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이야기의 끝 : 톰 머피의 『웃음 없는 마을』(Bailegangaire) 연구
홍유미(Hong Yumi) 한국현대영미드라마학회 2012 현대영미드라마 Vol.25 No.1
With profound engagement with contemporary Irish concerns, Tom Murphy(1935-) is the remarkable contemporary Irish playwright who has been working for the Irish stage for almost 50 years since his first being mentioned as the most challenging playwright belonging to 'he angry young man' generation. All his works earnestly and seriously delve into the Irish psyche and national trauma related to the Irish national identity and historical memories. This paper aims to explore Murphy's Bailegangaire as the story and history of Ireland as well as those of a family by focusing on three female characters' stories: Mommo's story as 'the story of guilty feeling and healing of Ireland', Mary's as 'the story of homecoming of Ireland', and Dolly's as 'an Irish Christmas story'. Based on the Irish traditional storytelling, Bailegangaire has Mommo's endless and unfinished story at its center. Three marginalized women-Mommo, Mary and Dolly-have their own stories, which become one story with each of them representing past, present and future of Ireland. The story finally becomes a history of Ireland as well as that of their family. Through storytelling, using third person narrative, Mommo tells her own story and confesses her guilty feeling in causing the deaths of her husband and her grandson, and finally faces the reality and accepts it, which ultimately brings the end of the story. Sharing guilty feeling about her brother Tom's death, Mary helps Mommo finish her story, eventually accomplishing her own searching for home. With her extramarital pregnancy and her husband's abuse representing contemporary Ireland's broken family, Dolly's expected baby, named after Tom, becomes the symbolic figure replacing the dead Tom, thus becoming the baby Jesus figure in modern frustrated and disillusioned Ireland. In the final scene, Mommo's bed represents Ireland itself containing Mommo, Mary and Dolly with her baby in her womb as its past, present and future. In Bailegangaire, Murphy tells the story of Ireland which should confront the past and face the reality and accept the present affected by the past, hoping for the optimistic future, and shows each of the three female characters fulfills the journey of searching for home.
홍유미(Hong Yumi) 한국현대영미드라마학회 2011 현대영미드라마 Vol.24 No.2
Susan Glaspell(1876-1948), the representative female playwright in the history of the American theatre, has generated critical debates and drawn critical attention not only as the contemporary writer and colleague of Eugene O’Neill but also as a great female writer. Although she has been drawing feminists’ attention since her first inclusion in literary cannon in the 1980s, Glaspell still remains relatively on the margin of the critical studies and debates. This paper, focusing on Glaspell’s Bernice and Alison’s House, aims to restore the interests in her works and provoke more studies about her and her works by discussing Glaspell’s ‘aesthetics of absence’ and her absent heroines who are already dead. Bernice and Alison’s House both show the whole process of exploring and constructing the identity of each absent heroine, whose ‘absent presence’ overwhelms the other living characters as the center of the stage. Giving more power to absence and silence than to presence and speech, both plays contain Glaspell’s strategy of paradox as her attempt to demolish the established gender-based system and to ‘make’ new orders and new values. Part Ⅰ explores general characteristics of Glaspell’s ‘aesthetics of absence’ and her device of the absent heroine. Part Ⅱ discusses the constructing process of Bernice’s identity and the significance of Bernice’s lie in terms of power, and examines how Bernice disrupts the myth of ‘the angel of the house’ by exercising power over her husband with her lie rather than the truth. Part Ⅲ examines Alison’s problematic unpublished love poems about her forbidden love and how her works provoke debates about the ownership of artistic work. The involvement of male power in editing, publishing, and evaluating female writer’s works is also discussed. With Alison serving as the representative of female writers, and her house and her room serving as “a room of one’s own” for female writers, Glaspell raises questions about the absent female writers and their authorship. Finally, Glaspell achieves the paradox beyond the grave by highlighting how Bernice through her lie and Alison through her unpublished love poetry take presence to the people living, exercising their power beyond their death. Like her absent heroines, Glaspell herself, being absent for a while in the history of the theatre, goes beyond her absence and death, requesting her place in the literary history as a writer who deserves ‘constant and persistent’ critical studies.
세포주를 이용한 군소 다당류와 Glycosaminoglycan의 기능성 검색
홍유미(Yumi Hong),박시향(Sihyang Park),윤보영(Bo-Yeong Yoon),최병대(Byeong Dai Choi),최영준(Yeung Joon Choi) 한국식품영양과학회 2011 한국식품영양과학회지 Vol.40 No.1
군소에서 정제한 GAG는 대식세포주인 RAW 264.7에서 세포독성은 보이지 않았으며 NO 생성량, TNF-α, IL-6 생성량을 증가시켜 면역조절 효과가 있음을 확인하였다. 그리고 100 ㎍/mL 농도에서 배양 72시간 후 약 40%에 가까운 위암세포(AGS) 성장 억제 효과가 나타났고, 정상세포 IEC-6에는 독성을 보이지 않았다. 이 같은 결과는 면역조절을 위한 기능성식품 혹은 위암 치료제로서 군소의 당 추출물과 GAG의 활용 가능성을 제시한다. In this study, we extracted a whole polysaccharide fraction from the sea hare, Aplysia kurodai, and screened its functional properties using cell lines. The functionalities of polysaccharide and glycosaminoglycan (GAG) were investigated with RAW 264.7 cell lines. The crude polysaccharides and GAG purified DEAE-Sepharose chromatography did not show the toxicity on RAW 264.7 cell line in the range of 10~200 ㎍/mL, whereas they increased the cell growth rate. The crude polysaccharides and purified GAG also increased the production of NO, interleukin-6 and tumor necrosis factor-α on RAW 264.7 cell. Particularly, the purified GAG inhibited the proliferation of stomach cancer cell line, AGS, up to 40% for 72 hr incubation, but not the intestinal epithelial IEC-6 cell lines.
최경임(Gyeong lim Choi),홍유미(Yumi Hong),이근우(Keun Woo Lee),최영준(Yeung Joon Choi) 한국식품영양과학회 2006 한국식품영양과학회지 Vol.35 No.10
Functionalities of drum-dried fish muscle protein from pH shifting process have been investigated by determining solubility, emulsion activity, rehydration, fat-adsorption capacity, viscosity, and color. Solubility was higher in recovered protein at pH 7.0 than that at pH 5.5, and not dependent on ionic strength. Solubility of the dried protein recovered at pH 7.0 depended on pH of solvent, and lowest in the range of pH 3 to pH 6. The dried protein showed relatively low emulsion capacity in all the samples. Emulsion stability, foam capacity and foam stability were not observed in the samples. Viscosity was in the range of 50,200~39,000 cP. Rehydration and fat-binding capacities were 2.63~2.89 g-water/g and 2.13~2.17 g-oil/g, respectively, and not dependent on particle size and pH. Drum-dried fish muscle protein has a potential application as an ingredient of meat patty products.