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RISS 인기검색어
- 검색키워드
- 저자 : 이지후(Jihu Lee) (검색결과 5 건)
- 무료
- 기관 내 무료
- 유료
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이지후(Lee, Jihu) 한국영미어문학회 2010 영미어문학 Vol.- No.94
This study explores an example of African American on Zora Neale Hurston’s Their Eyes Were Watching God which is considered as a speakerly text and the search for identity and self-understanding of an African American woman. This quest for self-knowledge directs attention to itself as a central theme of the novel by certain narrative strategies. This text seems primarily to be oriented toward imitating one of the numerous forms of oral narration to be found in classical Afro-American vernacular literature. Therefore, we think to listen to the story instead of reading a novel. In this essay, I focus on the use of the narrative frame and of a special form of plot negation. The heroine Janie narrated the tale of her (Crawford-Killicks-Starks-Woods) to her best friend, Phoeby. It also represents a resonant and authentic narrative voice that echoes and aspires the impersonality of the black vernacular tradition. African American tradition is collective compelling, and true somehow to the unwritten text of a common blackness. Also, this paper shows that the mode of narration of this novel consists of narrative commentary and characters' discourse. The ultimate sign of the dignity and strength of the black voice is the use of a dialect-informed free indirect discourse as narrative commentary beyond that which represents Janie's thoughts and feelings alone. As a result, narrative commentary and free indirect discourse move toward the indistinguishable and the final instance of free indirect discourse occurs in the novel's last paragraph, in which Janie finds her identity
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이지후(Jihu Lee) 한국영미어문학회 2013 영미어문학 Vol.- No.111
This paper examines the healing process of trauma by dividing the overcoming alienation of Ruby and the overcoming alienation of convent. In Paradise, Morrison depicts the episodes occurring in and around an all-black town in Oklahoma, Ruby and a neighboring convent. This novel deals with some of this contemporary concern with African American identity in a narrative depicting a town in the 1970s. The strict town of Ruby and the amorphous convent are opposed to each other until Ruby's nine men decide to clear out the convent of its five female inhabitants. After the massacre of the five women, their bodies disappear, and the town people must make sense of the attack and the subsequent changes. The 8-rock people of Ruby interpret the convent attack through their own points of view and show they will get a new future after realizing and confronting their trauma. It means the massacre of the convent em ancipates the five women and the sacrifice of the convent women can make people in Ruby confront their trauma. Also, this paper studies that an unsolved traumatic African American heritage must be confronted and solved, in ways realizing their identities, if black people are to escape the cycles of trauma and violence that plague their communities.
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토니 모리슨의 『사랑』에 나타난 이중 내러티브 구조를 통한 정체성 연구
이지후(Jihu Lee) 한국영미어문학회 2017 영미어문학 Vol.- No.126
The purpose of this study is to examine characters in Toni Morrison’s Love who struggle to form identities in a world full of racial inequality, through the structure of a double narrative. There are two narrators who use the first-person narrative and the third-person narrative respectively in the text. In particular, this thesis demonstrates how the types and modes of narrative affect the reception of the text. By using the first-person narrator L, who was a former cook in the Cosey’s family hotel, and the third-person narrator in the main story, the novel explores the development of their identities through the experience of the characters. The two double narrative modes are clearly distinguished by the use of italics for L’s narrative and the use of Roman Font for the third-person narrator. The characters Heed, Christine, and Junior are bound to each other in a triangular relationship that forms a unity between the three women. Moreover, the two men are individually connected to Bill Cosey in the triangular relationship of identity that includes separation, betrayal, rape, and murder, as well as the collective trauma of racial injustice. While they have their individual histories of experiences that shapes their souls, their identities are intertwined. Therefore, the moment of forming their identities happens simultaneously. In conclusion, these characters experience the development of their identities through Heed’s reconciliation with Christine.
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