孤山時調硏究 : 特히 五友歌를 中心으로

李泰極 고산연구회 1990 고산연구 Vol.- No.4

長時調의 形態考

李泰極 건국대국어국문학연구회 1985 겨레어문학 Vol.9·10 No.-

확률공간위의 완비 부분 가부번대수의 거리 및 마르팅게일의 평등 수렴에 관하여

李泰克 聖心女子大學校 1977 論文集 Vol.8 No.-

Let (Ω.α.Ρ) be a probability space, ℜ_n, n=1,2, ... a sequence of complete sub σ-algebras of α increasing (or decreasing) to a limit sub σ-algebra, ℜ_∞ and f∈L_1(Ω.α.Ρ) We first define a metric, d, on the set of sub σ-algebras of a and then show that if d(ℜ_n,ℜ_∞)→0(n→∞) then the convergence, in a sense which is to be defined below, of E^ℜ_n to E^ℜ_∞f can be given in dependent of f. This property is proved in [1], but Ⅰprove it here by the method suggested by[2].

表現理論과 位相群 위에서의 確率測度에 관하여

李泰克 서울市立大學校 1998 論文集 Vol.32 No.1

正2面體郡 D2n 위의 마코프連鎖의 定常確率測度에로의 收劍速度를 有限群 表現論을 이용하여 구체적으로 구하였다.

우리 語文學을 通해 본 主體性

이태극 경기대학교 국어국문학회 1966 京大文學 Vol.1 No.-

古今時調를 通해 본 愛國思想

李泰極 이화여자대학교 한국문화연구원 1973 韓國文化硏究院 論叢 Vol.23 No.-

In this article, the author's intention is to observe and arrange patriotism in the ancient and modern Sijo, traditional and set-form verse. First of all, if we observe the practical events concerning patriotism by Korean, that appear in the Sijo, we can find two types of patriotism; being loyal to the king, and benefiting one's country. In the ancient Sijo, the above patterns were classified in detail under the items of loyalty to the king, benefiting one's country, statecraft, public spirit, peace, etc. If we observe ancient Sijo closely, most of the Sijo which has motif about the loyalty to the king appeared during the beginning and mid-period of the Ri-dynasty. Particularly, Sijo commoner poets participated in the literary movements to show their patriotic ideas through Sijo poetry in the mid and latter period of the Ri-dynasty. In these points, we can sum up that most of the ancient Sijo motif contains the main ideology of "benefiting one's country" with the concomitant idea of "loyalty to the king" Secondly, in the modern Sijo, we may observe and find many more differentiated types of patriotism than the former. If we observe the works by Nam-seon Chi, Kwang-soo Lee, In-bo Jeong, Yo-han Joo, Een-sang Lee and Byeong-gi Lee, wecan find a firm well to restore the country's independence the Japanese occupation. Under these circumstances, patriotism in the ancient and modern Sijo, mostly, may be classified under two patterns: first, patriotism such as "loyalty to the king" and "benefiting one's country" predominated the others during the Ri-dynasty; and second, patriotism such as "admiration to the country" and "firm will to restore the country's independence from the Japanese occupation" predominated the first pattern during the modern era. A Sincere and firm will to restore the independence has continued from early predecessors, down to the modern day in association with nationalism, and eventually the wills formed generative powers to maintain today's radiant development of Korea.

古時調의 正書考

李泰極 이화여자대학교 한국문화연구원 1971 韓國文化硏究院 論叢 Vol.17 No.-

As a prearranged study to give wholesale sketches on the contexts Si-Jo, the anthor already suggested to the orthographical transcription that appears in ancient Si-Jo, under the title of "A schematic suggestion to the study of ancient Si-Jo". (A Collection of Themes and Essays in Commemoration of the Dr. Pyung-ki Lee's six-teith Anniversary.) However, in the above article, the author mainly described to the Si-Jo during Koryu dynasty. Meanwhile, in the article, the author attempted to trace orthographical transcription of thirty nine works, those included Si-Jo anthologies, such as Jin-bon Chung-Koo Young-won(珍本靑丘永言), Tai-hak Pon Chung-Koo Young-on(大學本靑丘永言), Hai-dong Ka-yo(海東歌謠), and Ka-kok Won0lyu(歌穀源流), from the beginning of Yi Dynasty to the reign of Myong Jong (1546-1567, A.D.). In the works, the author reached to realize that it is hardly to get any misspelled works due to the works were written by well-known poets and those contained in the Jin-bon Chung-koo Young-on. Even though some minor misspellings were found in part, there were no serious misspellings to affect entire contexts of Si-Jo, except the following Si-Jo, written by Li Hwang and contained in the To-san Sip-I Kok(陶山十二曲). 雷霆이 破山 여도 聾者 못 듯 니 白日이 中天 하여도 고者 못 보 니 우리 耳目聰明男子로 聾고 지 마로리 In the above Li Hwang's Si-jo, the last phrase of the last part of the Si-jo, 聾고 지마로리 was misspelled as 聾고 치 리라, in some anthologies. Based on the above circumstances, the author suggest here that to give full study of Si-Jo poetry, it is necessary to collect any misspelled works first.

時調의 形態的 發生考

李泰極 이화여자대학교 한국문화연구원 1969 韓國文化硏究院 論叢 Vol.14 No.-

Remarks on the origination of Si-jo poetry arouse divided opinions among researchers, and the topics were proven through examinations to the contexts of the Si-joor compositions of Si-jo poets. In the light of facts that Si-jo is one of formative literature, however, origination of Si-jo poetry must be examined in the formal aspects of the poetry. In facts, researchers who support the formal origination of Si-jo poetry has diverse opinions also such as 'Si-jo was originated from Pyul-kok (別曲) in the koryo kynasty' or 'form Chung Chi Sang's (鄭知常) poetry during mid-Koryo kynasty.' In view of periodic characteristics, if Si-fo has originated as a result of decline of Pyul-kok style it must be originated durig mid-Li dynasty and it is indistinct also that what kind of forms are inherited from Pyul-kok style. To adjust these anachronic and vague views, the author intended to trace formal origination of Si-jo in this discussion that externally, Si-jo poetry was originated during mid-Koryo dynasty and deve-loped through Pyul-kok such as Chung-san Pyul-kok(靑山別曲), man-jun Choon Pyul-sa(滿殿春別詞) and Han-lim Pyul-kok(翰林別曲), but internally, the poetry was formulated in Hyang-ka(鄕歌), style and separated from Pyul-kok style during mid and the end of Koryo dynasty by newly appeared Si-jo poets.

韓國 古代小說의 性格描寫 論攷

李泰極 이화여자대학교 한국문화연구원 1964 韓國文化硏究院 論叢 Vol.5 No.-

The author intended to study Korean classic novels with a new approach. In this study, the author reviews to current misunderstandings as to Korean classic novels lacks particular expressions of character. But if we attempt to search such problems directly from the text as in Choon-hyang-chun, Thoki-chun, Heang-boo-chun, Chang-hwa-hong-ryun-chun, Cha-ng-ki-chun, Sa-si-nam-chung-ki, Yo-ro-won-ya-hwa-ki, Kye-cuk-il-ki and Han-chungrok, we may found satisfied answers. In general, expressions of character may reviewed from the following three categories: external description, internal description and synthetic description, and in Korean classic novels, external-synthetic descriptions are found.

古代小說의 自然背景論

李泰極 이화여자대학교 한국문화연구원 1962 韓國文化硏究院 論叢 Vol.3 No.-

Based upon the literary criticisms on the modern fiction, the author's main attempt is to describe literary backgrounds of the ancient Korean novels, especially to the natural back ground in relation to the compositions and personalities. The study is divided into two categories such as main and partial backgrounds of the novel and each category consists of connected examples. To illustrate two categories of the background, regional main stages of each novel are described in the partial background to survey literary influence and personality affected by the natural background.