훈몽자회에서 본 조선 전기 화예 디자인 소재 식물

이부영 ( Bu Young Yi ) 한국화예디자인학회 2010 한국화예디자인학 연구 Vol.23 No.-

To establish the traditional heritage in flower design, identification of used material is quite important. Hoonmongjahoe, which is published to teach Chinese alphabet through existing material, was concluded as to be filled with major existing materials in Korea. From 33 classes of Hoonmongahoe, 4 classes of word, Hwapoom (flower), Chohue (herb), Mogsoo (tree), Gwasil (fruit), Hwagog (grain), Sochae (vegetable), were identified, translated and reviewed. Flower and herb occupied 3rd and 4th ranks in Hoonmongjahoe, and indicated the importance of Flower design in Early (16C) Joseon`s everyday life and in awareness. Besides 9 headword (garden peony, rose, hollyhock, ume, Rhododendron, azalea, lotus, Hibiscus) Korean azalea (Korean rhododendron) and pink were described in description in flower class. From herb class, 43 herbal plants, including orchid, bamboo, were described. 36 tree names, 38 fruit, 23 grain, and 55 vegetable names were described. Moogoonghwa was used as flower name in 16 century Korea. Because of the presence of bryophyte (moss) and aquatic plants (algae and duck weed) in herbal part as well as Kang Huian`s Yanghwasorog, these plant could be useful for flower design. Hope present survey and study out for some help to reproduce and analyze the traditional flower design and help to raise active discussions.

고려시대의 꽃 문화 -서긍의 『고려도경』을 중심으로-

이부영 ( Bu Young Yi ) 한국화예디자인학회 2013 한국화예디자인학 연구 Vol.28 No.-

The flower culture of Goryeo dynasty was investigated on the base of Xu Jing(徐兢)`s 『Xuanhe Fengshi Gaoli Tujing 宣和奉使高麗圖經, Sonhwa Pongsa Goryeo Togyong)』. Even though during the national mourning, Xu Jing described Goryeo`s flower culture in several chapters of his book, 『Xuanhe Fengshi Gaoli Tujing』, such as palace, ornament matter, ceremony thing, guard, vehicles, shrine, Taoism, lady, customs, delegation, diplomatic relations, public building, residence, curtain and tent, dish and bowl. He should observed Goryeo`s flower culture from city or town, gate and building, official uniform, character, weaponry, public building, commonalty, banquet, ship, sea map, and same culture, however, he didn`t described those in his book. Korean developed specially designed flower vase, which is distinguished from other bottle or pot, demonstrated that they enjoyed highly developed flower culture in Goryeo Dynasty, and flower arrangement in vase filled with water, four season. Hwahwe(花卉) was used as the name of flower and herb in Goryeo or Sung era. There are many resources are remained to study for traditional flower culture.

조선시대 초기 화예 디자인 관련 용어

이부영 ( Bu Young Yi ) 한국화예디자인학회 2011 한국화예디자인학 연구 Vol.25 No.-

This study was conducted to identify the materials used for conventional floral art & design. The words for equipment including table ware and color were investigated from Hoonmongjahoe published in 16C and translated into modern Korean terms and classified. Three hundred and twelve words of equipments were classified as 21 subcategories, such as cooking, storage, furniture, container, table ware, weighing, paste, bottle, iron ware, fabric, cover, makeup, hand tools, material, punishment, lighting, farming, architecture, game, religion, and animal. Within same subcategories, the equipments were distinguished by its size, shape or uses, i.e. several forms of caldron, bottle and vase, pot and jar. Twenty four words for colors were classified as white, blue, black, red and yellow, then purple and green. Even though verbalized as ``purul`` (blue) in Korean, green was distinguished from blue. The advanced flower culture was easily recognized from the fact that the flower vase was distinguished from other bottles and commercially produced in Goryeo dynasty. Equipments described with 312 words and seven colors could be widely used to reproducing conventional floral art & design and as objet.

Lagerstroemia speciosa (L.) Pers.의 액아배양을 통한 기내증식

박영지(Young Ji Park),이부영(Bu Young Yi) 한국원예학회 2014 한국원예학회 학술발표요지 Vol.2014 No.10

인위적 유발 벼멸구 생태형에 있어서 우화율 형질의 유전

이영만,이형래,이부영,최승윤,심재욱,노준창,Lee Young-Man,Lee Hyung-Rae,Yi Bu-Young,Choi Seung-Yoon,Sim Jae-Wook,Ro Choon-Jeohng 한국응용곤충학회 1981 한국식물보호학회지 Vol.20 No.1

벼 품종에 대한 가해능력을 달리하는 벼멸구 생태형의 저항성품종에서의 우화율 유전양상을 분석하고자 실내에서 저항성 품종(Mudgo, ASD 7)을 식이로 이대사육해 인위적으로 유발시킨 유발생태형 2 및 3과 기존생태형 1 사이의 상호 정역교배를 실시하여 $P_1,\;P_2,\;F_l\; F_2,\;BC_1$ 및 $BC_2$의 각세대 $1\~2$령 약충을 공시품종인 Mudgo, ASD 7 $1\~2$엽기 유묘에 접종하여 그 우화율을 조사하였다. 우화율에 대한 유전분석 결과, Mudgo에서의 생태형 2와 생태형 1사이의 조합에서는 생태형 2가 불완전 우성의 단일유전자 ASD 7에서의 생태형 3과 생태형 1 사이의 조합에서는 생태형 3이 불완전열성의 단일 유전자에 의해 우화율이 지배되며, 생태형 2와 생태형 3의 대립관계는 불명확하였다. To analyze the inheritance of emergence rate of brown plant hopper (Nilaparvata lugens) biotypes, six crosses among biotype 1, biotype 2 induced by rearing on Mudgo and biotype 3 these on ASD 7, were made. Each generation $(P_1,\;P_2,\;F_l\; F_2,\;BC_1,\;BC_2)$ of each cross was fed on the rice seedlings of Mudgo and ASD 7 varieties. The emergence rate of biotpe 2 on Mudgo was controlled by the one incomplete dominant gene in $biotype\;l{\times}biotype$ 2 coross, however, that of biotype 3 on ASD 7 was controlled by one incomplete recessive gene in $biotype\;l{\times}biotype$ 3 cross. The genes involved in biotype 2 and biotype 3 were not identical, however, their allelic relations are not clear.

고분벽화 및 유물에서 보는 전통꽃꽂이 양식

한상숙 ( Han Sang Sook ),이부영 ( Yi Bu Young ) 한국화예디자인학회 2016 한국화예디자인학 연구 Vol.36 No.-

옛 생활 문화속의 꽃 사료를 통해서 전통 꽃문화를 확인하고 꽃꽂이 양식과 꽃 장식의 성격을 밝히고자, 고분벽화와 석관(石棺) 및 금관, 은제 꽃모양관장식(花形冠飾)을 중심으로 조사하였다. 본 연구에서 확인된 꽃꽂이는 수목형, 화병꽂이, 수반꽂이, 산화와 화관 등이었다, 수목형은 세계수, 신수로 보이는데 삼국시대 금관이나 조선시대의 궁중 준화, 현대의 벽지나 거대 조형물에 까지 영향을 미쳤다. 병화로는 하수형(下垂型)과 수직형(垂直型)이 확인되었으며, 수직형은 고려석관에서, 하수형은 쌍영총에서 확인되었다. 산화는 고구려 고분의 벽과 천장화에서 확인되었다. 수반꽂이는 반구형이 고려 석관에서 확인되었다. 화관은 고려시대 고분 벽화에서 확인되었다. 자연숭배 사상의 수목이나 산화와 함께 꽃꽂이 그림, 머리 꽃 장식 그림 등이 벽화 등에 묘사되어 있는 것으로 보아, 제의식(祭儀式)의 헌공화(獻供花)와 더불어 감상(鑑賞)의 대상으로서의 꽃 예술이 생활 속에 실재 했음을 확인할 수 있다. This study was planned to identifiy traditional Korean flower arrangement style from available historical record and wall paintings of tumulus, stone coffin and relics. The already known record or relics were reevaluated to obtain new conclusions from the review by new viewpoint. As a result of the research on the historical records related to the flower arrangements, traditional flower arrangement style were identified as tree-shaped form, bottle holders, flower tray, head decoration, etc. Tree type is associated with god-tree (神檀樹) and god-tree thought(神樹思想/animism), found from Goguryeo’s tumulus wall painting, influenced to gold crown in Three Kingdom era, Bodhi tree, Giant vase flower (樽花) in Joseon court and modern large flower arrangement. Bottle holders (甁花) could be reclassified as vertical and fall down type. Vertical bottle holders were identified from stone coffin. Fall down type showed leaf or flower vases entrance was dripping down symmetrically found from Ssangyoungchong(雙楹塚). Scattered flowers(散花) were identified from ceiling, wall of Goguryeo tumulus and influenced to temple decorating and modern wall paper or flooring. Hemispherical flower tray was identified from Goryeo stone coffin. Head decoration was found from wall painting of Goryeo tumulus. Appearance of flower arrangement and flower hairpin decoration besides the tree reflect nature worship or flower scattering in historical records demonstrated the existence of flower art as the object to appreciation in everyday life besides the flower offerings in ritual.

국제기능올림픽 화훼장식종목에 표현된 형태 분석 -핸드타이드와 절화장식을 중심으로-

권혜숙 ( Kwon Hye Suk ),이부영 ( Yi Bu Young ) 한국화예디자인학회 2017 한국화예디자인학 연구 Vol.37 No.-

화훼 산업은 국가발전과 함께 양적으로나 질적으로 큰 발전을 하였고, 화훼장식 발전에 큰 기여를 하고 있으며 이에는 국제기능올림픽대회의 영향을 배제할 수 없다. 국제기능올림픽대회의 출범과 함께 교육과 훈련, 국가 자격증 등 다양한 제도가 새롭게 시작되었으며, 출전자들의 훈련과 참가자들을 통한 새로운 디자인의 발달과 확산이 이뤄졌다. 이것은 특히 국제기능올림픽대회의 심사기준이 대중적이며 실용성과 기술성을 고루 갖춘 상품 디자인 형식들에 맞추어졌기 때문이다. 본 연구에서는 지난 10년 동안 국제기능올림픽대회에 화훼장식종목이 정식종목으로 채택된 2001년부터 2010년까지 5회의 자료 중 매회 같은 종목으로 채택된 꽃다발과 절화장식 종목의 출품작에 대해 디자인 형태, 기법, 구조물사용 등을 분석하였다. 절화장식의 경우 초기에는 장식적인 형태가 높았고 식생적인 형태가 낮았으나 2007년에 식생적형태가 급증했다가 2009년에는 다소 낮아졌다. 이는 시대적으로 사회적 흐름과 디자인의 유행을 반영한 것으로 생각할 수 있다. 또한 구조물 사용의 유, 무를 보면 점점 더 구조물의 사용이 늘어났으며 특히 2009년에는 모두 구조물을 사용한 것으로 나타났다. 구조적 기법을 보면 묶고 지지하는 노팅, 프라팅의 사용이 높으며 공간 확장을 위해 꽂는 피닝도 있었다. 구조물을 사용한 장식적 형태를 이용하여 절제된 재료에 여백을 활용한 디자인의 흐름을 알 수 있었다. 이는 화훼장식 조형적인 형태와 기법이 다양해지고 있다고 볼 수 있다. 꽃다발의 경우 형태적 특징은 장식적형태가 대부분이긴 하지만 선형적 특징도 나타났으며 식생적형태도 보여지며 다양한 형태로 디자인 되었다. 구조물은 사용한 것이 많아서 재료의 투명감을 보여주기 위함과 기술적인 기법을 많이 사용하게 되는 것으로 나타났다. 구조적기법에서는 절화장식보다 많은 기법을 사용하였으며 특히 절화장식과 마찬가지로 노팅과 프라핑을 가장 많이 사용하였다. 그러므로 꽃다발과 절화장식의 각각의 특징적인 형태와 기법을 알고 화훼장식 실기교육의 기초자료로 제시하고자 하였다. Although the flower industry has made great progress both quantitatively with the development of the country, flower decoration development has made a great contribution and it can not rule out the influence of the International Vocational Training Competition a variety of new programs such as education, Training and national qualifications have been launched and new designs have been developed and spread through the training of participants. This is particularly true because the criteria for the International Vocational Training Competition are popular and tailored to product design forms that have both practicality and technicality. This study summarizes the data of five times from 2001 to 2010, When the floral design work was adopted as the official sport for the International Vocational Training Competition over the past 10 years, The design type, technique, and structure are used for the most representative hand tied bouquets and flower arrangement. The analysis of the arrangement showed that the decorative pattern was high at the beginning and the vegetative form was low but the vegetative form rapidly increased in 2007, but it was lowered in 2009. This can be considered as reflecting the trend of social trend and design in the times. In addition, as the use of structures increased, In 2009, all structures were used. Structural techniques show that the use of notching and punching to bind and support is high and pinning, which is plugging type for space expansion was also available. Using the decorative form using the structure, We could see the flow of the design using the margin to the cut material. This can be said to reflect the flow of decorative and decorative forms and techniques of flower arrangement and creativity in the times. In the case of the bouquet, the morphological features were mostly decorative, but also the formal linear features and the vegetative form were shown and they were designed in various forms. Many of the structures were used to show the transparency of the material and to use a lot of techniques. Structural techniques used more techniques than cut ornaments, and the most common use was notching and framing, as in the case of cut flowers. The purpose of this study is to identify the characteristics of each event by utilizing the difference between hand tied bouquet and flower arrangement and suggest it as a basic data of practice.

광 환경 조절이 호접란(Phalaenopsis) ‘소고비치’의 생육에 미치는 영향

박선미(Sun-Mi Park),이부영(Bu-Young Yi),소창호(Chang-Ho Soh),박영수(Young-Su Park),남상용(Sang-Yong Nam) 한국원예학회 2009 한국원예학회 학술발표요지 Vol.2009 No.10

조선시대 궁중 행사도의 꽃꽂이 양식

한상숙 ( Sang Sook Han ),이부영 ( Bu Young Yi ) 한국화예디자인학회 2014 한국화예디자인학 연구 Vol.31 No.-

The purpose of this paper is to investigate the form (shape) of a flower arrangement in Joseon Dynasty through the analysis of the royal event picture(宮中行事圖). In the royal event picture, there are several forms (shapes): Junhwa(樽花), Sanghwa(床花), Hwaga(花架), Jamhwa(簪花). In Hwaseong Neunghaeng picture(華城陵幸圖屛), there were various flower arrangement styles: the space decoration fit to modern use and the cane decorated with flowers. Form of Junhwa had three kinds of shape: linear shape, circular shape and elliptical shape. The linear shape is the initial shape. Hwaga was found to appear after the year 1868. In the Joseon dynasty, there were many royal events and many flowers were used to decorate the venue. Depending on the season, not only artificial flower but also real flower was used, too.

방울토마토 ‘미니캐롤’의 약배양시 생장조절물질, 화뢰길이, 모식물의 생육시기, 저온처리 및 Glucose 농도가 캘러스유기와 식물체 재분화에 미치는 영향

박재복(Jae Bok Park),이부영(Bu Young Yi),이창규(Chang Kyu Lee) 한국원예학회 2001 Horticulture, Environment, and Biotechnology Vol.42 No.1