http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.
변환된 중국어를 복사하여 사용하시면 됩니다.
- 中文 을 입력하시려면 zhongwen을 입력하시고 space를누르시면됩니다.
- 北京 을 입력하시려면 beijing을 입력하시고 space를 누르시면 됩니다.
RISS 인기검색어
- 검색키워드
- 저자 : 羅運榮 (검색결과 9 건)
- 무료
- 기관 내 무료
- 유료
-
-
나운영 연세대학교 신과대학 1958 신학논단 Vol.4 No.-
저 유명한 「헨델」의 「할렐루야」곡도 그 연주법이 좋아야만 듣는 사람의 마음을 움직일 수 있는 것과 같이 아무리 설교 내용이 좋다하더라도 그 표현법이 좋지 못하면 듣는 사람으로 하여금 온 정신을 경주하여 들을 수 없게 된다. 나로서 여러 목사님들의 설교를 들을 때 마다 몹시 안타깝게 생각되는 것은 「좀더 듣는 사람의 심리를 이해해 주었으면...좀더 그 표현에 있어서 변화가 있었으면...좀더 음악적(?)이 었으면......」하는 것이다. 이런 의미에서 음악인이 본 설교론을 간단히 적어 보고져 한다. 설교와 음악은 그 표현법이 매우 같다고 나는 생각한다. 즉 음악에 있어서는 무엇보다도 강약의 변화, 속도의 변화, 음색의 변화, 고저의 변화, 표정의 변화 그리고 형식의 변화가 절대로 필요한 것인데 이 모든것이 설교에 있어서도 그대로 적용되는 것이다.
-
濟州道 民謠의 作曲學的 硏究(Ⅰ) : 音樂構造를 中心으로
羅運榮 연세대학교 대학원 1972 延世論叢 Vol.9 No.1
There is much abifference in musical features of the folk songs between Je-joo Province and the peninsula just as there is a difference in peculiar dialect and folk customs, because Je-joo province is long distance from the peninsula. I have been to Je-joo province three times and I collected and arranged about 400 folk songs of Je-joo province. Because the people of Je-joo island to work hard in order ts conquer the bad geographical circumstances they have many songs which are sung when they work There are work songs in agriculture, stock-raising, fishing, ete. I think that Je-joo work songs have peculiar characteristics. Most of the work songs have strophic Song and a short refrain which contains meaningless exclamatians. The rhythm of the work song is divided into the form of free rhythm and that of fixed, but there is more of the former than the latter. all of them have the pecueior grace note of Je-joo province's and melisma, but, then I suppose that is the Je-joo way. The form of fixed rhythm consist of triple time. The constructed notes are made with diatonic pentatonic scale and the ending note is mostly Re, but sometimes the ending note is Do. The Re-ending scarcely exists in folk songs of the province. All of the "Chang" folk songs are in the form of fixed rhythm and they are similar to the folk cogs of the province with regard to time which is triple time. Je-joo folk songs cansist of triple time (□) like Se- ma-chi, four, time (□) like kut-ku-ri and other irregular times. Notes of "chang" is composed of diatonic pentatonic scale. It's ending is not only Re. Do, but Sol, La. Much "Cang" folk songs which are collected at South-East part of Je-joo by Sung. Eub have Sol-ending and La·ending, because of that I suppose they are influenced by folk song of the peninsula. I suppose the "Chang" folk song which came from the peninsula to Je-joo provnce is same kind folk song of the peninsula, for some of them have old words which we can find out at old Korean literature. "Chang" folk songs in Je-joo province are very important lituature of music for studying old Korean folk songs. When the work songs of Je-joo province, "Hae Nyu No Rai'" and "Bang ae No Rai" specially are sung by many people, they sing these songs by free canon or cross way and they do not sing them together. In this case heterophony is made, so casual harmony derived form. The melodic form of work song in repeated to the under side and sametimes have a free form
-
Symphony No. 12를 통한 한국적 작곡 기법의 연구
나운영 연세대학교 대학원 1974 延世論叢 Vol.11 No.1
This Symphony in one movement is consisted of 5 parts Sonata farm, and composed of the following techniques. 1. The Korean folk music scale (C,Db,E,G,Ab) is applied to the Symphony. 2. The String parts are divided into 2 groups of A and B. The part A is played in Ordinario and part B is in Scordatura. a) The following method is Scordatura. b) The following is the disposition of the Orchestral members seats. 3. During the tuning is going on in the B group strings by the means of Scordatura, the trombones are playing effectivelly in glissando making the sound like a siren and timpani also glissando in the transition a. 4. During the tuning is going on in the B group strings by the means of Ordinario, the trombones are playing effectivelly in glissando making the sound like a siren and timpani also glissando, in the transition b. 5. Whole-tone chords and Fourth chords are used. 6. Instrumentation Piccolo, Flute I, II, Oboe I. II, Clarinet I, II, Fagott I, II, Contra-fagott, Trumpet I, II, Horn I, II, III, IV, Trombone I, II, Tuba, Gong, Piano, Strings 〈Composition Recital〉 1. Date: 13 March, 1974, 7:00 p.m. 2. Place: Art Theater 3. Performer: The Seoul Philharmonic Orchestra La, Un-Yung conducting
-
羅運榮 연세대학교 대학원 1970 延世論叢 Vol.7 No.1
Youngsan-Hoesang, meaning the sermon on the mountain of Youngsan, was originally a Buddhist chant, its test being "Yongsan Hoesang Pulposal", that means "Buddha preaching on the mount Youngsan. " It was sung while the priest and congregation walk round the image of Buddha in the court of the temple. But later, the chant, dropping its teat, turned into purely instrumental ensemble to be used to accompany the ritual dance. The structures of the rhythms are organically related; in Sangyoungsan and Joongyoungsan, the styles of its forms are almost same, a half of Sangyoungsan and Joongyoungsan in Garakdulie and ie Sanghyundodurie, Hahyundodurie and Yeumble--two-third of it at 1st, 2nd, 5th, 6th beat and a half of it at 3rd, 4th beat. Taryung, Goonak, Gemyungarakdodurie, Yangchundodurie and Ujo garakdodurie are almost same in their rhythmic structures. The mode of this music can be analyzed as following: Re-mode in Sangyoungsan and Snaghyundodurie, Sol-mode in Joongyoungsan, Garakdodurie, Taryung, Goonak and Ujo Garakdodurie, La-mode in Gemyungarakdodurie and Yangchundodurie, and Sol & Re-mode in Hahyundodurie and Yeumble. The styles of the melodies are slow and long with ornamentation. The old music has more or less fundmental notes, but the present one has added many auxiliary notes to the fundmental notes. Moreover, the auxiliary notes differ slighly, accordiang to provinces and even its performer. There are no peculiar musical style in this music. However, in old notes, repeat form is appeared in Sangyoungsan and Da Capo style is persented in Sangyoungsan Hahyundodurie, Gemyungarakdodurie, Yangchundodurie, Ujo garakdodurie but today, it seems all of these form can not be found. The orchestration of Youngsanhoesang is characterized by its unison.
-
-
-
-
RISS
KISS연관 검색어 추천
이 검색어로 많이 본 자료
활용도 높은 자료
