영건의궤(營建儀軌)의 목부재(木部材) 용어(用語)에 관(關)한 문자학적(文字學的) 연구(硏究)

김재웅,Kim, Jae-Ung 한국건축역사학회 2009 건축역사연구 Vol.18 No.1

This study examines the examples of wooden member terms of architecture terminology used in Yeonggeon-euigwe(營建儀軌) in the era of Joseon Dynasty. It is to trace the period of their appearances and changes and also to illuminate coinage characteristics and method of architectural terminology used in Yeonggeon-euigwe through graphonomy research and system and structure of wood member terms. By analyzing the meaning of a word, it was found that there was much Insineui, difference of word meaning by country was shown although it was the same shape of character. In particular, the specialty of double language system of Korean language is combined with that of wood terms. Operation of type unrelated to word meaning was found and Korean unique Gachaeui(假借義) like Bo(褓) was generated. This study draws separate systems: one is that can indicate coinage characters of architectural terminology in Yeonggeon-euigwe. The other is to obtain coinage method as a result of reclassifying terminology based on it.

보와 도리의 한자표기(漢字表記) 통용(通用)에 관한 연구

김재웅,박강철,Kim, Jae-Ung,Park, Gang-Chul 한국건축역사학회 2008 건축역사연구 Vol.17 No.1

This study is to present Chinese character notation for common use through investigation of examples and graphonomy related literature with beam and purlin of wooden members and its conclusions are as follows. It suggests two commonly used Chinese characters of beam and purlin. The first method of indicating them is Riyang(樑) for beam and Hang(桁) for purlin and the second method is Bo(保) for beam and Hang(桁) for purlin. Riyang(樑) as the first method was already used in the Joseon period and was profitable to convey limited meaning as wooden term compared to Riyang(樑) with wider meaning and Bo(保) as the second method contained logical association and hieroglyphic connection of Bo(保) as the Korean character. Hang(桁) for purl in was presented by both the first and second methods and it was already used in the Koryeo age, also commonly used as the term of purlin in China and Japan and it was also presented as letter containing logical and hieroglyphic connection with Hyeng(行).

영건의궤(營建儀軌)에 실린 목부재용어(木部材用語)의 용례(用例)와 변천(變遷)에 관(關)한 연구(硏究)

김재웅,이봉수,Kim, Jae-Ung,Lee, Bong-Soo 한국건축역사학회 2008 건축역사연구 Vol.17 No.5

This study examines the examples and changes of wooden member terms in Yeonggeon-euigwe(營建儀軌) in the era of Joseon Dynasty. As a result of examining examples, about 240 wood member terms were found on the basis of phonetic value and examples different from today's term use were also confirmed. Wood member terms were derived in variety and synonym and different style, that is, coexistence or transition of several notations as the term indicating the same member was found. Derivation of detail terms has the characteristic increasing on the basis of morpheme and formation of different notation followed Chinese notation or was caused by complex coinage features like a coined word of Korea by the meaning of a word and borrowed character notation borrowing sound and it is also related to the specificity of that time which had dual language system. The typical examples without different style for long were pillar, rafter, door and window. Examples with active generation and selection of different styles included beam, capital and bracket-system terms. Different styles were caused by the combination of several notations including borrowed character in the process of Chinese character notation borrowing sound, Korean unique character emphasizing and limiting combination of 木 (wood) with side of character and Chinese. Period showing remarkable change of example notation was the compilation of ${\ll}$the Hwa-Sung-Sung-Euk-Eui-Gue${\gg}$ 華城城役儀軌. ${\ll}$the Hwa-Sung-Sung-Euk-Eui-Gue${\gg}$ is the representative type uigwe made by printed type not by handicraft. Printing by type accompanies unification of the shape of a character necessarily and it was considered that it resulted in the unification of character of different style, the number of strokes and minute difference of strokes, and it was interpreted that common use of intentional notation with the unification of the shape of a character was achieved.

송대(宋代) ${\ll}$영조법식(營造法式)${\gg}$ 대목작(大木作) 포작(鋪作) 관련용어의 파생에 관한 연구

김재웅,Kim, Jae-Ung 한국건축역사학회 2011 건축역사연구 Vol.20 No.2

This paper aimed at analyzing of structural carpentry terminology for bracket structure in Yingzaofashi ${\ll}$營造法式${\gg}$in the era of Song Dynasty and illuminating coinage characteristics and method of Structural Carpentry Terminology for bracket Structure through graphonomy research and system and structure of these terms. The results are as follow. The structural carpentry terminologies for structure were identified to be approximately 23 words, and terminology of bracket structure鋪作 is largely categorized into 3 categories of Type鋪作次序, Structure, Place. On the other hand, the structural carpentry terminologies for parts largely categorized into 2 categories of Bracket structure鋪作, Others. Bracket structure terminologies for parts were derived from the core of Dou枓, Gong?, Ang?, Fang方. The phenomena of derivation in structural carpentry terminology for bracket structure can be explained by the difference in the shape of subsidiary material and the location for usage of the subsidiary material and part of the subsidiary material and their functions.

대학 개혁안의 근본 취지와 추진상의 문제점

김재웅,Kim, Jae-Ung 한국대학교육협의회 1997 大學敎育 Vol.88 No.-

조선후기 원림 석파정(石坡亭)의 공간변화양상에 관한 고찰

이원호 ( Won Ho Lee ),김동현 ( Dong Hyun Kim ),김재웅 ( Jae Ung Kim ),최종희 ( Jong Hee Choi ) 한국전통조경학회 2015 한국전통조경학회지 Vol.33 No.1

본 연구는 석파정의 공간변화양상을 파악하기 위해 원림의 소유권 이전에 따른 공간의 특성을 시기별로 분류하고 관련 문헌 및 도상자료, 기사, 사진 등의 분석을 통해 각 시기별 변화양상을 살펴본 결과 다음과 같은 결론을 도출하였다. 첫째, 석파정의 조영실제 및 소유주의 변화를 살펴보고 이에 따른 공간특성을 시기별로 구분한 결과 3시기로 분류되었다. 1기는 김흥근 소유의 삼계동 정사가 이에 해당하며, 2기는 대원군이 석파정을 소유하였던 시기를 들 수 있다. 3기는 석파정의 원형이 변질되는 시기로 한국전쟁 이후부터 현재에 이르기까지의 시기로 구분하였다. 둘째, 김흥근 소유의 삼계동 정사를 살펴본 결과 계류 중심의 공간구성 및 다수의 건조물을 경영하는 특성을 지니며 중국풍 정자 및 별당채의 도입 등 외래문물의 수용양상과 함께 기화요초를 다수 식재하였다. 셋째, 석파정도병풍을 소재로 확인되는 흥선대원군 소유의 석파정은 기존 삼계동 정사의 공간구성을 대부분 수용한 것으로 보이나 공간의장이 집중되는 사랑채 위치의 상이함은 석파정도병풍의 제작 이후 현재의 위치로 이전되었을 가능성 또한 고려해야할 사항으로 중국식 정자의 표현위치와 함께 이에 따른 추가적인 문헌의 고증이 진행되어야 할 것이다. 넷째, 근대의 석파정은 잦은 소유주의 변경에 따라 이전시기에 비해 상당부분 원형에 훼손되었고 지형이나 수계의 변형뿐만 아니라 건조물 또한 사랑채나 안채, 후면의 별원만이 남아있으며, 오늘날 원림유적이라기보다는 서울미술관의 부대시설로 전락하여 이에 대한 환원과 함께 원형복원이 시급한 실정이다. This study aims to comprehend that Seokpajeong garden for aspect of space change. Spatial characteristics according to the transfer of ownership are classified as period. And investigate the aspect of space change in Seokpajeong garden based on literature and painting, newspaper, photo. The results were as follows. First, Investigate the construction and change of Seokpajeong garden. Accordingly, spatial characteristics of Seokpajeong garden are classified into three period. 1st period is Kim-Heung Keun owned Samgyedong-jungsa garden. 2nd period is Daewongun hold Seokpajeong garden. 3rd period is damaged original form of Seokpajeong garden from Korean War to current time inclusive. Secondly, Kim-Heung Keun owned Samgyedong-jungsa garden has characteristics of water system centric space and many buildings. In addition accept foreign culture like chinese pavilion and Byeoldang Villa. and plant unique flower and leaf in garden. Thirdly, According to Seokpajeong garden folding screen, Daewongun owned Seokpajeong garden accept organization of space in Samgyedong garden. But different locations of Sarangchae in folding screen means possibility of move building to current position. So, additional historical research is required with representation of chinese pavilion location. Fourthly, Seokpajeong garden was damaged from original form to frequent changes of ownership. Transform of geographical features and water system as well as Anchae and Sarangchae, back side of a outbuilding are only the remained among many buildings. Also, Seokpajeong garden is more fell to the subsidiary facility of Seoul Museum than Wonrim. Therefore restoration and recovery of original form are urgent.4)

宋代《營造法式》과 朝鮮時代《營建儀軌》大木作 名件 용어의 대조 연구

김재웅(Kim, Jae-Ung) 대한건축학회 2011 대한건축학회논문집 Vol.27 No.12

This paper aimed at contrastive analyzing of structural carpentry terminology for parts at Yingzaofashi《營造法式》in the era of Song Dynasty and Architectural Uigwe《營建儀軌》in Joseon Dynasty. The results are as follow. The structural carpentry terminology for parts at Yingzaofashi and Architectural Uigwe are fairly different. At approximately 130 words in Yingzaofashi, the same words at spelling and meaning were 4 words(3%), 34 words(25%) were identified to be synonym, and 18 words(14%) were identified to have relation with each other. The reasons of different between two country’s terminology are the difference in structure, the difference in coinage methods, the difference in derivation of words, and the difference in awareness about parts. Terminologies in the same of meaning and spelling at two country are zhu柱, fu?and chuan椽. Terminologies in the same of meaning but different spelling are divided into different linguistic character and different coinage. In specially, at terminologies in the same of meaning but different spelling, Yanhanban??版in Yingzaofashi and Yeonham連含in Architectural Uigwe are the same sound as ‘yeonham’ in korean pronunciation. Therefore, there is some possibility that 連含in Joseon dynasty is sound borrowing of ??in Song dynasty.

증식당뇨망막병증에 대한 유리체절제술시 일차적 실리콘기름충전의 유용성

김재웅 ( Kim Jae Ung ) , 김종현 ( Kim Jong Hyeon ) , 김광수 ( Kim Gwang Su ) 대한안과학회 2003 대한안과학회지 Vol.44 No.12

宋代《營造法式》大木作制度의 側樣에 관한 연구

김재웅(Kim Jae-Ung) 대한건축학회 2011 대한건축학회논문집 Vol.27 No.3

This Paper aimed at analyzing of section drawing側樣 of structural carpentry in Yingzaofashi《營造法式》in the era of Song Dynasty. The results are as follow. The kinds of section drawing of structural carpentry in Yingzaofashi are 'Bracket structure', 'Level of roof', 'Diantang殿堂' and 'Tingtang廳堂'. These are let us see a high level of structural carpentry planning in Song Dynasty. These drawings have some difference between editions which are Zhangben張本, Taoben陶本, Shikuben四庫本, Gugongben故宮本etc. In case of section of Diantang, drawing of bracket structure have some errors and difference between editions. On the other hands, in case of section of Tingtang, dis-symmetrical drawings are difference between editions in specially. For example dis-symmetrical drawings in Shikuben and Gugongben was drawn symmetrical in Zhangben and Taoben. At present, the most popular edition is Taoben, but the drawing of section in Taoben have some errors. Therefore readers need to be cautious about these errors.

朝鮮時代 木部材 用語의 新造字 方式에 관한 硏究

김재웅(Kim Jae-Ung) 대한건축학회 2011 대한건축학회논문집 Vol.27 No.2

This paper aimed at analyzing of create methods of new characters for carpentry terminology in the era of Joseon Dynasty. The results are as follow. Coinage in terminology is divide into making word and creating character. Making word means making new words by using chinese characters. And creating character means creating new chinese character. Coinage principles of carpentry terminology were found. Coinage principles are phonetic complexes形聲, logical aggregates會意 and borrowings假借. Methods of creating character of carpentry terminology were illuminated. They are classified new character新造字 and quasi-new character準新造字. New character is divided into phonetic complexes形聲 principle and logical aggregates會意 principle with borrowings假借. And quasi-new character is divided into phonetic complexes形聲 principle and phonetic complexes形聲 principle with borrowings假借.