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- 저자 : 강성규 ( Seong Kyu Kang ) (검색결과 94 건)
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유기용제 폭로 근로자들에 대한 신경행동검사에 관한 연구
강성규,정호근,홍정표,김기웅,조영숙,Kang, Seong-Kyu,Chung, Ho-Keun,Hong, Jeong-Pyo,Kim, Ki-Woong,Cho, Young-Sook 대한예방의학회 1993 Journal of Preventive Medicine and Public Health Vol.26 No.2
In order to evaluate the confounding factors of neurobehavioral tests and the neurobehavioral effects in the workers exposed to organic solvents, NCTB was carried out on 100 workers. 46 workers had never been exposed to neurotoxic substances, and the others were being exposed to the solvents, mainly toluene. Simple reaction time, digit symbol, Santa Ana dexterity test and persuit aiming were different with age in non exposure group. Simple reaction time was carried out well in males, and digit symbol and persuit aiming were in females. There was no difference at educational level when the subject was educated over 12 years. Santa Ana dexterity and Benton visual test differed according to exposure level to toluene, however simple reaction time didn't. The acute neurotoxic effect was not excluded in this study. But, NCTB could be used to evaluate and prevent neurobehavioral changes in workers exposed to neurotoxic solvents in Korea.
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‘거미’ 소재 한국(韓國) 한시(漢詩) 고찰(考察) -거미 의상(意象)의 양상과 의상군(意象群)을 중심으로-
강성규 ( Kang Seong-kyu ) 근역한문학회 2020 漢文學論集 Vol.55 No.-
본고는 한국 한시에서 활용된 거미 의상(意象)을 살피는 것을 목적으로 한다. 선행연구를 통해서 확인된 중요한 단서는 거미에 대한 인식이 다양하다는 점과 한 사람의 작가에게서도 하나의 고정된 인식으로 일관되게 나타나지 않는다는 점이다. 이는 작가의 작시 상황이나 처지 및 의도와 결부될 가능성이 많다는 것으로 작품 내에서 다각도로 활용되어 또 다른 의미로 확장될 수 있는 여지가 충분하다는 것을 뜻한다. 이 점을 감안하여 살펴본 결과, 한국 한시에서는 크게 ‘인적이 없는 공간에서의 거미’, ‘상서로운 일을 암시하는 거미’, ‘봄에 대한 안타까움을 대신하는 거미’의 의상을 확인할 수 있었다. 아울러 거미 의상을 바탕으로 하면서 이를 중심 소재로 활용하는 영물시에서는 ‘생물에게 해를 입히는 포식자로서의 거미’, ‘세망(世網)으로 비유되는 존재로서의 거미’, ‘섭리대로 살아가는 자연물로서의 거미’로 구분되는 의상군을 형성하고 있었다. 개별 의상으로서 거미를 다루는 일반 한시에서는 거미라는 소재를 중점적으로 활용하는 영물시와 비교하였을 때 그 집중도가 다르기 때문에 거미 의상의 의미 양상도 분명하게 구분되어 활용되는 것을 살펴볼 수 있었다. 거미가 등장하는 한시에서는 실재하는 거미가 묘사된 것인지 아니면 의도적으로 전고로써 활용된 것인지는 작품별로 달리 접근하여 자세하게 따져보아야 할 문제지만 활용된 거미 의상 자체는 특정 공간과 조합을 이루거나 다른 동물(혹은 곤충)과의 비교, 대조를 통해 의미가 강화되는 경향성을 보이며 작가의 상황과 처지에 따라서 다르게 활용되는 경우가 대부분이라고 할 수 있다. This study aims to examine spider image used in Sino-Korean poetry. Important clues identified through the preceding study are that the perception of spiders varies and does not consistently appear in one writer as a fixed perception. This means that likely to be tied to the author’s situation and intention. It also means that there is ample room to be used in multiple ways and extended in another sense. Taking this into consideration, we have examined the following: In Sino-Korean poetry, has meaning that ‘Spiders in Unmanned Space’, ‘an auspicious spider’, ‘A spider symbolizing its sorrow for spring’. In addition, the Yeongmulshi (詠物詩), which uses spider images as its main material, has formed image groups that are divided into ‘spider as a predator that harms life’, ‘a spider likened to a Se-mang (世網)’, ‘spider as a natural being’. However, the concentration is different in ordinary Sino-Korean poetry when compared to Yeongmulshi (詠物詩) that focus on spiders. Therefore, we could see that the meaning of spider image is clearly distinguished. In Sino-Korean poetry where spiders are featured, whether real spiders are depicted or intentionally used as authentic precedent is a matter that can be clarified in a separate way. However, the spider image itself tends to be enhanced by combining with a specific space or by comparing it with other animals. And most of them are used depending on the situation and situation of the writer.
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직업성천식 감시체계에 등록된 우리나라의 직업성천식 실태
강성규(Seong Kyu Kang),지영구(Young Koo Jee),남동호(Dong Ho Nahm),민경업(Kyung Up Min),박중원(Jung Won Park),박해심(Hae Sim Park),손춘희(Seong Kyu Kang),조상헌(Sang Heon Cho),최인선(In Seon Choi),최승원(Seung Won Choi),홍천수(Chein S 대한천식알레르기학회 2000 천식 및 알레르기 Vol.20 No.6
N/A Background: Since asthma caused by toluene diisocyanate (TDI) was reported at a polyurethane paint factory, occupational asthma there has been increasing concern of in both allergic and occupational health. However, the statistics of occupational asthma did not reflected its seriousness because of many barriers related to legal reporting. Since fild a voluntary report from a clinician sent directly to a surveillance center would allow more cases to be filed without any disadvantage to workers and employers, we developed a surveillance system to facilitate the reporting of occupational asthma. Methods : Allergists and pulmonary physicians were asked to report to the Occupational Asthma Surveillance Center(OASC) using a mail, fax or e-mail if work-related asthma was diagnosed. A claimed case for occupational asthma to the Occupational Health Research Institute was also included. The OASC contacted the workers by phone and investigated the workplace if necessary. The reported cases from October, 1998 to November, 1999 were analysed. Results: Thirty-three cases were reported with 29 males and four females. The mean age was 44 and the mean latency period was 5.4 years. Twenty-one cases were caused by a known allergen inducer with objective evidence. The causative agents included TDI in 45.5 %(15), followed by reactive dye in 24.2 %(8). welding fume(2), formaldehyde(1), paint (1), toluene(1). styrene(1), exhaustive gas(1), and wood dust(1). Among these cases, there were seven dyers, four painters, three machine operators and furniture finishers, two assemblers and tanneries. Eighteen cases had claimed Workers Compensation Insurance and all were accepted. The reasons for not claiming Insurance included ignorance(28.5%), feat of job dismissal (23.8%), other reasons (9.5 %), agreement with the employer(14.3%) and employer hirnself(9.5 %) Conclusion : The OASC by allergists was an effective system to find unreported cases and to provide a prevention strategy of occupational asthma. Occupational asthma was mostly caused by TDI and reactive dye. Painters and dyers were the most common occupations causing occupational asthma. Only half of occupational asthma patients claimed compensation because of workers ignorance and fear of being fired. (J Asthma Allergy Clin Immunol 20: 906-15, 2000)
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조선시대 가산(假山) 소재 한문 산문 작품의 주제의식 고찰
강성규 ( Kang Seong-kyu ) 근역한문학회 2017 漢文學論集 Vol.46 No.-
가산을 조성하고 완상하는 문화는 오래 전부터 지속되어 조선시대에도 이어졌다. 조선시대에는 이전 시기와는 다르게 가산을 작품 제목으로 부각시키고 중심 제재로 의론을 전개한 산문 작품들이 일련의 작품군(作品群)을 형성할 수 있을 정도로 남아있다. 이러한 작품들은 가산의 제작과정과 형태적인 특징들을 비롯하여 완상 문화의 향유 방식과 그 인식에 대한 전반적인 의론들을 담고 있다. 본고에서는 조선시대 가산에 주목하여 독립적으로 작품화한 산문 작품들을 대상으로 가산 자체의 의미를 탐색하고 가산을 완상하는 것과 관련한 주제의식을 살펴보았다. 그 결과 크게 세 가지 측면으로 나누어 볼 수 있었다. 첫째, 가산을 `假山`으로 명명함으로써 경계의 의미를 부여하고자 한 것이다. 이는 가산이 실재 산이 아니라는 전제에서 존재 자체가 `假山`이라는 명칭과 어우러짐으로써 경계의 의미가 완성되는 것을 의미한다. 둘째, 실재 산과 가산 사이의 외형적 간격을 극복하는 인식의 전환점을 제시하여 가산 완상에 대한 접근방식을 마련하고자 하였다. 이는 실재 산과 가산에 대한 크기나 진가(眞假)를 구분하지 않고 가산 자체를 하나의 도를 내재하고 있는 천하의 사물로 여겨 실재산과 동일시하거나 사물 자체의 국한에서 벗어난 관점으로 가산을 완상해야 한다는 점을 지적한 것이다. 셋째, 소순의 「목가산기」에서 비롯된 사물의 행불행(幸不幸)에 관한 문제를 인재(人才)의 우불우(遇不遇)로 확장시켜 인재의 출처와 관련한 세태를 우회적으로 비유하려고 한것이다. 이들 작품들에서는 인재가 때를 만나 조정의 인정을 받게 되는 부분에 대해서 공통적으로 언급하면서도 세부적으로는 인재의 자질여부나 조정의 안목과 같은 부분에서 강조를 달리하고 있다는 점도 살펴볼 수 있다. The tradition of forming and appreciating Gasan(假山) had been continued to Joseon Dynasty. Differently from the previous times, in Joseon Dynasty there are many works of proses in which the Gasan(假山) are used as subjects of literary works. These literary works include general ideas such as the manufacturing processes of Gasan(假山), their appearance characteristics, the way and the recognition of appreciating the literary works. This study examined the meaning of the subject that explored the meaning of Gasan(假山) in literary works of proses that focused on Gasan(假山) of Joseon Dynasty independently. The result shows three different aspects. First, they named Gasan(假山) as `假山` trying to give ironic caution meaning. It shows that Gasan(假山) are not actual mountains harmonizing itself with the name of `假山` and completing the meaning of a caution. Second, it suggests the viewpoint from the outside world being apart from the size and reality to appreciate Gasan(假山). It points out that they can appreciate the mountains by developing themselves physically and mentally and studying and pursue pleasure just through imagining on the assumption that they see objects from outside of them not dividing the size and reality about real mountains and Gasan(假山). If it is not assumed, they only focus the appearance not being able to imagine the actual mountains or not seeing it as an object that includes a reason. Third, it extends the issue of happiness and unhappiness that is caused by `Mokgasangi(木假山記)` of Su-Xun to fortune and misfortune of talented person to refer to the source of talented person indirectly. These works commonly mention the part that the government recognizes talented person. But they describe the quality of talented person and the viewpoints of government differently.
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