development of information and communication technology, popularization of media content production and editing technology, anyone can easily create and share. The video education contents business is expected to increase globally through SNS. Especially, the video contents education industry related to flower design is regarded as a suitable content field in an era where environment is essential. In the modern era, characterized by the “one-person household, one-person media” era, the environment of plants protects people from stress by restoring human emotional efficiency, environmental comfort, and stability. In other words, because humans have a preference for nature, plants play an important role for humanity recovery. Against this backdrop, flower design is expected to be a promising industrial sector with high growth, high value added and high job creation effects. In the era of the fourth revolution of the human race, competitive video contents are expected to influence the growth of the future country. will be.

젠(Zen)스타일에 바탕을 둔 화예조형 작품연구

홍윤주 ( Yun Joo Hong ) 한국화예디자인학회 2013 한국화예디자인학 연구 Vol.29 No.-

Zen, the Japanese pronunciation of Shan (禪), appeared in the realm of design in the late 1990s with its characteristics that persuade clean and clam feelings, the beauty of moderation, and simplicity, and take the oriental beauty of compact blanks. This was created by Western people who accommodated the oriental concept of Zen in their life culture at large, and they follow pure and quiet things escaping from complicated and florid shapes and colors to pursue reflection, moderation, calmness, and naturalness. Such Zen styles can be found in various design areas including architecture, interior design etc., and its tendency can be observed in floral formative arts. This work is produced under the premise that the Zen style is an important means to express and deliver human emotions and feelings through colors and lines. In this work, elements like black and white, straight lines and curves, the Orient and the Occident, nature and artificiality, affirmation and negation etc. are in harmony with each other, and furthermore, we have come to expect the extent of understanding of various floral formative works to be widened. It is meaningful in that those work provided a new direction to flower art to express vitality of nature with various colors and lines.

서양명화 속에 나타난 꽃의 효용성에 관한 연구 -17세기~19세기를 중심으로-

홍윤주 ( Yun Joo Hong ) 한국화예디자인학회 2012 한국화예디자인학 연구 Vol.27 No.-

This study was to illuminate the historic source of floral design. For the purpose of this study, baroque, rococo and neo-classical art trend in the 17th to the 19th century when the floral design was flourished most in western culture was reviewed and the usefulness and formativeness of flowers were analyzed through famous paintings in the period. In Baroque times, royal authority driven architecture, art works and garden culture were developed. In terms of floral design, symmetric oval shape was popular in early times and the popularity moved to S shape or C shape asymmetric curves. The floral design in Rococo era, the traditional royal authority driven arts was developed into luxurious, delicate and entertaining arts for the noble. They used roses, lilies, anemones, marigolds and opium poppies to make a natural curve ornament. Informal style in Baroque Era was changed into formal and female designs. Increasingly more C curves like crescent were used than asymmetric S curves. The color combination in Rococo period was elegant with mild and grayish atmosphere. In Neoclassicism, they used large flowers with various colors sumptuously in a large earthen vase reviving the old style in Egypt, Greece and Rome. In particular, in this ear, bouquets were popular and were developed into many different forms. There was a craze about carrying small bouquets among ladies. In the perspective of usefulness of flowers, in the history, flowers were considered sacred ornamenting the ritual platforms with flowers based on Greek myths. Additionally, flowers were considered as symbols of royal family and the nobility. It was considered as the symbol of Virgin Mary in Christianity. Flowers have therapeutic efficacies in their leaves, roots and seed and are related with love and death as meaningful symbols. When analyzing formative characteristics of floral designs, it was found that color trend was changed from vivid ones to mild ones and tthen strong ones constantly. In terms of shape, it was changed from fixed forms to natural forms, reviving classical designs in Egypt, Greece and Rome in Neoclassicism. The purpose of this study was to forecast the future by comparing floral culture in the past and the trends in modern society by identifying the usefulness and formativeness of flowers in the 17th century to the 19th century. In the future studies, it will be tried to tudy historical backgrounds of the East and the West to induce diverse and detailed floral design trends and to contribute to the development of modern floral design by securing detailed standards accordingly.

다니엘 오스트 작품에 나타난 화예디자인의 기능성에 관한 연구

홍윤주 ( Yun Joo Hong ) 한국화예디자인학회 2015 한국화예디자인학 연구 Vol.32 No.-

본 연구는 화예디자이너인 다니엘 오스트(Daniel Ost)의 작품을 통해서 인간과 연관된 화예디자인의 기능성을 살펴보았고, 미래와 현대사회에서 디자인의 중요성을 인지하여 물리적 환경의 디자인적 기능을 조형적, 건축적, 친환경적, 실용적, 심미적으로 나누어 알아보았다.조형적 기능성을 보면, 자연소재, 가공소재 등의 재해석을 통해 재료를결합하고 해체하거나 식물의 줄기 부분을 가공하여 새로운 형태를 만들었다. 이는 소재 자체를 사용하기보다 해체하여 각 요소를 집합적이고반복적으로 사용하여 조형적 원리에 의해 새로운 조형물을 재창조한 것이다.실내.외 건축적 디자인 분야에 화예디자인이 적극 도입되는 배경 하에 건축적 기능성을 보면 색채는 초록색, 갈색, 붉은 계열의 단색을 주로 사용하여 자연 속의 건축물로서 또는 건축물과 어울리는 구조적인 특성을 보여주며 요소들 간에 주기성과 규칙성이 연속적으로 나타났다. 친환경적 기능성을 보면, 반복, 배열, 규칙, 겹침의 효과를 통해서 자연속의 작품 제작이 돋보였다. 자연환경과 조화롭게 소재 및 패턴이 연속성을 가지고 반복하였고, 자연에서 영감을 얻어 한 가지 소재를 대량으로 사용하는 군집 속에서 친환경적인 가치를 발견하였다. 실용적 기능성을 보면, 화예디자인은 공간 분위기를 조성해주며, 생활공간의 장식뿐만 아니라 다양한 무대장식 및 디스플레이를 통해서 실내외 공간을 아름답고 쾌적한 환경을 연출하여 공간에 직접적으로 활용됨으로 인간의 삶에 질적인 향상을 주었다. 마지막으로 심미적인 기능성을 보면, 다니엘 오스트는 자연의 미적인 요소를 그대로 살리는 표현과 식물고유의 형태보다는 해체하여 상징적, 집합적, 반복적 방법의 비자연적 표현으로 작품의 미를 나타내었다. 좌우대칭적 균형과 비대칭적 균형의 작품으로 각각 인위적인 안정감과 자연적인 안정감을 보여주었고, 식물의 자연적 재료의 특수성을 새롭게 살리는 창작미를 보이기도 하였다. On the assumption that with the development of society floral designs provide functionality to people through its various expressions going beyond simple art works, this study analyzed Daniel Ost’s works by dividing the design functionality of physical environment into formative, architectural, environment.friendly, practical, and aesthetic aspects. The formative characteristic observed in Daniel Ost’s works is that they show not only the extension of life but also the feature of artistic works through the restructuring of plants, and express beautiful forms using straight, curve and circular lines and the effects of repetition, array, rule, and overlap. Contemporary floral design is developing into segmented areas as it is introduced actively to indoor and outdoor architectural design. When the architectural functionality of Daniel Ost’s works is examined in this background, we can see that they, having a structural characteristic in harmony with indoor and outdoor structures, extend with cyclicity or regularity among elements and form structures in nature or go well with structures. With regard to environment.friendly functionality, his works expose an aspect of an art work in addition to the extension of plants’ life, and make themselves found to be in nature and nature.friendly through maximizing the effects of repetition, array, rule, and overlap. What is more, they apply the natural elements of floral design such as time, place, space and light, which change naturally in compliance with environment, to spaces. In the use of environment.friendly materials as well, the works express environment.friendly characteristics using natural objects as they are with full understanding of the properties of such materials, utilizing parts of plants, or processing natural objects. In addition, we can see that materials and patterns are repeated with continuity in harmony with natural environment, and the viewers can find that the collectivity of the elements agree with natural environment. That is, the characteristic is that all are inspirited by nature and the mass use of the same material leads the viewers to find the value of environment.friendliness in clusters. Such environment.friendly expressions are enabled by natural expression based on naturalism and symbolic expression recreating natural materials. From a practical aspect, floral designs foster different spatial atmosphere, and are highly effective in producing beautiful and pleasant environment in indoor and outdoor spaces not only through decorating living spaces but also through various stage decorations and displays. Such direct applications to spaces enhance the quality of human life. As to aesthetic functionality, lastly, because floral design is an art standing on nature and forms and its basic materials are natural objects, its beauty begins from the perception and knowledge of nature and is based on the recreation of the beauty of new floral designs with the properties of natural objects.

원예활동을 기반으로 한 아동의 색채 지각력 증진에 관한 기독교교육적 연구

홍윤주(Yun Joo Hong) 한국기독교교육정보학회 2009 기독교교육정보 Vol.23 No.-

The educational effects of planting activities in improving color cognition abilities include "the development of sensibility" enhanced through natural and planting activities related to emotional and cognitive development and "the increase of problem solving abilities through adaptability to environment" that has children learn and feel the organic relation between them and living things and, resultantly, acquire adaptability to environment and recognize environmental colors. Furthermore, people experience the process of socialization occurring unconsciously through horticultural activities, and can "improve cooperative human relations" that give the experiences of interaction and exchange. In addition, taking care of plants, people corne to have higher self value and self esteem and increased sense of independence, responsibility, and respect. In this course, they experience the wonders of nature and feel new responsibility and achievement in "taking care of lives" through horticultural activities applying color cognition. Consequently, they can attain "self realization through the enhancement of self consciousness" that increases opportunities for voluntary experiences. Lastly, from planting activities, we may expect "the refining of aesthetic consciousness" that expresses the beauty of colors through the medium of plants and naturally cultivates a beautiful mind, and ultimately "the development of potentials" from childhood based on the above mentioned educational effects.

패션브랜드에 나타난 꽃문양에 관한 연구-샤넬, 루이비통, 에르메스, 마리몬드를 중점으로-

홍윤주 ( Hong Yun Joo ) 한국화예디자인학회 2021 한국화예디자인학 연구 Vol.44 No.-

미를 대표하는 아름다움의 상징인 꽃은 인류의 역사를 통해서 미적 대상으로 존재하고 있으며, 조형예술에서도 가장 많이 사용되는 모티브 중의 하나이다. 이렇게 꽃예술은 꽃이라는 주제를 모티브 삼아 형태를 구현하는 예술이다. 꽃은 형태와 색채가 미적으로 조화롭게 인간의 감성을 표현해 주는 매개체 역할을 해주었다. 또한 상징성이 있는 꽃문양은 미적 장식성이 높아 생활용품 뿐만 아니라 미술 분야와 패션분야에 적용되고 있다. 꽃문양은 패턴 중에서 가장 많이 선호하는 문양으로 사계절 관계없이 다채로운 색상과 형태로 변화를 주어 다양하게 활용하기도 하며, 그 상징성과 인간의 심리적 감각을 자극하는데 효과적이므로 다양한 분야의 디자인에 활용되고 있다. 본 연구는 미를 대표하는 아름다움의 상징이며 예술의 모티브인 꽃의 문양이 전통적으로 우리나라에서도 사용되어 왔으며 현대에 와서도 여전히 패션과 예술에서 많이 사랑받고 있지만 우리나라 고유한 꽃문양을 사용한 브랜드가 좀 더 활발히 활동하기를 바라며 본 연구를 통해 앞으로 우리만의 독특한 꽃문양을 개발하여 이것이 상품화 될 수 있는 근거를 마련하고자 한다. The flower, a symbol of beauty representing beauty, exists as an aesthetic object throughout the history of mankind, and is one of the motifs most often used in plastic art. In this way, flower art is an art that embodies a form based on the theme of flowers. The flowers played a role in expressing human happiness and love by harmonizing beautifully with each other in shape and color. The flower pattern containing this symbolism is beautiful and excellent in decoration, and is applied not only to household goods, but also to art and fashion. The flower pattern is the most preferred pattern among patterns, and it is widely used regardless of the four seasons by changing the color according to the color and flowering time, and it is effective in stimulating the symbolism and psychological sense of humans, so it is used in design in various fields. In this study, the flower pattern, which is a symbol of beauty representing beauty and the motif of art, has been traditionally used in Korea, and is still loved in fashion and art even in modern times. We hoped to be active, and through this study, we tried to develop our own unique flower pattern and lay the groundwork for it to be commercialized.

꽃의 영상화 관련 작업에 관한 연구 -미디어아트 사례를 중심으로-

홍윤주 ( Hong Yun Joo ) 한국화예디자인학회 2024 한국화예디자인학 연구 Vol.50 No.0

인간은 자연에서 생명과 삶의 질서를 알게 되며 많은 혜택을 받으며 살아가고 있다. 자연은 인간의 모든 활동의 근원인데, 인간은 자연과 함께 살아가면서 정서와 관념 등을 형성한다. 화예디자인은 자연의 소재를 사용하여 자연의 미를 표현하는 조형예술로서 오감 중 후각을 시작으로 시각을 자극하여 예술적 의미를 전달한다. 기존의 화예디자인은 실제 제작된 조형적 작품, 형태, 디자인 등에 비중을 두었다면, 본 연구는 변화하는 현대사회 폭넓은 화예디자인으로의 진화를 위해 꽃의 영상화 작업인 미디어아트에 대해 알아보고 인간의 본성인 예술적 감성을 자극할 수 있는 근거를 마련하고자 한다. 미디어아트는 미디어 시대의 발달과 함께 나타난 예술장르로 기계화를 사용하여 상상의 것을 실체화시켜 텍스트, 이미지로 표현하는 것으로 모든 사항이 허용된다고 볼 수 있는 탈 장르의 예술이다. 화예디자인의 주소재인 식물은 다변화하는 특성을 가지고 있으므로 다른 예술보다 표현의 범위가 넓고 다양한 예술성을 보여주는 장점이 있다. 또한 식물의 생태적인 특성으로 인한 시간과 소재의 한계에 대한 단점으로 영구적이지 못하고 표현과 창의적인 한계를 주기도 하는데 이를 극복하기 위해 다양한 매체가 사용되었고, 내면과 외면의 아름다움을 추구하는 새로운 분야로의 화예디자인을 볼 수 있게 된다. 즉, 생명의 유한성이 있는 꽃에 기술력의 매체와 연관시킨 미디어아트로 변환되는 것으로 화예디자인의 새로운 영역으로의 발전을 볼 수 있을 것이다. 그러므로 본 연구는 화예디자인의 주소재의 영역이 다양한 매체로 변환 및 확산될 수 있으며, 매체의 사용으로 화예디자인의 가치관과 이미지를 바꿀 수 있는 계기를 마련하고자 하였다. Humans come to understand the essence and order of life in nature and live with many benefits. Nature serves as the origin of all human activities, and as humans live alongside nature, they develop emotions and concepts. Floral design is a form of visual art that utilizes natural materials to express the beauty of nature, stimulating the senses, particularly sight, starting with scent, to convey artistic meaning. While traditional floral design emphasizes actual crafted forms, shapes, and designs, this study seeks to explore media art, the visualization of flowers, as a means of evolving into a broader spectrum of floral design in our changing modern society and to establish a basis for stimulating humans' innate artistic sensibility. Media art is an art genre that emerged with the advancement of the media era, employing mechanization to materialize the imaginary and allowing for the expression of anything through text and imagery, considered a de-genre of art. Plants, the primary materials of floral design, possess diverse characteristics, offering a wider range of expression and showcasing various artistic qualities compared to other arts. Additionally, due to the ecological characteristics of plants, such as their temporal and material limitations, floral design faces impermanence and constraints on expression and creativity. To overcome this, various media are employed, leading to the emergence of floral art as a new field that pursues both inner and outer beauty. In other words, the transformation of flowers, finite in life, into media art associated with technological mediums allows for the exploration of new territories in floral design. Therefore, this study aims to provide opportunities to alter the values and perceptions of floral design through media usage and to facilitate the conversion and dissemination of floral design's primary material into various media.

유럽 꽃예술사 분석과 연계한 현대 꽃장식 경향에 관한 연구

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