http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.
변환된 중국어를 복사하여 사용하시면 됩니다.
- 中文 을 입력하시려면 zhongwen을 입력하시고 space를누르시면됩니다.
- 北京 을 입력하시려면 beijing을 입력하시고 space를 누르시면 됩니다.
RISS 인기검색어
- 검색키워드
- 저자 : 김경선(金京嬋) (검색결과 509 건)
- 무료
- 기관 내 무료
- 유료
-
김경선 대한신장학회 1989 Kidney Research and Clinical Practice Vol.8 No.3
Die Urinproteine von 38 Patienten mit monoklonalen Gammopathien wurden durch die Mikrogel-Techniken (Mikro-Ouchterlony, ein-und zweidimensionale Mikro- PAGE, IEF in Mikroflachgelen mit Immunfixation) analysiert. Mit Hilfe des Mikro-Ouchterlony Testes wurd eine B-J Proteinurie bei 63,2% der 38 Patienten festgestellt. Bei 67,7% der Patienten mit B-J Proteinurie wurde der Kappa-Typ im Urin ausgeschieden. Nach elektrophoretischer Auftrennung hatten 76,3% der 38 Patienten und 91,4% der 24 Patienten mit B-J Proteinurie eine Ausscheidung groB-oder kleinmole- kularer Proteine im krin, iiberwiegend vom tubulbren Typ. Bei 50% der 14 Patienten ohne B-J Proteinurie wurde eine partielle-mikromolekulare Proteinurie gefunden. Die Kappa-Ketten (n=16) werden 10X(6Z,5%) in monomerer und dimerer Form, 6xin monomerer Form, die Lambda-Ketten (n=8) 5X(62,5%) in monomerer und dimerer Form, 3Xin dimerer Form ausgeschieden. Patienten mit B-J Proteinurie hatten erhohte mittlere Serum-Kreatininwerte im Vergleich zu Patienten ohne B-J Proteinurie (p$lt;0,01). Die patientengruppe mit basis- chen BJP (pI$gt;6,2) hatte einen hoheren mittleren Serum-Kreatininwert im Vergleich zu der Gruppe mit saurem BJP (pI$lt;6,2) (p$lt;0,05). Zwischen Kappa-und Lambda - Typen gab es keinen bedeutsamen Unterschied bezOglich des Serum-Kreatininmittelwertes.
-
신미술사학의 단초 : S. L. 앨퍼스의 ‘시각 문화’
김경선 현대미술학회 2010 현대미술학 논문집 Vol.1 No.14
Anglo-American scholars, Svetlana Leontief Alpers brings into focus the heterogeneous nature of art. She place much value on the basic art-historical notion of representation as well as circumstances and visual culture. She explains pictorial representation as visual self-consciousness,craft, and picture language. Firstly, in Holland the visual culture was central to the life of the society. The eye was a central means of self-representation and visual experience a central mode of self-consciousness. For in defining the human eye itself as a mechanical maker of pictures and in defining 'to see' as 'to picture', Kepler provides the model we need for that particular binding of finding and making, of nature and art, that characterizes the picture in the north. Besides,Representation on the part of craft is techné as a model for art's pursuit of knowledge through experiment or thought of as observations of the natural world. If in the 'representation as visual self-consciousness' the model for pictorial representation was presented by he artifice of sight, in the 'representation as craft' it is presented rather by the skill of craft. Alpers define the new emphasis on the exercise of the traditional representational skills of the Dutch artist. It is an extraordinary display of craft and in particular the contemporary interest in the eye's active use. Attentive looking, transcribed by the hand led to the recording of the multitude of things that make up the visible world. In the seventeenth century this was celebrated as giving basic access to knowledge and understanding of the world. Secondly, Representation as picture language ground directly in a particular kind of image. It related to ways of referring to the world, on the one hand graphic systems such as mapping and on the other the use of words themselves. The general problem here is how picturing transcends its own limitations. In addition, Alpers thinks nowhere is this 'transparent view of art' less appropriate, then she propose to view art circumstantially. Appealing to circumstances mean not only to see art as a social manifestation but also to gain access to images through a consideration of their place, role, and presence in the broader culture. Alpers has served the art historical community excellently by raising the intellectual stakes of Dutch art in seventeenth century and its European context. It is so persuasive, that it appears an open and shut case, and that gives new horizons for the interpretation of art and the phenomenon of picture making itself. Shortly, Alpers's study is an example of the centrality of art history among current disciplines by replacing a sector of the history of art within its proper context of intellectual history.
-
의복설계를 위한 노년여성의 체형변화 연구 -1994년과 2004년의 인체 직접측정치를 기준으로-
김경선,김서우,남윤자 한국기초조형학회 2020 기초조형학연구 Vol.21 No.2
In this study, we present basic data to predict the progress of potential body shape changes, dress forms and pattern designs that reflect the characteristics of elderly women‘s body shape by evaluating change patterns of body shape during the 10 year period with the use of anthropometry data from 1994 and 2004 in elderly women. Statistical analysis was conducted using the SPSS 22.0 Program for 30 items of anthropometry data, and the body shape was compared by converting to the index value. A variation graph was drawn up to analyze the tendency of change in body shape by period, and Morrison‘s relationship deviation was formed. With a result of the analysis of the anthropometry data, we confirmed that height, weight and obesity levels all increased in 2004. We found that not only all the length items increased in 2004, but upper body length shortened as the ratio of waist-length to height increased. There was no statistically significant difference between length variable and all other variables, and we confirmed that breast shape has been changed as neck point to breast point length and bust point-bust point length shortened despite the height increase. Circumference, breadth and depth items all increased, but as the flat rate in breast, waist, and hip all decreased in 2004, the elderly women’s torso shapes have rounded, as compared to 10 years earlier. In 2004, as the difference between chest circumference and waist circumference and the difference between hip circumference and waist circumference all reduced, we noticed that torso shapes are shown to be closer to H line silhouette. The results of these studies are expected to be used as basic data to predict pattern design, body implementation, and trends in shape changes for elderly women. 본 연구에서는 1994년과 2004년 노년여성의 인체 직접측정치를 사용하여 10년간의 시대적 차이에따른 체형변화의 양상을 고찰하고 노년여성의 체형 특성을 반영한 패턴설계, 인대 제작 및 앞으로의체형변화 추이를 예측하기 위한 기초자료를 제시하고자 한다. 노년여성의 인체 측정치를 비교, 분석하여 10년 사이에 체형변화가 어떻게 진행되었는지를 파악하였다. 인체측정치 30항목을 대상으로 SPSS 22.0 Program을 이용하여 통계분석을 실시하였으며, 지수치로 변환하여 인체의 형태를 비교하였다. 시대별 체형변화 경향을 분석하기 위해 변화추이 그래프를 작성하여 분석하였으며, 모리슨의 관계편차 절선을 구성하였다. 인체직접측정치에 대한 분석 결과, 2004년에 키가 커지고 몸무게가 증가하였으며, 비만도가 커진 것을 확인할 수 있었다. 2004년에 모든 높이 항목이 증가하였을 뿐만 아니라 키에 대한 허리높이의 비율이 더 커져서 상반신 길이가 짧아진 것을 알 수 있었다. 길이항목은 모든 항목에서 통계적으로 유의한 차이를 보였으며, 특히 키가 커졌음에도 불구하고 목옆점~젖꼭지점사이 길이와 젖꼭지점 사이 수평길이가 짧아져서 가슴형상이 크게 바뀐 것을 확인할 수 있었다. 둘레항목과너비항목, 두께항목이 모두 증가하였으나, 편평률은 가슴, 허리, 엉덩이에서 모두 2004년에 감소하여10년 전과 비교하여 노년 여성의 체간부 체형이 둥글게 바뀐 것을 알 수 있었다. 2004년에 가슴둘레와 허리둘레의 차이와 엉덩이둘레와 허리둘레의 차이가 감소하여 체간부 체형이 H실루엣에 더 가깝게 나타났다. 본 연구의 결과는 노년여성의 체형변화를 반영한 패턴설계, 인대 제작 및 청소년 체형변화 추이를 예측하기 위한 기초자료로 활용될 수 있을 것으로 기대된다.
-
-
-
-
김경선 중국한국(조선)어교육연구학회 2005 한국(조선)어교육연구 Vol.3 No.-
中國設立韓國語專業旨在培養一批在韓國語方面的專業人才,因此分別設立了基礎課程和專業課程,雖然根据所學的目的 (就業,敎師等) 和具體條件的不同所設立的課程也有所差異,但是各個大學開設的大部分課程還是相近的。最近10年間大槪編纂了30多種敎材,編纂的敎材不論是在數量上還是在質量上都比過去的40年有흔大的提高。但是中國的韓國語敎育,現在還處于初級段,以3,4年級的專業敎材甚至幾乎全部課程都沒有合适的敎材,這給授課帶來흔大的不便。目前,與韓國語敎育相關的硏究正日益變的活躍,每年在延邊科技大學都會擧行韓國語敎育學術硏討會,中國韓國語敎育學會從2001年開始每年擧辦一屆韓國語敎育學術討論會。到目前爲止發表的論文達300多篇,其中關于基礎韓國語敎育的論文占有흔大的比重。령外,對四年制韓國語敎育課程的仔細探討,認爲有必要定高效性,科學性的韓國語敎育課程標準化,有必要編纂中國各大學适用的韓國與敎材,還有,韓國語的學術硏究應該在質量方面有更大的提高。
-
-
김경선 대한에이즈예방협회 2003 레드리본 Vol.51 No.-
연초 국내 에이즈예방단체들은 중국과 에이즈관련 사업교류를 위하여 중국 북경, 곤명, 홍콩을 방문하였다. 아시아의 위험지역으로 세계의 이목을 집중시키고 있는 중국의 에이즈예방사업을 돌아보며 국내의 사업에 어떻게 적용할 수 있을 지 살펴보았다.
-
KCI연관 검색어 추천
이 검색어로 많이 본 자료
활용도 높은 자료
