http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.
변환된 중국어를 복사하여 사용하시면 됩니다.
- 中文 을 입력하시려면 zhongwen을 입력하시고 space를누르시면됩니다.
- 北京 을 입력하시려면 beijing을 입력하시고 space를 누르시면 됩니다.
RISS 인기검색어
- 검색키워드
- 저자 : 박정필(Jung-Phil Park) (검색결과 2 건)
- 무료
- 기관 내 무료
- 유료
-
새로운 에너지 회수 방식을 채용한 고효율 PDP 구동회로
한상규(Sang-Kyoo Han),이준영(Jun-Young Lee),박정필(Jung-Phil Park),문건우(Gun-Woo Moon),윤명중(Myung-Joong Youn) 전력전자학회 2001 전력전자학술대회 논문집 Vol.2001 No.-
A new and high-efficient energy-recovery circuit is proposed to drive a plasma display panel (PDP) and compared with the conventional circuit. The proposed circuit uses only two inductors and no auxiliary circuit to recover the energy stored in the equivalent intrinsic capacitance of PDP so that it feartures a very simple structure. small volume, fewer power devices. low production cost and high efficiency. Besides, the light emitted from PDP is very stable and uniform it is suitable for wall-hanging color TVs The proposed circuit, operating at 200 ㎑,is verified to be applicable on a 42-inch PDP by an experiment.<br/> <br/>
-
"정면적인(Front)" 대(對) "사과적인(Appley)" : 『사랑하는 여인들』(Women in Love)에 나타나는 미와 숭고
박정필 한국로렌스학회 2007 D.H. 로렌스 연구 Vol.15 No.3
In Women in Love not only are various aesthetic emotions expressed in opulent language, but the visual sphere connoting aesthetic structure is also overwhelming D. H. Lawrence interjects his aesthetic intention in almost all parts of the text And the aesthetic presupposes psychological structure, ontology, and social and cultural symptom Therefore, the characters' different traits and ontologies signify into diverse aesthetics, then into lavish visions We locate three kinds of aesthetic experiences in the text, betrayed as either in the formal, the critical, and the unlimited, or in the beautiful, the critical, and the sublime respectively Limited and formal aesthetic, which is what Gudrun, Gerald, and Hermione usually experience, Pertains to a psychological structure to draw a balanced outward line or to make a limitation of objects and to achieve a perfection by linear finish An aesthetical pleasantness ensues when the form out of a fixed state or a stable idea or categorized image is detected correspondently in outer objects This aesthetic can be associated with Kant's argument of the Beautiful, which asserts that the beautiful is the cognitive form of emotion It is due to the operation of this unconscious category that Gudrun and Gerald are attracted to each other instinctively It is highly probable that the contention is considerable between the finished in formal aesthetic and the marginal rejected by it As we infer from the fact that Gudrun is usually repulsed by the filthy mining village around her, this tensive emotion arises when the linearity in subject does not conform to outer phenomena or grasp objects Yet, it must have intimate relation with the aesthetic of formality, the more definite aesthetic intensifies the more the friction deepens Hermione becomes more destructive striving to possess and control Birkin by her categorical intellect Strictly speaking, this crisis may be not palatable to the aesthetic itself, for it brings on displeasure, fear, and, furthermore, trauma on occasion The logic operating in this experience is that the understandable concept or fixed category does not accommodate objects entirely within its extent and always makes a difference, that is, surplus or deficiency The third noticeable aesthetic in this text correlates to the encounter with the area impossible and improper for human beings This is revealed in the text where Birkin and Ursula aboard grope after profound consonance with the darkness itself It occurs when one seeks to erase and renounce self, consciousness, and form not establishing any category and making the least outline, which Lawrence names "non-rational," "soul," "love," "mindless," "blood-consciousness," "the organic," "the vital," "the dynamic," "darkness," etc As the feminine jouissance in terms of Lacan, it is not reluctant to be with the void itself unconsciously and indiscriminately without nervousness, so the tussle between the subject and the object does not transpire. Roughly speaking, Lawrence provides two models of aesthetic as a symptom of and alternative for white western civilization He unlocks some possibility of Ursula's unlimited or dark aesthetic while setting up the downfall of Gerald, the personification of the formal western.
RISS연관 검색어 추천
이 검색어로 많이 본 자료
활용도 높은 자료
