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김개천(Kim, Kai-Chun),하혜(Xia, Hui) 한국실내디자인학회 2010 한국실내디자인학회 학술대회논문집 Vol.12 No.1
This paper discusses the problems which should be paid attention to in landscape architecture design. The landscape design is particular about the ideal condition under the Eastern zen thought influence. the so-called ideal condition referring to is the poem, painting, drama and botanical garden, using the artistic technique which displays the creativity, unity of virtue and reality. To display the vitality of universe or the true life meaning profoundly, thus causes the body of aesthetic appreciation"s surmounting perception and being syncretized with nature, and immediately sublimating to a extensive space of artistic condition. Therefore, this article adopts "the ideal condition" to explore the the true meaning of the Eastern historic garden design . Thus obtains the high coordination with nature which manifests "the unity of human and nature" boundary, and takes specially neutral, amiable, contains and the pursuit of deep beauty; Moreover, in the layout and the spatial processing manifests the meaning of the Zen thought, pursuing the unification between man-power and the nature, solemn and implicit, standardized and diversified, even between the principle and the sentiment. All these characteristics make the Japanese classical garden design delicate, graceful, comfortable and applied, and which make it famous for the rich bright felling of rhythm and the unique national artistic feature of style worldwide.
BIG의 건축에서 나타나는 스토리텔링에 의한 형태생성 프로세스와 표현 특성에 관한 연구
김종성(Kim, Jong-Sung),김개천(Kim, Kai-Chun) 한국실내디자인학회 2015 한국실내디자인학회논문집 Vol.24 No.6
This study started from the concern for Bjrake Ingels, an emerging architect in the architecture circle, who is creative and popular. Recently, the architecture field provides architects with a foundation to express a process on a new form creation through various new expressive languages, design concepts, and methods. The global Danish group BIG(Bjarke Ingels Group) develops a story by their distinctive architectural language. The storytelling is being used in various fields and now the tool called `story` is settling down as an important element in the life that human lives. Bjarke Ingels leading the group BIG aims for the form expression by the scientific analysis and adaptation after being affected by Danish regional background and OMA. It creates a form to share stories with local members by visually simplifying the region, culture, environment, social phenomenon, economy, and politics that are invisible and do not have the form in the modern society. The elements and expressive features of the space storytelling include locality, cultural, natural environment, and connectivity, which are the content structure(story) that enables you to intervene in the story according to the main agent to imagine a new space. The expressive element includes the watching moving line story of the successive, hierarchical, and organic structures which are constructive elements creating various spaces through the mixture, transmutability, and relocation of the program and inducing users to the space. The space storytelling is composed of the symbolism, community, and eco-friendliness to appear diversely through BIG`s case analysis. This study will have significance that it drew a method and feature looked at by many contemporary architects from the storytelling viewpoint in the form-creating process, classified the form-creating process through a new storytelling type, and showed a possibility on the development of various methodologies.
디지털 네이티브의 특성을 반영한 체험형 공간의 집객 순환경로 연구 - 번 슈미트의 전략적 체험모듈 및 필립 코틀러의 고객구매경로 5A를 적용하여 -
김태형(Kim, Tae-Hyeong),김개천(Kim, Kai-Chun),김지은(Kim, Ji-Eun) 한국실내디자인학회 2020 한국실내디자인학회논문집 Vol.29 No.3
Digital technology has enabled the act of selling in a digital environment. Growing in a digital environment, digital native has a strong consumption power, and their unique consumption behavior has led to changes in offline stores. This study grasped the characteristics of the digital native based on ‘the strategic experiential modules’ and combined it with ‘the new customer path 5A’, and interpreted it as a spatial language to derive the ‘visiting cyclic path’. The ‘visiting cyclic path’ is divided into spatial design and digital native action, and it cycles through 7 steps. Finally, it can be used as a outline to go to a successful experience space to enhance the brand image and increase sales. Through the ‘visiting cyclic path’, you will be able to analyze all the actions taking place in the interactive space in the digital environment, and in the path, you will be able to design a more creative and interactive space.
김민석(Kim, Min-Suk),김개천(Kim, Kai-Chun) 한국실내디자인학회 2014 한국실내디자인학회논문집 Vol.23 No.1
This study intended arousal of other viewpoints that deal with and understand spaces and shapes, by describing the concept of ‘dimensions’ into visual patterns. Above all, the core concept of spatial dimensions was defined as ‘expandability’. Then, first, the ‘golden ratio’, ‘Fibonacci sequence’, and ‘fractal theory’ were defined as elements of each dimension by stage. Second, a ‘unit cell’ of one dimension as ‘minimum unit particles’ was set. Next, Fibonacci sequence was set as an extended concept into two dimensions. Expansion into three dimensions was applied to the concept of ‘self-similarity repetition’ of ‘Fractal’. In ‘fractal dimension’, the concept of ‘regularity of irregularity’ was set as a core attribute. Plus, Platonic solids were applied as a background concept of the setting of the ‘unit cell’ from the viewpoint of ‘minimum unit particles’. Third, while ‘characteristic patterns’ which are shown in the courses of ‘expansion’ of each dimension were embodied for the visual expression forms of dimensions, expansion forms of dimensions are based on the premise of volume, directional nature, and concept of axes. Expressed shapes of each dimension are shown into visually diverse patterns and unexpected formative aspects, along with the expression of relative blank spaces originated from dualism. On the basis of these results, the ‘unit cell’ that is set as a concept of theoretical factor can be defined as a minimum factor of a basic algorism caused by other purpose. In here, by applying diverse pattern types, the fact that meaning spaces, shapes, and dimensions can be extracted was suggested.