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김진희,Kim, Jin-Hui 한국정보처리학회 2000 정보처리논문지 Vol.7 No.3
In this paper a computer programming for the expression of nearest neighbor atoms in face-centered cubic (FCC) and body-centered cubic (BCC) crystals was suggested as one of the approaches to understand each of the crystal structure. By using this computer programming the distance values between a reference atom and the nearest neighbor atoms, and the numbers of the nearest neighbor atoms were calculated ane compared for the FCC and BCC crystals. In this algorithm, the positions of the atoms in a crystal were defined as two categories: the corner atoms and face- or body-centered atoms, and considered respectively. For the same order of nearest neighbor atoms except the second order ones the distance values form the reference atom were smaller in the FCC crystals than those in the BCC. Also, the numbers of he first and third nearest neighbor atoms n the FCC crystals were larger than those in the BCC. This difference was explained by the comparison of each atomic packing ratio of the FCC and BCC crystals. The algorithm used in this programming can also be expanded to the analysis of other crystal structures.
김진희,권준영,송준영,오윤경,김광석,허준욱,Kim, Jin Hui,Kwon, Joon Yeong,Song, Jun Young,Oh, Yun Kyeong,Kim, Kwang Seog,Hur, Jun Wook 한국해양생명과학회 2019 한국해양생명과학회지 Vol.4 No.2
수산자원보호구역인 춘천호와 안동호에서 어류 군집 분석을 실시하였다. 조사는 2017년부터 2018년까지 수행되었으며, 어류상을 파악하고 우점종 및 아우점종을 확인한 결과 춘천호에서 채집된 어류는 총 13과 34종 1,197개체였다. 채집된 어류 중 블루길(Lepomis macrochirus)이 23.2%로 우점하였으며, 피라미(Zacco platypus)가 17.4%로 아우점하였다. 안동호에서 채집된 어류는 총 9과 24종 1,393개체였다. 우점종은 블루길이 15.7%로 가장 많이 채집되었으며, 붕어(Carassius carassius)가 15.2%로 아우점하였다. 두 조사지점의 종다양도는 과거보다 증가하는 경향을 보였으며, 균등도는 안동호에서는 차이가 보이지 않았으나 춘천호에서는 증가하는 경향을 보였다. 두 인공호 모두 어류상 및 군집구조 측면에서 안정된 상태를 유지하고 있으나 외래종 비율을 감소시키기 위한 지속적인 노력이 필요하고, 다양한 어종이 안정적으로 개체수를 유지할 수 있도록 수산자원 종자 방류 및 인공산란장 설치 등과 같은 관리가 필요하다. Ichthyofauna and community structure of fish were studied for two fisheries resource reserves, Chuncheon reservoir and Andong reservoir from 2017 to 2018. Fish were sampled 8 times at each reservoir. In Chuncheon reservoir, total number of fish sampled was 1,197 representing 34 species and 13 families. Dominant species and sub-dominant species were Lepomis macrochirus (23.2%) and Zacco platypus (17.4%), respectively. In Andong reservoir, total number of fish sampled was 1,393 representing 24 species and 9 families. Dominant species and sub-dominant species were L. macrochirus (15.7%) and Carassius carassius (15.2%), respectively. The diversity index of two sampling site increased compared to previous investigation. The evenness index was not changed much in Andong reservoir but increased in Chuncheon reservoir. Ichthyofauna and community structure of fish at sampling sites in both reservoirs maintained stable except high proportion of exotics species with needed to be reduced by consistent effort. For better fish population in these communities, however, various efforts such as seed stocking and installment of artificial spawning ground should be provided to these reservoirs.
김진희(Jin-hui, Kim) 어문연구학회 2009 어문연구 Vol.61 No.-
The discussion on locality by imperialist Japan in the 1930s attempted to abase the culture of Joseon down to local color, in order to localize the Joseon culture. Among other fields of popular culture, it was films and magazines that represented the provincial world, the reality of impoverished agricultural districts, and women and public morals of Joseon. In particular, movies, which were prospering in popular culture realized the local color, showed cultural colonialism by reflecting the logic behind the imperialist culture in a faithful manner. The pursuit of locality in the contemporary film industry can be a representative case in which the imperialist capital commercialized localism of the colony. On the other hand, the intellectuals of the colony studied the classics and tradition through the discussion on Joseon culture, and tried to examine the identity of Joseon culture by representing the prototype of Joseon culture and the actual farming communities in the process of writing local novels. By dint of the fissure in the spatial hierarchy of the empire and colony as a center and periphery, the writers tried to overcome the peripheral character as locals and resist Japan which was acting as a center. For example, novelist Taejun Lee, in his Paegangnaeng, tactfully avoids using the local place names which were given by imperialist Japan to localize Joseon. By virtue of this spatial imagination, they opposed the identity of Joseon as a province. Poet Seok Baik also freely creates the locality of Joseon culture, by using local language, apart from the imperialist language, wandering around and continuously creating what is local, not settling down in the central, universal space, and expressing diverse spaces and experiences based on his roaming life. The intellectuals of the colony, via this visualization, wanted to possess the identity of colonial culture that creates originality, while they were not seized by the lopsided discussion of locality by the empire or they were intersecting with that discussion. Therefore, the 1930s were a period when the features unique to Joseon were investigated, imagined, and consumed in and out of Joseon. The emergence of the things unique to Joseon implies the existence of things threatening to that uniqueness. The power and menace of the empire were indeed hierarchicalizing, colonizing, peripheralizaing, and localizing the colony on the basis of gender politics; however, the elite of Joseon tried to rupture the empire's cultural policy, by envisioning the local and summoning the nation, rather than resorting to any political means of directly overthrowing the hierarchical logic.