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        사슬동사의 두 구조

        이봉선 ( Lee Bong-seon ) 대한영어영문학회 2004 영어영문학연구 Vol.30 No.1

        There are two kinds of structural relationships between V1 and V2 in Korean SVCs. One has a head-adjunction structure, and the other has a head-complementation structure. In dependent construction, V1 either changes the selectional restrictions of V2, or plays a role of an argument for V2, which motivates the complement status of V2. In coordinate construction, on the other hand, no such dependence is attested. The distinction between the coordinate construction and the dependent construction is identified by SE-insertion test, which has been used to set SVCs apart from the auxiliary verb construction. Contrary to the common assumption, dependent construction and the auxiliary verb construction are grouped together, given the parallel complement-head relationship between V1 and V2. < Woosuk University >

      • KCI등재
      • KCI등재

        ‘But’ 의 의미

        이봉선 ( Lee Bong-seon ) 대한영어영문학회 1996 영어영문학연구 Vol.20 No.1

        The connective 'but’ means denial of expectation and contrast, when the speaker thinks that his expectation of something and its reality don't agree, and that certain qualities contrast, 'but’ is used. The connective 'but’ has a great deal to do with the Coorperative principles of Grice (1975) and Appropriateness conditions of Searle(1969). In order to make communication successful, the speaker must constantly assess what is in the consciousness of his listener. When the speaker utters, he shuld be able to assess what reactions he will receive from the listener. Sometimes the speaker can predict these reactions and say something to forestell negative reactions. The connective 'but’ is also used in expressing contrast related appropriateness conditions. The conditions represent rules which users of the language assume to be in force in their verbal communication with each other. In other words, they form part of the knowledge which speakers of a language share and on which they depend in order to use the language properly and effectively, both in speaking and in understanding. However, the connective 'but’ is functioned as constraint on relevance although I admit that 'but' is used when the cooperative conditions and the appropriateness conditions are not kept in communication. In other words, the meaning of 'but’ is analyzed not in terms of its contribution to the truth-conditional or propositional content of the utterances that contain it, but as a purely non-truth-conditional constraint on relevance. Here I say the meaning of 'but’. Nevertheless I don’t make a precise description of the core common to all uses of 'but’. I only show that the meaning of 'but’ interacts with the context as evidence that the pragmatic interpretation of utterance is constrained by linguistic means. Specifically, I show that 'but’ constrains the interpretation of the proposition it introduces so that its relevance must be understood to lie in its effect on the interpretation of the proposition in the preceding clause

      • KCI등재

        국어 ‘-고’ 접속문의 제약과 해석

        이봉선 ( Lee Bong-seon ) 대한영어영문학회 1999 영어영문학연구 Vol.25 No.1

        This paper is aimed to review the necessity of constraints on the conjoined sentence of ‘-ko’ in Korean and to analyse a varietv of interpretations among conjunts. To achieve this purpose, the optimal principle of relevance is proposed. Grice(1975) argues that the temporal, additional, and causative interpretations of coordinate constructions in English must be analysed as implications conveyed by conformity to the maxim ‘Be orderly’. Carsten (1988) claims that these pragmatic effects of coordination are the outcome of an interaction between pragmatic principles and general properties of the mind rather than the meaning of ‘and’. However, the order of events in which conjuncts are stated may have significant pragmatic effects. Thus, a ‘-ko’ conjunction needs to be interpreted through relevance. In this study, the interpretation in schema will be proved in analysing interpretations among ‘-고서, 고 나서, 아서, -니까, -고도’.

      • KCI등재

        외식산업 메뉴품질 선택요인과 재구매 의도에 관한 연구

        이봉선(Bong Sun Lee),류경민(Kyong Min Ryoo) 한국관광연구학회 2011 관광연구저널 Vol.25 No.3

        The purpose of this study was to examine any possible significant differences in menu quality selection among customers with experiences of using Japanese restaurants according to their demographic characteristics, to make a factor analysis of their awareness of the importance of menu quality selection in those restaurants, and to investigate the impact of the selected menu quality selection factors. It`s basically meant to suggest ways of making up the menu to provide some information on the improvement of the menu and menu design in Japanese restaurants. The collected data were analyzed with the statistical package SPSS 11.0, and descriptives, validity analysis, reliability analysis and x2(Chi-square) test were utilized. As a result of making a factor analysis to verify the validity of the concepts of menu quality in Japanese restaurants, the essential factors of menu ranked first, which included the smell of food, food freshness, food temperature, taste, ease of chewing, nutrition, materials and adequateness of salty taste. The external menu organization factors ranked second, which involved the name of menu items, ease of selection, food professionalism, recipe, a time required for serving food, and appearance of food. The external menu factors ranked third, which included food price, seasonableness of food, menu composition and explanation on food. When the correlation of the constructs was analyzed, the essential menu factors had a statistically significant correlation to the external menu factors, and the correlation coefficient of the two was 0.465. The essential menu factors had a statistically significant correlation to the external menu organization factors as well, and the correlation coefficient of the two was 0.450.

      • KCI등재

        접속사와 관련성

        이봉선 ( Bong-seon Lee ) 대한영어영문학회 1997 영어영문학연구 Vol.22 No.1

        The Conjunction ‘and’ not only conjoin words, sentences but also convey extra information, such relation and causal relation. The aim of this thesis the studies of the past and to suggest that the conjuntion is funtioned as a semantic constraint on relevance with a regard to the relevance theroy. Lakoff & Petes (1969) assumes that asymmetric ‘and’ is reducible to symmetric ‘and plus then’, but they do not explain the meaning of constraints on the use of ‘then’. Moreover, there are counterexamples to this assumption. R. Lakoff(1971)says that in order to decide when conjunction is possible, we should find out whether two conjuncts share a common topic, whether the verbs are of a related category, or whether they contain two contradictory or tautological statements. However, some of her judgements on the acceptability of sentences do not seem to be correct, and there are apparent counterexamples to these constraints. Grice(1975) suggests that the meaning of ‘and’ is simply a conversational implicature due to the maxim of Manner ‘Be orderly’ but many have felt that the maxims, especially the maxim of Relation, are too vague and that pragmatic theory needs to be made more formal and precise. Sperber and Wilson(1986) adopts the Gricean implicature theory but suggests the principle of relevance in order to explain more general phenomena. Thus, I explain the meaning of conjunction ‘and’ on the basis of the principle of relevance.

      • KCI등재

        국어 담화표지 ‘거시기’의 의미분석

        이봉선(Lee Bong seon) 현대문법학회 1998 현대문법연구 Vol.13 No.-

        The purpose of this paper is to give a pragmatic description of the Korean discourse marker ‘keosigi’, that is, how a speaker uses it for his purpose and how a hearer interprets it in discourse. The conclusion of this study is summarized as follows; First, the charateristics and the definition of the Korean discourse marker are given. Second, the relevance theory is suggested in which all the pragmatic uses of the discourse marker are inferred. Third, some discourse properties of ‘keosigi’ are examined in accordance with relevance in the context where it is used.

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