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패션연구 및 패션디자인,미학,복식사 분야 관련 연구동향 -2004~2013년 <Fashion Theory> 및 <복식문화연구>를 중심으로-
한수연 ( Soo Yeon Hahn ),김영선 ( Yon Son Kim ) 복식문화학회 2014 服飾文化硏究 Vol.22 No.4
The areas of fashion research and fashion design aesthetics & fashion history have been studied under a common research heading as a Humanities subject in the UK and the USA, and as Clothing and Textiles Studies in Korea. The purpose of this paper was to analyze the 2004~2013 research tendencies in terms of reporting methods and contents from 181 world-renowned Fashion Theory research papers within the UK and USA fashion research corpus, and 359 Korean research papers from The Research Journal of Costume Culture related to fashion design aesthetics & costume history field. The subject areas, periods, methodologies, and differences in the topics of the studies were examined. The results of the research are as follows. Regarding the research authorship and length of the research papers, in Fashion Theory most papers were written by a single English-speaking or other foreign language-speaking author and were on average longer than 21 pages, while in The Research Journal of Costume Culture, many papers were jointly written by two Korean researchers and were between 11 and 20 pages. Regarding the content, Fashion Theory was connected to relatively wide and diverse periodical and regional boundaries including the body, clothing, the fashion media, and the overall fashion system, while The Research Journal of Costume Culture revolved around the body and clothing, textiles, the fashion media, and costumes. In addition, since the late 20th century, the studies appeared to be related to the current Western world overall or to the country of the author. Regarding the research methodology, Fashion Theory used diverse research subjects and methodologies, and research was conducted on topics relating to fashion culture or fashion aesthetics. On the other hand, The Research Journal of Costume Culture featured relatively more dynamic studies aimed at suggesting developments or solutions to problems. It was found that a large share of that research focused on detailed style analyses and suggestions for aspects such as design elements and design developments. Such differences are considered to be caused by the inherent differences between the academic departments for the Humanities, and the Human Ecology. The above research results are expected to provide fundamental information in setting a direction for future research to assist the globalization of domestic research.
보문 : 패션 커뮤니케이션 매체로서의 패션 전시에 관한 연구-2012 노라 노 <라 비 엥 로즈> 전시 사례를 중심으로-
한수연 ( Soo Yeon Hahn ) 한국의류학회 2012 한국의류학회지 Vol.36 No.9
Fashion exhibitions in museums and galleries is a form of fashion communication media. This thesis examines the messages, objects, and space of fashion exhibitions as fashion communication media as well as analyzes the method of fashion communication. This thesis first provides a theoretical study on fashion exhibition and conducts a case study of the 2012 Nora Noh Retro Exhibition La Vie en Rose (2012/5/23-6/2, Horim GNB Gallery, Seoul), dedicated to the first Korean female fashion designer. The message of the exhibition was the fashion philosophy and the fashion style of the designer as well as the intention of the curator. The objects presented were the dresses kept by the loyal customers of the brand, and the homage items by designers of present generation. The space designs of the exhibition were the layout and total coordination of the opening event. The methods of fashion communication for the fashion exhibition, in the case of the La Vie en Rose exhibition, were communicated (1) from the past to the present, (2) from designers to celebrities and (3) from the designer to the celebrity and the viewers. From the past to the present, the designer`s style throughout the 60 years of her fashion career is conveyed to the present generation fashion people, in the form of homage designs and collaboration works. From designers to celebrities, her fashion philosophy was delivered in the form of movie and stage costumes. Some present generation celebrities tried reinterpretations of the garment. From the designer to the celebrity and the viewers of the exhibition, the intention of the curator and the designer were individualized and internalized by the viewers.
윤희주 ( Hee-joo Yoon ),한수연 ( Soo-yeon Hahn ),장미숙 ( Mee Sook Chang ) 대한미용학회(구 대한미용과학회) 2017 대한미용학회지 Vol.13 No.3
The purpose of the current study is to develop nail design which can render completion to total fashion by adding diverse fashion images to nail art. Five nail art designs were created based on the five fashion images extracted from the previous studies, viz. elegant image, romantic image, classic image, mannish image and ethnic image. For this, clothes, accessories, materials, patterns and colors were extracted with the fashion image map as a motive, and nail art materials and techniques were chosen. For `Work I` involving soft elegant image, pale & pastel tones, gel art, hand painting, gradation, stone art, lace, silk, velvet, pearl, parts, and ribbon tape were used, and veil hat, loose dress, tote bag and silk scarf were expressed on the nail tips. For `Work II` involving fancy and lovely romantic image, light & pastel tones, gel art, hand painting, gradation, stone art, chiffon, lace, velvet, parts, ribbon tape were used, and dot pattern, flower, ribbon, ruffle, frill were created on nail tips. For `Work III` as classical and calm image, dark & deep tones, gel art, hand painting, decal art, leather, wool, parts, line tape were used, and damask, argyle & check patterns, tailored collar, pumps, sunglass, gloves were made on nail tips. For `Work IV` dealing with mannish image, dark tone, gel art, hand painting, decal art, fabric, buttons, charm, parts, water deal, line tape were used, and stripe, hound`s tooth & camouflage patterns, men`s vest, tailored collar, mustache, watch, belt, chain necklace were created on the nail tips. This study is meaningful in sense because it developed nail art designs which go with diverse images by adding fashion images to the nail art. It is anticipated that there would be further studies on diverse fashion images to keep pace with current total fashion trends.