치과 수술 후 뉴로미터를 이용한 전류인지역치의 변화의 분석

박진형,유지원,안종모,옥수민,윤창륙,Park, Jin-Hyung,Ryu, Ji-Won,Ahn, Jong-Mo,Ok, Soo-Min,Yoon, Chang-Lyuk 대한안면통증구강내과학회 2010 Journal of Oral Medicine and Pain Vol.35 No.4

The goal of this study is to contribute to the clinical application by making a quantitative nerve current perception threshold(CPT) examination for the evaluation of numbness that could be occurred after dental surgery, Measurement of CPTs at each different frequencies(2000 Hz, 250 Hz, and 5 Hz) were performed to trigeminal nerve main branch(mandibular division) of 29 patients with dental surgery on mandibular area and 25 normal subjects. There were significant differences in CPTs between patient group and control group.(p<0.05) But, there were no significant between patient male and female in both patient and control group except 2000 Hz was significantly high in the control female.

Cu-CMP에서 Alanine이 Cu와 TaN의 선택비에 미치는 영향

박진형,김민석,백운규,박재근,Park Jin-Hyung,Kim Min-Seok,Paik Ungyu,Park Jea-Gun 한국재료학회 2005 한국재료학회지 Vol.15 No.6

Chemical mechanical polishing (CMP) is an essential process in the production of integrated circuits containing copper interconnects. The effect of alanine in reactive slurries representative of those that might be used in copper CMP was studied with the aim of improving selectivity between copper(Cu) film and tantalum-nitride(TaN) film. We investigated the pH effect of nano-colloidal silica slurry containing alanine through the chemical mechanical polishing test for the 8(inch) blanket wafers as deposited Cu and TaN film, respectively. The copper and tantalum-nitride removal rate decreased with the increase of pH and reaches the neutral at pH 7, then, with the further increase of pH to alkaline, the removal rate rise to increase soddenly. It was found that alkaline slurry has a higher removal rate than acidic and neutral slurries for copper film, but the removal rate of tantalum-nitride does not change much. These tests indicated that alanine may improve the CMP process by controlling the selectivity between Cu and TaN film.

천리안 2A호 기상탑재체를 위한 향상된 컬러 영상 합성 알고리즘

박진형(Jin Hyung Park) 한국항공우주학회 2023 한국항공우주학회 학술발표회 논문집 Vol.2023 No.4

재현ㆍ정치ㆍ윤리

박진형(Jin-Hyung Park),김소영(토론자) 현대미술사학회 2003 현대미술사연구 Vol.15 No.-

Introduction This essay doesn't have an aim for textual analysis or criticism of a particular, or more than two, contemporary Korean cinema in terms of homosexual representation. Rather, it aims to rethink queer criticism in cinematic discourse as a way of political, theoretical practice, and to speculate reflectively the matter of how queer theory can be 'placed' in Korea. Like other theories from the west, queer theory arrived at the discursive battlefield in Korea, and very soon, it has been rapidly spread and articulated in various discourses: feminism, which has been desperately seeking for alliance with other theories of the oppressed, and any political discourse of the minority. Queer theory and criticism are the most marginalized and the most potent one among the critical discourses, at least regarding their status in the Korean academic field. Meanwhile, queer theory is now facing new problems when its potential as the marginal is acknowledged without any questions. Not being fully discussed yet, differences in race, class, or socio-economical and geo-political states remain unexamined, while staying under the big umbrella of the queer. However, what really matter is that queer theory's potential as a marginal politics is at the danger of being located and re-registered at the center of academic markets in Korea. More importantly, this risk is resulted from queer theory's own practice to be recaptured at the center of academic discourses, as well as the dynamics of mainstream (heterosexual) intellectuals and academic discourses, which try to capture queer theory and recuperate it as the marginal-in-the-center. When queer subjects assume their own subjectivity and construct it just as mainstream intellectuals do, as Gayatri Spivak asserts in her essay 'Can subaltern can speak?', they will be remained as the Other and eventually adhered to the construction of colonial (and heterosexual) subject that interweaves the developments in knowledge and civilization with epistemic violence. Starting with acknowledging my position as a queer scholar in East Asia, I propose the readers to realize the importance of the risk of queer theory and its practice in Korean academic discourses. Some can think that the issue comes too early to be raised as the problematic, because matters of queer theory or queer subjectivity could not have chance to be fully discussed yet in Korean society in general, in Korean academic fields in particular. However, the problematic of theory - any theory - we can pose is always related to ceaseless questions about what particular practices the theory leads and how the theory becomes re-located by the practices it leads. Relating this question with matters of queer theory and criticism, I dare to assert it can never be overemphasized that one can, however, given the play of power and resistance, resist the continuing practices of (heterosexual) subject formation and attempt to discover ways of being that might thwart and transgress such practices. The Other should represents a location from which it might be possible to work strategically towards a freeing of subject from subjectivity, rather than tries to be freed from its marginalized place. In short, I would like to stress the importance of Foucauldian notion of ethics in considering queer theory and its practice. Given this, I would like to speculate the dynamics of heterosexual dominant discourse that always tries to recuperate queer subjectivity and queer theory as the marginal in its circuit At the very moment when marginality becomes normalized and universalized by western heterosexual discourse, it is soon interpolated as the-Other-for-the-subject. In this dynamics of dominant discourse, any theory of the marginal - cultural, economical, and sexual - loses its potential as transgression or counter-force and becomes serving the rigid structure of center-margin/subject-other binary system. Rethinking of this recuperating process

멀티미디어 통신환경에서 QoS 지원을 위한 동적 버퍼관리 기법

박진형(Jin-Hyung Park),이승룡(Sungyoung Lee) 한국멀티미디어학회 2000 한국멀티미디어학회 학술발표논문집 Vol.2000 No.1

형광등용 전자식 점등기 개발에 관한 연구

박진형(Jin-Hyung Park),서진연(Jin-Yun Sea),장용해,신사현(Sea-Yun Sin),백형래(Hyung-Lae Baek),조금배(Geum-Bea Go) 대한전기학회 2003 대한전기학회 학술대회 논문집 Vol.2003 No.4

현대예술 및 문화 : 다니엘 글라타우어의 이메일 소설 『Gut gegen Nordwind』를 통해 살펴본 정보화 시대 인간의 존재의미

박진형 ( Jin Hyung Park ) 한국브레히트학회 2010 브레히트와 현대연극 Vol.0 No.22

인터랙티브 아트에서 표출된 어포던스

박진형(Jin-Hyung Park),김동조(Dong-Jo Kim),김형기(Hyung-Gi Kim) 한국전시산업융합연구원 2013 한국과학예술융합학회 Vol.14 No.-

본 연구는 인터랙티브 아트와 어포던스 이론의 관계를 비교하기 위해 2013 Ars Electronica 인터랙티브 아트 부문에 수상 된 작품사례들을 조사·분석하고 인터랙티브 아트에서의 어포던스 요소 제안을 통하여 인터랙티브 아트의 발전과 어포던스의 확장 가능성을 추구하는 데에 그 목적이 있다. 연구의 방법과 범위는 문헌연구, 인터넷 검색, 전문가 면담 등을 통하여 인터랙티브 아트와 어포던스 이론에 대한 개념 정립을 하였다. 정립된 이론과 인터랙티브 아트 작품사례 분석을 근거로 어포던스 유형별 분류 가능한 인터랙티브 아트의 속성들을 비교하여 인터랙티브 아트 내에서 검토되어야 할 어포던스의 역할에 대해 제안을 하고자 한다. 디자인 분야에서 활발하게 연구되고 있는 어포던스는 타 분야와의 활용이 필요하며 이에 종합적이고 이론적인 연구가 진행되어야 할 것이다. 현재 인터랙티브 아트는 다채로운 영역확장과 더불어 관객과 작품, 관객과 관객 간의 상호작용적 관계를 이끌어내고 있다. 본 연구를 통해 인터랙티브 아트의 상호작용 지점에 대한 이론적 고찰과 어포던스의 수용에 따른 확장 가능성을 기대한다. The purposes of this research are to investigate and analyze cases of awarded works in interactive art division of 2013 Ars Electronica and pursue development of interactive art and expanding possibility of affordance through the suggestion of affordance factors so as to compare the relations between interactive art and affordance theory. For the method and range of this research, the concept of interactive art and affordance theory was established through the literature research, internet search, expert interview, etc. Based on the analysis on cases of established theory and interactive art works, this thesis intends to compare attributes of interactive art which can be divided by affordance form and suggest roles of affordance which should be examined in interactive art. Affordance which is actively studied in design field must be utilized with other fields, so synthetical and theoretical studies must be conducted. At present, interactive art draws expansion of various sectors and interactive relations between spectators and works, spectators and spectators. Through this research, theoretical consideration of interactive point of interactive art and expansive possibility by affordance"s acception are expected.

네트워크 기반 정보통신기술의 사용이 기업의 경쟁우위에 미치는 영향에 관한 연구

박진형(Jin-hyung Park),옥석재(Seok-jae Ok),최승훈(Seung-hoon Choi) 한국인터넷전자상거래학회 2007 인터넷전자상거래연구 Vol.7 No.4

The Information Communication Technology based on network has been invested by the most companies. It is difficult to say that this investments lead to the competitive advantage of the company. The object of this study is to find the impact of the use of ICT based on network for competitive advantage. This study extracted critical study variables according to literature reviews about the adoption of network system and the use of the ICT tools under the company contextual factors for theoretical foundation. After studying prior literature reviews, this study investigated the companies using the ICT based on network for competitive advantage. The results of study are followings. First, it does not support the dependence of network system and the use of ICT tools in an uncertain environment. The uncertain environment does not impact to the investment of the ICT based on network system. Second, it supports the dependence of network system and the use of ICT tools in an information intensity. The companies concerned about information intensity depend on the network system and use the ICT tools. Third, it supports the induction of competitive advantage by using the ICT tools based on network. The ICT tools based on network lead to the competitive advantage. In conclusion, study results show positive significant associations between the investment to the ICT based on network and the competitive advantage of the company.

20세기 초 표현주의에 입각한 현대 키네틱타이포그래피의 감정표현방법 연구

박진형(Park Jin Hyung),이현진(Lee Hyun Jhin) 한국디자인학회 2010 한국디자인학회 학술발표대회 논문집 Vol.2010 No.10

In recent years, the development of digital technology has produced a wave of new media. Following this important trend, the area of typography is changing, moving from passive to reactive and responsive. Static typography has become dynamic, expressing spatiotemporaJ and auditory imagery, and is now coming to be defined as 'kinetic typography.' This article explores the impact of modern kinetic typography in the context of emotion and character by analyzing and comparing it to the works of Apollinaire and Marinetti, two expressionist typographic artists who worked to create visual emotional expression from static typographic forms in the early 20th Century. Following the review of earlier work, I examine modem kinetic typography which had its root in early 20th Century expressionism, in four broad categories: (1) Describing Temporal Forms; (2) Tone of Voice; (3) Motion & Emotion; and (4) Rhythm & Reading. The article describes my research into modem movie opening title sequences in seven films, in each of the four selected categories.