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RISS 인기검색어
- 검색키워드
- 저자 : 권영숙 ( Young Suk Kwon ) (검색결과 78 건)
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권영숙(Young Suk Kwon),이경희(Kyung Hee Lee) 한국복식학회 2012 服飾 Vol.62 No.5
This study examines the types and features of formal ritual hats for Tibetan Buddhist priests. Findings of the study are as follows. The types of formal hats that Tibetan Buddhist priests wear during religious rites or rituals include: u rgyan pad zhwa, pan .zhwa, tshogs zhwa, rigs inga, zhwa nag, zhwa dmar and dwags zhwa. The reason why such formal ritual hats as listed above were developed is because the region had an alpine climate, and also because they were the symbolism of Buddhism, the most reverent priest, and reincarnated Buddha thoughts. They were an essential part of the culture of dressing Buddhist statues and offering utensils, Formal ritual hats` shapes originate from lotus, They are colored in red, yellow, indigo, green, white or black, that reflect the nationality and aesthetics of Tibetans, They are mainly made of woolen or silk fabrics, They are usually decorated with gold, git bronze or jewels and the patterns of the sun and the moon, vajra or clouds.
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권영숙(Young Suk Kwon),이주영(Joo Young Lee) 한국복식학회 2002 服飾 Vol.52 No.6
The purpose of this study is to look into dressing practices at the Woinarodo region in terms of ordinary and ritual clothes. Men wore Baji(trousers) and Jeokori(jackets) as their plain clothes and sometimes Jangsam and Durumaki(topcoat). During the period of Japanese colony, men wore Western-style clothes. For women, it was basic to wear Chima(skirts) and Jeokori. And they preferred Momppe rather when in Japanese rule. In arrangements for their head, men put on gat, and had their hair cut during Japanese rule. Women laid a bundle of their braided hairs on the head or braided their hair, while married women did their hair up in a chignon during the ruling period People of the region put on straw and leather shoes, and then rubber ones since the late 1930s. Hand weaving was a major means of living for women at the region. Ramie, hemp and cotton were mainly weaved by hand. Starching was applied mainly to ramie and cotton. Glues for starching were made of raw rices, cooked rices, wheat flour or gloiopeltis tenax. For ritual clothes, especially in wedding, bridegrooms arranged themselves with Samokwandae and then put on Baji, Jeokori, Durumaki and Dunryung. But they put on Western-style dresses as the liners of Danryung, and wear Nambawi rather than the Samo after Korean independence from Japanese rule. Bridges wore Chima, Jeokori and Wonsam, and Chokdoori and covered their face with Hansam. Wonsam did not be worn any longer after Korean independence from the rule. Shrouds for funeral ceremony were manufactured with silks, cotton and hemp, when the chief mourner wore hempen hoods and funeral robes, while women, Chima, made of hemp, and any type of Jeokori.
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권영숙(Young Suk Kwon),신경철(Kyung Cheol Shin),장현주(Hyun Joo Jang) 한국복식학회 2001 服飾 Vol.51 No.1
Gauze is very light and thin. Their warps are entangled and their structure is loose. It is natural that they are easier to decay than other silk fabrics through physiochemical processes over a long period of time. Nonetheless quite many remains of Gauze fabrics can be found in China or Japan as well as in Korea. Various Gauze was used in costumes since the era of the Three Kingdoms and their weaving techniques, such as using gold threads with silk-fabrics, was developed in Koryo dynasty era, which made it possible to create more magnificent gauze fabrics in Korea. Relatively a lot of Gauze fabrics are remained in Korea. Based on these corroborative relics, this thesis analyzes the characteristics of gauze fabrics possesed in Korea and categorizes the gauze fabrics described in the Decrees on Costume Restraint of the King Hungduk. This also compares them with the present gauze in other countries. The types of gauze fabrics are generally divided into desined gauze, and non-designed gauze, the one without pattern. There are a lot of desined gauze, such as dyeing gauze, brocade gauze, embroidery with gauze ground, patterned gauze with gauze ground etc. which were found in Korea and also in China and Japan. Non-designed gauze is divided into 2-end complex gauze, 3-end complex gauze, 4-end complex gauze, etc depending on the number of crossing warps. All of the non-designed gauze of Koryo dynasty found in Korea was 4-end complex gauze fabrics. These non-designed gauze fabrics were also found in Japan and China.
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아로마 테라피를 적용한 두피마사지가 여대생의 스트레스 완화에 미치는 효과
권영숙 ( Young Suk Kwon ),이주영 ( Ju Young Lee ) 한국미용학회 2009 한국미용학회지 Vol.15 No.4
This study was conducted to investigate the effect of scalp massage applying aromatherapy in stress alleviation in female college students, using HRV (Heart Rate Variability), VAS (Visual Analogue Stress). Its subjects were the female college students in Seoul and Kyunggi province area who have more than five core points of VAS. The subjects were 60 people, who were classified into experimental group of 20 people, control 1 group of 20 people and control 2 group of 20 people. The result of study is summarized as follows. Also, in the case of result on VAS, it reported that there was meaningful difference (p<.05) considering the big decrease by 4.39 from 5.89 to 1.50. What is more, there was a big decrease effect(p<.05) of 38.4 from 88.65 to 50.25 in the result of general stress figure using stress scale. Consequently it identified the scalp massage applying aroma therapy is effective in stress alleviation and that is more effective in stress decrease than control 1 group which performed just scalp massage and control 2 group which took just rest. Such above results confirmed that scalp massage using aromatherapy is a significant mechanism which influence stress decrease. In particular, considering that the synergy effect was high when applying aroma therapy comparing with scalp massage only, it also proved that it is necessary to use aromatherapy to decrease stress.
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권영숙(Young Suk Kwon),장현주(Hyun Joo Jang) 한국복식학회 2001 服飾 Vol.51 No.6
This study is to examine the characteristics of fabrics in Koryo dynasty by reviewing the fabrics for enshrining oblations inside a buddhist statue in MoonSoo temple, which are currently possessed in SooDuk temple. The research results follows : The fabrics are 33 pieces in total : 28 pieces of normal fabrics, 5 pieces of fabrics that is used for covering the five grains, and others like variegated silk threads. Out of 33 pieces of fabrics are there 31 pieces of silk and 2 pieces of ramie. The tabby fabrics, which have the most pieces among the fabrics, are 11 pieces in total. There are 1 piece of designed tabby fabric(紋紬), whose patterns are expressed by dyeing, as well as non-designed tabby fabric(紬). The twill fabrics are 8 pieces in total. Its patterns are mainly the type that small patterns are consecutively reiterated. And they have various patterns including plant patterns, such as lotus pattern, flower pattern, etc., animal patterns such as dragon pattern, etc., geometric patterns, such as turtoise-shell pattern, swastika, etc. The leno and gauze fabrics are 1 piece of 4-end complex designed-gauze and 1 piece of gilt gauze (金箔紋羅). The compound woven fabrics are 2 pieces of brocaded gauze(織錦羅) and 3 pieces of brocaded twill(織錦). Brocaded gauze(織錦羅) is a kind of brocaded fabrics and is made by adding a gold thread between wefts of already weaved gauze. The figured fabrics are 1 piece of tabby fabric, 6 pieces of twill fabrics, 4 pieces of leno and gauze fabrics, and 5 pieces of compound woven fabrics. All of them are 16 pieces out of all 33 pieces and amount to almost 50%. Single-patterned fabrics, that is one pattern is expressed individually, are much more than any others. Plant patterns are the ones that are used the most.
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권영숙(Young Suk Kwon),조현혹(Hyun Hok Cho),장현주(Hyun Joo Jang),김종오(Jong Oh Kim) 한국복식학회 2000 服飾 Vol.50 No.7
The Chonmachong (Tumulus No. 155 in Whangnam-dong, Kyungju, Korea), which was unearthed in 1973, is an ancient tomb built in the Shilla Era between the 5th-6th centuries by the method of Juksuk-mok-gwak. With the excavation of this tomb more than 11,500 articles of luxurious and splendid relics including gold and silver ornaments, weaponry and horse gears were obtained. Among the excavated articles, the saddle flap with a drawing of flying horse on it is the first relic of its kind from the Shilla Era, and `Chonma` (a flying horse), the name of the tomb, was named after this drawing. The saddle flap is highly valuable in that it provides the idea of how good the people of Shilla were at drawing. Although a lot of researches have been released about the relics from the Chonmachong, this study is to focus on the fabrics from the excavation, all of which are in the Kyongju Museum`s collection. The findings of this study are as follows: 1. The subject of this study is mainly on the fabrics used in horse gears, the pieces of cloth that were used to spread on a saddle or to underlay beneath a saddle. As the Shilla Dynasty tried to restrict excessive ornamentation on horses and it is assumed that the fabrics used are different, according to the social status. 2. The subject articles are four plain fabrics, three fabrics of combined -construction and one braid, the warp-faced compound woven silk [:經錦] of combined-construction was found for the first time in Korea, and is the typical quality silk with patterns woven with dyed threads in different colors. 3. It is ascertained by the Chonmachong excavation that polychrome woven silk[:錦] was used not only for the clothes of the upper classes but also for the ornaments of their horses in the Era of the Three Kingdoms.
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