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박무호 ( Moo Ho Park ) 한국불어불문학회 2013 불어불문학연구 Vol.0 No.95
Cette etude a pour but d`eclairer les caracteristiques des personnages de Medee-premiere tragedie de Corneille-et les rapports de cette piece avec les oeuvres suivantes. A cette fin nous analysons les personnages, specialement Medee, Creon et AEgee de Medee. Tout d`abord nous examinons Medee. C`est la vengeance qui la mene. Chassee du lit de Jason a cause de l`objet d`un nouveau desir-Creuse-, Medee assassine Creuse a l`aide d`une robe empoisonnee. Aussi brule par la flamme, Creon se suicide. Apres avoir reussi la vengeance sur Creon et Creuse, Medee se venge de Jason, en assassinant leurs enfants. Ainsi Medee est une femme tres forte qui dirige la piece et nous pouvons redecouvrir ce caractere dans Cleopatre et Marcelle. C`est le desir de puissance qui mene Cleopatre. Pour conserver son trone, elle assassine un fils, et se suicide. Marcelle aussi assassine Theodore pour venger la mort de sa fille. Ensuite, nous traitons Creon, et AEgee qui entourent Medee. Creon est roi, mais il ne peut rien pour se defendre contre le pouvoir de Medee. Craignant Medee, Creon lui ordonne de partir. Mais persuade par elle, il differe d`un jour pour la preparation du depart. Pour elle, un jour est suffisant pour empoisonner la robe, qui est donnee a Creuse. Il est brule par la flamme comme Creuse, enfin il se suicide. AEgee est aussi roi et un vieil amoureux. Il aime Creuse, mais elle refuse son amour pour se marier avec Jason. Pour s`acquerir Creuse, il essaie de l`enlever, mais ne reussit pas et est emprisonne. En prison, il rencontre Medee et propose son asile pour prolonger sa vie. Ainsi Creon et AEgee qui sont faibles, ne peuvent rien faire pour surmonter les obstables mis devant eux et nous pouvons retrouver ce caractere dans Syphax et Orode. Syphax qui aime aveuglement Sophonisbe, prend ses decisions en fonction de la vonlonte de cette derniere. Aussi Orode mene par la crainte de son grand sujet-Surena-l`assassine suivant le conseil d`autres sujets. En conclusion, nous envisasons les rapports des personnages de Medee avec ceux des pieces suivantes. Enfin nous pouvons reconnaitre le schema de <femme forte> et <homme faible> qui s`applique dans les dernieres tragedies de Corneille.
박찬우(Park, Chan-Woo),임채진(Lim, Che-Zinn),박무호(Park, Moo-Ho) 한국실내디자인학회 2010 한국실내디자인학회 학술대회논문집 Vol.12 No.3
The premise of this study is that an ultimate objective in planning an exhibition space is visitors" experiences created by a result of their first-hand experiences and responses within an exhibition space, and this result can be recognized in the visitors" movement. Thus, the exhibition layout that can directly affects viewers" main line of flow and movement patterns was examined vis--vis a mutually complementary relation in a triangular composition with the structure of exhibition space and the exhibition contents. The main indicators used are: 1. Attraction power: Indicates the relative incidence of people who have stopped in front of an object/exhibit during the exhibition tour. It is calculated by dividing the number of people who stop by the total number of people who have visited the museum or gallery. 2. Holding power: measures the average time spent in front of an information/communication element. It is calculated by dividing the average time of stay by the time “necessary” to read an element. 3. Sweep Rate Index (SRI): this index is calculated by dividing the total size of the exhibition in square meters by the average time spent by visitors within this exhibition area. It is used to calculate if visitors move slowly or quickly through the exhibition. 4. Diligent Visitor Index (DVI): this index is obtained by calculating the percentage of visitors who have stopped in front of more than half the elements that make up the exhibition. As the result of research and analysis as above, this research could induce conclusions as follows. That is, from the point of view of plan, zoning of space that divides the space for general contents of exhibition and the space for specialized contents for exhibition based on the speciality of the viewing areas may be suggested. Also, it is expected that logical bases for the issues of establishment of location of orientation function that will provide informations to visitors as to where to go and where they are located, identification of nature of exhibiting spaces, selection of appropriate space suitable to accomodate diversified functions and publicity etc will be prepared.
미술관 전시공간의 벽구성에 의한 단위공간의 영역성과 가시성
임채진(Lim, Che-Zinn),박무호(Park, Moo-Ho) 대한건축학회 2011 대한건축학회논문집 Vol.27 No.10
This study aims at figuring out the characteristics of walls in the gallery exhibition space, and analyzing its territoriality and visibility to apply to exhibition space planning and to understand its meaning. The museum has been developed and changed variety by a social change and extension of its concept and social role. It might say that the relationship of unit space seems to be analyzed on the basis of floor plan, and is particularly determined by the wall structure. The wall restricts and divides space and also connects to other space through the gate. Accordingly, one unit space can be explained as territoriality restricted by the wall, and visibility connected by the gate. Through the analysis of four art museums, it proved that the characteristic wall structure of the gallery played an important and direct role in forming the flat shape of exhibition space and the structure of visual perception.