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      • KCI등재

        무용공연 관람자의 가치인식, 관람추구혜택, 무용공연선택속성

        정한결 ( Han Kyeol Jung ) 대한무용학회 2014 대한무용학회논문집 Vol.72 No.6

        This study conducted an in-depth interview to Value cognition, watching benefits sought, dance performance selection factors of Audiences Watching Dance Performance. The results are as follows. First, the value cognition consists of four concept structures as practical experience goods, aesthetic experience goods, social public goods, personal merit goods. Secondly, the watching benefits sought consists of four concept structures as aiming artistic characteristics, aiming personal benefits, aiming psychological benefits, aiming social relationship. Lastly, the key characteristic among dance performance selection factors consist of the performance, process, information, place, environment, person, price.

      • KCI등재

        온라인 무용비평 전문 매체 관계자의 독자 인식에 관한 탐색적 연구

        정한결 ( Han Kyeol Jung ) 대한무용학회 2023 대한무용학회논문집 Vol.81 No.2

        This study focused on the reader perception based on the personnel in the online professional dance criticism media. As a result, first in perceiving the online professional dance criticism media, it was divided to perceiving the characteristic of online professional dance criticism media, and to perceiving the value of online professional dance criticism media. And in perceiving the reader of online professional dance criticism media, it was perceived as the readers that are limited to minorities within the dancing industry. Cause of this was perceived to be the closed environment and lack of communication. And in perceiving the solution for forming the reader relationship with the personnel of online professional dance criticism media, it was perceived that the contents of media is more important than the function of media, and that the role of media and critic is required to be expanded. I hope that the aforementioned result of this study could be applied as basic data where the online professional dance criticism media, that me-diate between the dance and public, meet the periodic change and present the future-oriented development afterward.

      • KCI등재

        무용비평 전문 웹진의 매체 유형과 상호작용 기제 특성

        정한결 ( Han Kyeol Jung ),염계화 ( Gye Hwa Youm ) 대한무용학회 2021 대한무용학회논문집 Vol.79 No.4

        In this research, in light of the advent of several webzines that specialize in critiques on dancing among drastic changes of media environment today, it was attempted to survey the dancing critique webzines as to their characteristics as media and properties of interactivity. As a result, the first characteristic that has been demonstrated was expediency and rapid response in the process of subscription. Secondly, newly emerging webzines tend to utilize their subscriber base as an instrument to expand the customer pool. Thirdly, webzines are keen to take advantage of interactive mechanisms of other types of media. Fourthly, their pronounced positioning as specialized webzines has been remarkable and conspicuous in the market. Such results would serve as fundamental resources in suggesting a direction on how to respond to the epochal trends of media application that bridge between the artistic dancing and the public in dancing critiques as well as the future advancement.

      • KCI등재

        오하드 나하린의 작품 「데카당스(Deca Dance)」에서 나타나는 컨템퍼러리적 경향 분석

        정한결 ( Han Kyeol Jung ) 대한무용학회 2016 대한무용학회논문집 Vol.74 No.1

        Among various elements that can be used to understand contemporary trends in modern dance, three elements will be discussed in this study in reference to Ohad Naharin``s 『Deca Dance』 and the result of the study is as the following. First, the element of ``the cultural tendency within community`` could be found in the episodes ``Mabul`` and ``Anaphaza``. Secondly, the element for ``the popularization of dance culture`` could be found in the episode ``Zachacha``. Thirdly, the element for ``the types and movement of body in daily life`` is shown to be a dominant characteristic throughout the scenes of 『Deca Dance』 apart from the three episodes.

      • KCI등재

        안무가의 창작활동에 관한 구조적 탐색 - Giddens의 구조화 이론을 적용하여

        정한결 ( Han-kyeol Jung ) 대한무용학회 2021 대한무용학회논문집 Vol.79 No.1

        This research aims to structurally explore the practices in the on-hand experience of choreographers. Therefore, analyzed them with the structuration theory of Giddens. First, from practices of choreographers, found that the ‘structure’ consisted of the form of ‘rules’ like ‘obtaining qualification as a choreographer,’ ‘reflecting the contemporary trends,’ and ‘resources,’ including ‘contributor and idea resources,’ and ‘monetary support.’ Also, modalities could be identified, including ‘norms’ of ‘complete, unique and creative work,’ ‘interpretive scheme,’ featured as ‘information on personal and material resources,’ and ‘measures(facility) to utilize resources and realize objectives,’ such as ‘struggle to attract the audience and supporting funds.’

      • KCI등재

        리오타르의 숭고에서 본 현대무용

        정한결 ( Han Kyeol Jung ) 대한무용학회 2015 대한무용학회논문집 Vol.73 No.3

        This research intended to suggest ``Theory of Sublimation`` of ``Jean-Francois Loytard`` as the core viewpoint to understand modern dance. first, modern dance is a work to reveal a new form of those which cannot be reenacted by focusing on the essence of movement. This characteristic meets ``negative depiction`` of sublimation. this characteristic includes ``meta kinesis`` that means the expansion to a certain mental area that is impossible to express. this way, arouse different emotions, and are put in a new state of emotion by colliding into each other. This is possible to understand with ``enhancement of existence`` of sublimation.

      • KCI등재

        대학 무용교육의 실용주의 학과 체제 변화 분석

        정한결 ( Han-kyeol Jung ) 대한무용학회 2018 대한무용학회논문집 Vol.76 No.2

        The paper examines comprehensively the system change and trend of the dance education in the universities with reflecting the contemporary pending issues. The study takes a look at the problems revealed amid the change of the dance education in the universities toward the practical use-centered education. Firstly, confusion and duplicity in the educational objectives of the dance department at the university. Secondly, the necessity for the specialized curriculum in the practical use dance education. Thirdly, the concept of the practical use dance is found to be not clear, and thus in confusion.

      • KCI등재

        호페쉬 쉑터 컴퍼니의 작품에 나타난 포스트모던적 특성 -장-프랑수아 리오타르의 포스트모던론을 중심으로-

        이연수 ( Youn Soo Lee ),정한결 ( Han Kyeol Jung ) 대한무용학회 2015 대한무용학회논문집 Vol.73 No.6

        This study was conducted to contemplate how postmodern characteristics appear in Hofesh Shechter Company``s 「Uprising」 and 「In Your Rooms」 based on Jean-Francois Lyotard. When observed through an interpretation of the expressions and scenes, 「Uprising」 and 「In Your Rooms」 basically rests on the characteristics of the contemporary dance. That work composed on the basis characteristics of contemporary dance reflects the contemporary world called post-modern through creative work. Following perspective can be confirmed that the otherness and the cross-boundary characteristics of double code found in contemporary dance present unlimited possibilities to the visual reproduction of narratives.

      • KCI등재

        대학 무용교육의 특성화 가능성

        이연수 ( Yoen-soo Lee ),정한결 ( Han-kyeol Jung ) 대한무용학회 2018 대한무용학회논문집 Vol.76 No.1

        The study examines promising characterized majors in arts, dance and other fields and outlook for future occupation in order to explore the possibility for characterization of dance education in a university. The study looks into the possibility for characterization of dance education in the university. It is important to attempt ‘creative convergence' to utilize the high technologies keeping pace with the 4th Industrial Revolution, to try the dance education to emphasize the physical and mental health. The study will become the basic data in cultivating excellent talents and in deciding the direction for characterization of university dance education and will become the foundation for the way to successful dance education.

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