콘서트홀의 무대 천장높이 변화에 의한 객석음향의 영향

신동재,전진용,서형균,Shin Dong-Jae,Jeon Jin-Yong,Seo Hyung-Gyoon 한국음향학회 2005 韓國音響學會誌 Vol.24 No.1

In this Paper, the effect of stage ceiling height on the acoustic characteristics of rectangular concert halls are investigated. To find out the acoustic properties of audience area, A simple Boston Symphony Hall(BSH) model which is typically rectangular shaped was applied for computer simulation. A newly built rectangular concert hall with 400 seats was also chosen for a scale model $(1.2m{\times}0.68m{\times}0.31m)$ study and its computer simulation varing the stage ceiling height and the volume. The results show that RT increased as the stage ceiling was lowered and the difference rate of RT by its variance is from -0.09 to -0.06[sec/m]. 본 논문에서는 장방형 콘서트홀에서 무대천장높이 변화가 객석의 음향성능에 미치는 영향에 대하여 조사하였다. 먼저 컴퓨터 시뮬레이션을 사용하여 객석부에서의 음향 특성을 조사하기 위하여 대표적 장방형 콘서트홀인 Boston Symphony Hall (이하 BSH)의 단순화 모델을 적용하였다. 또한 신축된 400석 규모의 장방형 홀의 축소모형 $(1.2m{\times}0.68m{\times}0.31m)$ 실험과 축소모형의 시뮬레이션을 통하여 무대부 천장높이의 변화에 따른 객석에서의 음향특성의 영향을 측정하였다. 실험 결과, 컴퓨터 시뮬레이션과 축소모형실험 및 축소모형실험의 시뮬레이션에서 모두 무대천장높이가 낮아질수록 잔향시간이 증가하는 경향을 보였으며, 무대천장 높이에 따른 잔향시간의 변화율은-0.09[sec/m]$\~$-0.061[sec/m]로 나타났다.

김현의 김춘수 시 비평 연구

신동재 ( Shin Dong-jae ) 한국문학연구학회 2021 현대문학의 연구 Vol.- No.73

이 연구는 김현의 김춘수 시 비평 전반을 검토하며 김현이 김춘수시 비평에서 존재와 역사성의 양상을 어떻게 분석했는지를 밝힌다. 또한 그의 현상학적 전회, 그리고 그 이후의 시적 변화 그리고 김춘수의 무의미시를 김현이 어떤 방식으로 이해했으며, 그것이 기존의 김춘수의 무의미시 논의와 대별되는 지점은 무엇인지 그리고 김현의 그러한 이해가 어떤 의도에서 이루어졌는지를 해명한다. 김현은 김춘수가 존재의 그 실체, 황금빛을 드러내는데 집중하여 시를 쓴 것으로 파악한다. 그것은 존재의 내부에 불꽃이 숨겨져 있다는 내면성의 원리와, 존재가 황금색을 드러내어 다른 것과 구별한다는 변별성의 원리로 설명된다. 김현은 <처용> 연작과 <부다페스트에서의 소녀의 죽음>을 분석하면서 김춘수가 역사성의 문제 역시 이러한 존재론적 차원에서 통합시켜 드러낸 것으로 이해하고 있다. 김현은 ‘타자’가 시인 안 또는 바깥에 있는지에 따라 통합의 양상이 변화될 수 있다고 본다. 김현은 김춘수가 현상학적 관찰에 입각한 시를 쓰던 시기를 암시의 미학, 반향과 마력의 시학으로 이해한다. 김현은 김춘수가 구차스러운 설명을 하지 않고 전체의 효과를 그리는데 집중한다고 평한다. 이러한 기법을 사용하여 김춘수가 ‘애매모호함’의 특성을 드러낸다고 이해하는데, 이 ‘애매모호함’ 덕분에 김춘수의 시는 암시할 수 있게 된다고 설명한다. 김현은 김춘수가 유사에 의해 행함으로써 이미지 사이의 관계를 세우고 추리할 수 있는 명백한 것들을 제거하는데 성공하고 있다고 평가한다. 김현은 김춘수의 이러한 암시의 시학이 말라르메와도 닿아있음을 지적하고 있는데, 김현에게 4·19=말라르메=자유의 도식이 성립되었듯 김춘수의 경우 3·15=자유라는 명제가 성립됐다고 볼 수 있다. 김현은 김춘수 시에서 말라르메의 무의 시학이 한국적 맥락에서 무의미시로 변용됐다고 본다. 김현은 김춘수가 말하는 무의미 상태란 해탈의 극단적 상태이자 삶과 무관한 상태라고 본다. 그리하여 김현은 김춘수의 무의미시란 자기의 시원을 탐색하여 자신에게 의미를 부여하려는 생각에서 연유했다고 설명하고 있으며, 결국 존재의 빛이 환하게 드러나게 하는 시라고 호칭한다. 김현은 사물에 부여된 가짜 이름의 압력, 일상성, 관습성을 제거하는 것이 김춘수가 무의미시 또는 순진함의 시를 기획함으로써 획득하고자 한 것으로 이해하고 있으며 이것은 무효용의 효용이라는 김현의 문학의 요체를 김춘수의 무의미시에서도 전개한 것으로 볼 수 있다. This study examines the overall criticism of Kim Chun-soo’s poetic works and reveals how Kim Hyun analyzed the aspects of existence and historicality in Kim Chun-soo’s works. It also explains how Kim Hyun understood his phenomenological turn, and subsequent poetic changes, and Kim Chun-soo’s meaningless poems, and what was different with the established discussion about Kim Chun-soo’s meaningless poems. Kim Hyun understands that Kim Chun-soo wrote the poem to focuse on revealing the true existence, ‘the golden light’. It is explained by ‘the principle of inner nature’ that flame is hidden inside of existence, and ‘the principle of discrimination’ that existence reveals golden color and distinguishes it from others. Kim Hyun analyzed the series of “Cheoyong” and “The Girl’s Death in Budapest,” and understood that Kim Chun-soo also integrated the issue of historicality at this existential level. Kim Hyun believes that the aspect of integration can be changed depending on whether Das Andere is inside or outside the poet. Kim Hyun understands the period when Kim Chun-soo wrote poems based on phenomenological observations as ‘the aesthetics of allusion’, and ‘the poetry of echo and mana.’ Kim Hyun commented that Kim Chun-soo concentrates on drawing the entire effect without giving a unnecessary comments. Kim Huyn evaluates that Kim Chun-soo reveals the characteristics of ‘ambiguity’ by using these techniques, that which explains that Kim Chun-soo’s poems can be suggested. Kim Hyun evaluates that Kim Chun-soo is successful in establishing relationships between images and eliminating obvious things that can be inferred, by techniques of resemblance. Kim Hyun points out that Kim Chun-soo’s poetic of suggestion is also in contact with Mallarmé, and just as the ‘April 19=Malame= Freedom’ schematic was established for Kim Hyun, the proposition of ‘March 15=Freedom’ was established for Kim Chun-soo. Kim Hyun thinks that the poetry of Mallarmé’s nothingness has been transformed into meaningless in the Korean context in Kim Chun-soo. Kim Hyun thinks that what Kim Chun-soo says is an extreme state of nirvana and a state unrelated to life. Therefore, Kim Hyun explained that Kim Chun-soo’s meaningless poem was derived from the idea of exploring his origin and attaching meaning to himself, and he calls it a poem that eventually brightens the light of existence. Kim Hyun understands that Kim Chun-soo try to acquire removing the pressure which fake names given to things, and dailiness and convention by planning a poem ofmeaninglessness or innocence.

외상성(外傷性) 척수손상(脊髓損傷)으로 인한 신경인성(神經因性) 방광(膀胱)환자에서 구치료(灸治療)로 호전된 치험 1예(例)

신동재 ( Dong Jae Shin ),정석희 ( Seok Hee Chung ) 한방재활의학과학회 2004 한방재활의학과학회지 Vol.14 No.4

Objectives: We got a good effect on one patient who had neurogenic bladder caused by traumatic spinal cord injury by moxibustion. Methods: In clean intermittent catheterization, direct moxibustion was applied to Qihai(CV6), Guanyuan(CV4) and Zhongji(CV3) points five times a day for 6days per week. We measured post-voiding residual urine everyday from April 24th, 2004. to May 23th, 2004. Results: The post-voiding residual urine was decreased gradually for the term of investigation. Finally, balanced bladder was confirmed. Conclusions: We supposed that the moxibustion can improve the function of bladder in traumatic spinal cord injury patient.

임길택 동시집 『탄광마을 아이들』 연구 - 이미지로 표출된 정동의 페다고지 -

신동재(Shin Dong-jae) 한국아동청소년문학학회 2021 아동청소년문학연구 Vol.- No.29

이 연구는 임길택의 동시를 새로운 이미지론 이해를 바탕으로 적실성과 내적 정합성을 갖출 수 있게 새롭게 해석해내고자 한다. 이를 위해 이 연구는 임길택이 어떤 과정을 통하여 아이, 학부모와 ‘자기 동일성’을 가지게 되었는지를 살펴보고, 사북 사건이 왜 임길택의 어린이시 지도, 동시 쓰기의 결정적 계기가 되었는지 살펴본다. 또한 임길택에게 어린이시 지도와 동시 쓰기란 어떤 의미의 일이었는지를 ‘페다고지의 구축’이라는 관점에서 살펴보고, 임길택이 표현한 ‘아버지’ ‘밝음’의 이미지가 그의 시 전반에 흐르는 비애와 고통의 이미지와 어떤 연관 관계를 가지며, 작성됐는지 살펴보며 이상의 논의를 종합해 임길택이 『탄광마을 아이들』에서 구현한 동시 이미지가 욕망하였던 것은 무엇이었는지 논한다. 임길택은 마주침의 체험을 통해 학부모, 학생과 ‘자기 동일성’을 느꼈으며, 그것은 결정적으로 사북 사건을 거치며 그를 ‘아이 되기’의 경지로 이끌어 간다. 그의 ‘아이 되기’ 욕망은 사유의 차원만으로는 불가능한 것으로 간주되어 결국 ‘이미지’의 형태로, 그중에서도 동시로 돌발된다. 임길택은 아이의 목소리를 의식화된 차원으로 끌어올리며 아버지와 밝음의 이미지를 창조함으로써 탄광마을에서의 삶을 보다 극적으로 표현하고 슬픔의 크기를 극대화한다. This study aims to newly interpret Lim Gil-taek’s poem for children so that it can have adequacy and internal consistency based on the understanding of the new image theory. To this end, this study examines how Lim Gil-taek became “self-identity” with children and parents, and examines why the Sabuk incident served as a decisive opportunity for Lim Gil-taek’s teaching and writing of poerty for children. In addition, we examine what it meant to teaching and writing a children’s poem to Lim Gil-taek from the perspective of “building a pedagogy.” And we examined how the images of “father” and “bright” expressed by Lim Gil-taek relate to the images of sorrow and pain flowing throughout his poem. Taking the above discussions together, we discuss what the poem’s image that Lim Gil-taek embodied in “Children in Coal Mine Village” was desired. Lim Gil-taek felt “self-identity” with parents and students through the experience of encounter, and it crucially leads him to a state of “being a child” through the Sabuk incident. His desire to become a child is considered impossible only in terms of thought, and eventually occurs in the form of an image, especially in his poems. Lim Gil-taek expresses children’s life in a coal mine village more dramatically and maximizes the size of his sadness by raising the child’s voice to a conscious level and creating an image of brightness and father.

디자인 영역 확대에 따른 융합 교육을 위한 방향 탐색

신동재(Shin, Dong Jae),김희현(Kim, Hee Hyun) 한국디지털디자인협의회 2013 (사)한국디지털디자인협의회 conference Vol.2013 No.4

In the rapidly changing marketing environment, the brand subject is a critical factor related to the Design Education. Related to the IMC that is currently being used in practice, the concept and the main issues being discussed will be simultaneously studied and the importance of the brand which is the common grounds of design area will be studied. For the Visual Design Major Education, the current state of the education will be grasped and through the interviews with experts who have been elected by the snowball sampling, the three common problems(change in the concept of brand based on time, necessity of combined education with other studies, change in the designers’ roles have been reached, and the concluded results of the study and the direction of education development of brand design will be suggested along with the related improvements.

족저근막 스트레칭이 척추기립근 및 슬굴곡근의 긴장도에 미치는 영향

신동재 ( Dong Jae Shin ),신현대 ( Hyun Dae Shin ),정석희 ( Seok Hee Chung ) 한방재활의학과학회 2005 한방재활의학과학회지 Vol.15 No.4

Objectives : The meridian muscle theory is similar to the myofascial meridian theory. According to the myofascial meridian theory, muscle tension can travel from one part of the body to the other part though the fascia. We assumed that the same theory can be applied to the meridian muscle. So we hypothesize that stretching of plantar fascia, a part of Chok-t`aeyang meridian muscle, will effect the tension of erector spinae muscle and hamstring muscle which is the other part of Chok-t`aeyang meridian muscle. Methods : 30 persons with neither spinal disorder nor back pain were randomized into two groups : 16 samples and 14 controls. Every person measured finger-to-floor method(FFM) distance, C7-S1 process distance, and left and right passive leg straight raising(SLR) angle. In the sample group, plantar fascia was stretched for 5 minites. In the control group, plantar fascia was not stretched. 5 minutes later, every person had taken a measurement as previously measured. Results : In the both sample and control group, muscle tension of erector spinae muscle and left and right hamstring muscle had significantly decreased. And in the sample group, muscle tension of erector spinae muscle and left and right hamstring muscle had more significantly decreased than in the control group. Conclusions : Muscle tension can travel from one part of the body to the other part of the body though the meridian muscle.

컨벤션산업에 대한 지역주민 태도에 관한 연구

신동재(Dong Jae Shin) 한양대학교 관광연구소 2006 觀光硏究論叢 Vol.18 No.-

견관절과 고관절의 장력 패턴 상관성 연구

신동재 ( Dong Jae Shin ),이종수 ( Jong Soo Lee ),김성수 ( Sung Soo Kim ),정석희 ( Seok Hee Chung ) 한방재활의학과학회 2006 한방재활의학과학회지 Vol.16 No.2

Objectives : Muscle tone is proportional to passive tension, so passive tension of antagonist can be measured by measuring passive ROM of a joint. Considering close correlation between movement and muscle tension, we hypothesized that tension patterns of upper and lower limbs would exit, and we tried to prove the existence of tension patterns of shoulder and hip joints by measuring of passive ROM of those joints. Methods : We collected 110 volunteers(75 men and 35 women), whose age was from 20 to 30, BMI was less than 23kg/m2 and who had no musculoskeletal disorder. we had passively horizontally adducted and abducted shoulder joint and passively adducted and abducted hip joint, then measured passive ROM of those joints. We decided which side was relatively dominant by comparing between left and right ROM. We analyzed the differences of tensions of shoulder and hip joints by the handedness, and the relationships between the tensions of left and right shoulder joints, between the tensions of left and right hip joints and between the tensions of shoulder joints and hip joints. Results : The right hip adduction and the left hip abduction were relatively significantly limited at right-handed persons. There was statistically significant relationship between the tensions of left and right shoulder joints, and between the tensions of left and right hip joints. There was no significant relationship between the tensions of shoulder and hip joint. Conclusions : Right-handed has the tension patterns especially at hip joints. There is also tension patterns between the homologous joints.

회전익기 기어박스 개발 프로젝트 관리

신동재(Dong Jae Shin),류보성(Bo Seong Ryu) 한국항공우주학회 2022 한국항공우주학회 학술발표회 논문집 Vol.2022 No.11

중풍 편마비 환자에서 건측 상지 고정술이 상지 운동 기능에 미치는 영향

조재흥 ( Jae Heung Cho ),신동재 ( Dong Jae Shin ),김성수 ( Sung Soo Kim ),신현대 ( Hyun Dae Shin ) 한방재활의학과학회 2004 한방재활의학과학회지 Vol.14 No.3

Objectives: To investigate the efficacy of a constraint-induced therapy protocol on patients with chronic stroke. Methods: Constraint-induced theraphy applied to five hemiplegic patients who had been treated by general rehabilitation therapy upon stroke for 2 weeks. The other five hemiplegic patients had only general rehabilitation therapy during same period. Outcomes were assessed by Medical research council scale, Fugl-Meyer score (FMS), Wolf Motor Function Test (WMFT), Action Research Arm Test (ARA) and Modified Barthel Index(MBI). Results: Substantial improvements were observed on the FMS, WMFT and ARA, while MBI has not produced significantly meaningful differences between sample and control group. Conclusions: Constraint-induced theraphy may could be used as an efficacious method of improving function of upper limb motor function.