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金重烈,安圻洙 群山大學校 1994 論文集 Vol.21 No.-
The purpose of this paper is to examine the ways of developing heroic power possessed by protagonists in old heroic novels and to investigate how they take advantage of this as a means of self-realization, and to consider what changes the figurative methods show at later stages. Especially, although power development styles were phenomena which appeared throughout old novels, different meanings were represented with different methods. It is noted that in heroic novels whose protagonists are heroes, such power development enabled them to live a successful, ascending life. Since the writers of heroic novels and ther years in which they were written are unknown, we can only make a conjecture in considering their writers and their consciousness of the era. However, it is not very difficult to examine the literary traditions at that time since the heroic novels were produced in the spatio-temporalcontext of the Yi Dynasty. It is conjectured that heroic novels have originated from lyrics in myths. This results from focusing on the heroic lives of protagonits. Consequently, it seems that the personalities of heroes in heroic novels have been changed through this process. First, let us consider the innate supernatural power of a mythological protagonist and the image of a hero. In the myth of Jumong, the protagonist appears as having the image of a hero who overcomes the conflict with the world. The protagonist Jumong's birth to diviner beings reveals that he is a descendant of a god. Her is born with innate, extraordinary power, and confronts the world for himself alone. On the other hand, in heroic novels, the image of a hero is shown through his mother's dream she has when she gets pregnant. Different from divine characters in a myth, the protagonist's divinity is revealed through his mother's dream in which her baby becomes a divine character in the future. There are some heroic novels in which antagonits perform passive power assisted by a savior. Saviors do not exist in myths or early heroic novels, but they always do appear in alte heroic novels, and they recognize the protagonist's greatness and raise heroic power. So we can see the passive image of a hero in late heroic novels. In addition to saviors' raising of protagonits's power, wupplementary tools were given to the protagonist. This made it possible to figurate an ordinary heroic character, who is more like a human being. Thus, we can see that a hero's power transfigurates from having supernatural power to absolute power in early heroic novels, and to ordinary abilities in late heroic novels.
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