무가 "삼공본풀이"에 대한 분석심리학적 고찰

황명숙 ( Myung-sook Hwang ) 한국분석심리학회 2015 心性硏究 Vol.30 No.2

본 연구는 제주도 무가 < 삼공본풀이 >를 분석심리학적 관점에서 고찰하고 해 석한 것이다. < 삼공본풀이 >는 육지의 ``내 복에 산다`` 계 민담과 유사하고, 한국뿐 아니라 일본과 중국 등 동아시아 지역뿐만 아니라 아일랜드에 까지 널리 퍼 져 있는 신화이다. 누구 복에 사는가? 묻는 부모의 질문에 천지, 부모의 덕과 배꼽아래 선의 덕(배꼽에서 음부 쪽으로 내려 그어진 선)으로 산다고 대답한 셋째 딸 가믄장아기는 쫓겨난다. 가믄장아기는 부모와 자신을 이간시키려 했던 두 언니를 지네와 말똥버섯으로 전환케 하고, 부모는 장님이 되고 걸인이 되게 한다. 가믄장아기는 집을 나와 마를 캐는 마퉁이를 만나 결혼하게 되고, 마를 캐는 밭에서 금을 발견한다. 가믄장아기는 부자가 된 후 걸인잔치를 열어 장 님이 된 부모를 만나게 되고 부모는 눈을 뜨게 되며, 두 언니들도 다시 만나 모 두와 화해하며 ``전생 신``임을 밝힌다. < 삼공본풀이 >는 신화로써 神의 이야기이다. 神은 완성된 존재로서 다른 것을 생각할 수 없지만 이를 민담 차원으로 내려와서 생각해 볼 수 있을 것이다. 가믄장아기는 아버지의 아니마 원형으로 볼 수 있으며, 이는 부성적인 의식이 변화되어 가는 과정을 나타낸 것이다. 아니마 원형인 가믄장아기는 처음에는 부모에게 배척을 받는다. 그러나 부모가 장님이 되는 고통과 시련의 과정을 겪고 마침내 눈을 뜨게 되는 것은 가믄장아기가 이 세상에 ``소명``을 갖고 온 존재 임을 알 수 있다. 가믄장아기는 기존의 가부장적인 집단의식을 새롭게 하고자 하는 ``여성성``의 창조적인 기능을 나타내는 것이다. 이러한 여성성의 의식화는 여성뿐 아니라 남성에게 더 중요함을 보여주는 것이다. 자신이 타고난 본성(여성성)을 알지 못하고 부모의 뜻과 인습적인 가치에 순종하기만 했던 두 언니들 도 지네와 말똥버섯이라는 미물과 식물로 전환되어 그림자에 사로잡히는 고통 과 시련을 겪음으로써 마침내 자기인식을 획득하게 된다. 가믄장아기는 마지 막에 부모와 언니들과 모두 화해를 하여 전체가 되게 함으로써 진정한 의미의 자기실현의 모습을 보여준다. 결론적으로 여성의 자기실현은 가부장적인 집단 의식을 새롭게 하는 중요한 목적의미가 있는 것이다. “Samgong Bonpoori” is a myth about a God. A God is ontologically a supremely perfect being; however, in this thesis, it will be discussed as a part of a folktale. Gameunjang-agi can be seen as the anima archetype of the father, which reveals the process of a paternal consciousness being transformed over time. At first, her parents deny Gameunjang-agi. However, after years of suffering from blindness, they regain their eyesight and finally recognize their daughter. This signifies that Gameunjang-agi is a being that has come into the world for a certain “purpose.” Gameunjang-agi embodies the creative function of “femininity” that can renew the existing collective consciousness embedded in the patriarchal system. Such recognition of femininity matters to men to a great degree as well as to women. Without knowing their true nature (femininity), the two sisters submit themselves to their parents and conventional values. Not until they suffer from being transformed and captured into small and insignificant beings, a centipede and a mushroom, which symbolize their shadow, they fail to develop their self-awareness. Meanwhile, by reconciling with her parents and sisters--playing a significant role in reuniting the family--Gameunjang-agi turns out to be a figure that can reveal what it truly means to have self-awareness and achieve Self-realization. In conclusion, this story illustrates that recognition of femininity matters to men to a great degree as well as to women, and women’s Self-realization plays a critical role in revitalizing the collective consciousness embedded in the patriarchal system.

지역브랜드 자산의 결정요인과 지역경쟁력에 관한 연구

박동수(Park Dong-Soo),황명숙(Hwang Myung-Sook) 한국산업경영학회 2007 경영연구 Vol.22 No.1

본 연구는 지역경쟁력을 강화하기 위한 핵심요인으로서의 지역브랜드 자산의 결정요인을 살펴보고자 하는데 그 목적이 있다. 먼저 지역브랜드 자산의 개념에 대해 살펴보고 지역브랜드 자산의 선행요인으로 설정한 문화적 착근성과 지역이미지, 지역브랜드에 대한 인지 및 지자체의 지원이 지역브랜드 자산에 미치는 영향을 분석한다. 아울러 지역브랜드 자산이 궁극적으로 지역경쟁력에 미치는 영향에 대해서도 실증적으로 분석하고 있다. 각 구성개념들 간의 구조적 관련성을 분석하기 위하여 구조방정식 모형을 구축하였다. 분석에 필요한 데이터의 수집은 안동지역과 대구 및 인근지역을 대상으로 이루어졌으며, 최종적으로 998개의 표본이 분석에 사용되었다. 데이터의 신뢰도와 타당도 분석을 실시한 후, 연구가설을 검증하기 위하여 LISREL 8.3을 이용하여 경로분석을 실시하였다. 가설분석 결과 첫째, 문화적 착근성의 하위 변수인 애향심과 세대간 영향력, 그리고 지역문화 아이콘은 모두 지역브랜드 자산에 유의한 긍정적인 영향을 미치는 것으로 나타났다. 둘째, 지역의 문화적 이미지는 지역브랜드 자산에 유의한 긍정적인 영향을 미치는 것으로 나타난 반면, 지역의 진취적 이미지는 지역브랜드 자산에 부정적인 영향을 미치는 것으로 나타났다. 셋째, 지역브랜드에 대한 인지는 지역브랜드 자산에 유의한 영향을 미치는 것으로 나타났으며, 넷째, 지자체의 지원 역시 지역브랜드 자산에 긍정적인 영향을 미치는 것으로 분석되었다. 마지막으로, 지역브랜드 자산은 지역경쟁력에 유의한 긍정적인 영향을 미치는 것으로 나타났다. 결론부분에서는 본 연구에 대한 요약과 논의, 한계점 및 향후 연구를 위한 제언 등이 제시되고 있다. The purpose of this study is to investigate the determinants of local brand assets. Specifically, it reviews the concept of the local brand asset and then analyzes empirically the effects of three sub-dimensional factors of cultural embeddedness: ethnocentrism, intergenerational influences, and icon of local culture, as well as local image, cognition, and local government support on the local brand assets. Further, this research attempts to explore the relationship between a local brand asset and local competitiveness. To test the relationships, this study constructed a structural equation model. Path analyses were conducted by employing LISREL 8.3 of the data collected from 998 respondents in Andong and Daegu and its vicinities. The results indicated several significant findings. First, all three sub-dimensional factors of cultural embeddedness significantly and positively affected a local brand asset. Secondly, local cultural image had a significantly positive effect on a local brand asset, while proactive one did not. Thirdly, both cognition and local government support had positive effects on a local brand asset, respectively. Lastly, a local brand asset significantly and positively affected local competitiveness. The implications of these findings, along with discussion, limitation, and future direction of this study were suggested.

Long Days Journey Into Night 연구 : 現代家庭의 危機

황명숙 漢陽大學校 人文科學大學 1990 人文論叢 Vol.19 No.-

Eugene O'Neill came back alive, leaving his ghost of the past behind, not as a playwriter, but as 'a new great spirit' and played the roles of 'a tormented agonist' in the tragic drama of his own life, Long Days Journey Into Night. He participates in it as a role player of a modern agonist enslaved in the chains of family-conflict. He tries to disentangle the causes of conflicts of the families: mother with father, mother with two sons, father with two sons, mother with each son, the elder brother with the younger and father with each son, and clarify the fact that the original cause of the family-conflicts (which counts most) is 'homelessness' to them. He warns us of the crisis of moderns home or 'homelessness' of modern men, which is not only the origin of modern men's ailments or agonies but also the source of modern family conflicts. He suggestsits solution in a stammering voice of a fog-poet:-["Something I need terriblyo. I can't have lost it forever, I would die if I thought that. Beause then there is no hope."] The only way to release us from the chains of moral and physical pains caused from it is to save our 'home' in its maximum dancer from falling into the 'night' of annihilation, and vice versa. And the task we ought to do is to cut off this merciless chain tangled by cause and effect and to set us free from its relentless recurrence, which is solely attainable by each of us facing reality with real faith and responsibility, as well as with deep pity and patience. The final reconciliation through the endlessly confronting conflicts among the families is thus the only space that sets us free 'facing the life beyond individuality 'with the mutual understanding and the compassion-'the mysterious depths of your own being'32) and it is the place where we start to see light. Seeing light clearly is the key to solve the problem of 'homelessness' for us all the families in the modern world.

漢陽大學校 써클活動 現況調査 : 그 改善策을 爲하여

黃明淑 漢陽大學校 學生生活硏究所 1982 大學生活硏究 Vol.1 No.-

Beckett 硏究 : "Godot를 기다리며"를 중심으로

황명숙 漢陽大學校 人文科學大學 1993 人文論叢 Vol.23 No.-

Waiting For Godot is a play about waiting for something that does not come, or if it comes, will not as good as it seemed originally. When WFG was for the first time performed in Portland in sixties, every one there knew who Godot was - the freedom from the Russians, which can never come ; when the play was done in Algeria during the French rule there, the audience of landless peasants immediately knew that the play was about the promised land reform that never came. And when WFG was done in the penitentiary of San Quentin in America, the convict paper wrote that the convicts all knew Godot was the release for which they were all waiting. Beckett reduces the realistic original material in order to extract the deeper, eternal, essential human situations so that the play can become truly universal. That is the case of WFG : the general situation of waiting has been, as it were, extracted from the particalar experience that Beckett had had-he used his waiting for the war to end as the starting point for the exploration of waiting in human life in general. The report is intended to extract several elements of essential human conditions in the play of Waiting for Godot whose conceptions are closely related to those of Buddhism.

Our Town에 나타난 Thornton Wilder의 "a noble artificiality"에 對한 考察

黃明淑 漢陽大學校 師範大學 1986 論文集 Vol.- No.4

This report is to study how Thornton wilder developed his technique-what Gordon Craig said "a noble artificiality"-in his play Our Town which involves the ordinary events in the daily lives of ordinary people and how he attained his purpose to find a value above all price for the smallest events of our daily life. Our Town is one of the controversial modern plays because of ist peculiar theartrical style in which there is no curtain (the fourth wall called by the realists), no sets but skeletal or fragmentary stage to help the audience visualize a particular situation, and the stage manager is the principal actor. Theatricalism and Emersonian Transcendentalism characteristic of New England are synthesized in Wilder's theories of drama and embodied in this play through his "noble artificiality". It seems impossible to appreciate Our Town without this comprehensive view. The concepts of "Over-Soul" of Emerson and " a non-self situation" or "pure being" of Wilder's view on human mind are the characteristic backbones of his thertircal theory shown in "Thought on Playwriting" in which he states four conditions of the theatre performance; that the theatre performance requires many collaborators; that it is "addressed to the group mind", that it is based upon a pretence and its very nature calls our a multiplication of pretenses; and finally, that the action "takes place in a perpetual present." Depending upon this theory he presents the microcosm of everyday life on the stage setting against " the All, the Everywhere, and the Always: )the macrocosm of the Universe and Eternity), which sums up his belief in the significance of the least important thing" and even in the concealed implications of every event of every moment and his idea that these two contradictory parts are not two but one, or the transcendent whole in which the smallest parts of every one's experiences in his daily life-Emily's joys, sorrows, problems, growing up and marrying and even her death-are unified. By the effect of contrast-the smallest against the largest, a man against God, the present against the eternity, and the dying against the living-each of them simultaneously conceives the priceless value or significance that is to make us love life and recognize what Emily cried in the last Act of Our Town." "Oh! Earth, yor are too wonderful for anybody to realize it.".

Earnestness 와 Pleasure 의 對決 : The Importance of Being Earnest 分析 The Analysis of The Importance of Being Earnest

黃明淑 漢陽大學校 師範大學 1987 論文集 Vol.- No.5

In reality, the earnest victorians were not in favor of Oscar wilde's 'pleasure priciple'. The code of Puritanism, moreover, did violently attacked him and his code of pleasure. wild was completely alien to the victorian society and its morality. His life was that of a lonely protest against the victorian order so far to the moment of his defeat death. He faced his edeath as lonely as a tragic hero in a tragic drama. In his creative world of Art, on the contrary, his pleasure principle won over 'Earnestness' of the Victorian Society. The purpose of this report is to follow the steps of that reversal in the play the Importance of Being Earnest, since it is the play where Oscar Wilde and The Victorians were collided against each other and the Oscarian pleasure supressed the Victorian Earnestness, making the Victorians recognise 'Being Earnest is not important,' the contradictory meaning of the title of the play the Importance of Being Earnest. As was told by Gwendolen in the play, "In matters of importance, style, not sencerity, is the vital thing." the play the Importance of Being Earnest isn told a play of style. As the master of the literary style, Oscar Wilde succeded to produce the pleasurable scenes of style without sincerity and provide the audience with 'a gay haven' of pleasure in which they could enjoy hearty laughs without restriction at every scene of absudity-the real reflection of the victorian behaviours- created through Oscarian mastery fo literary style. It really owes to the style of the play that made the Importance of Being Earnest a successful production and brought the Victorians 'a gay haven' of pleasure, teh spring of the 'complete harmony' where the whole members in teh theatre, the audience as well as the author or Oscar Wilde with the Victorians could share 'the pleasure of Life and the pleasure of Art'. It was just in this moment of 'the complete harmony' of pleasure that Oscar Wild could finally counter-attack the Victorians, the victimes of the Victorian morality whose seriousness, earnestness or solomnity had once defeated him to death.

「新入生의 生活指導를 爲한 調査硏究」

黃明淑 漢陽大學校 學生生活硏究所 1984 大學生活硏究 Vol.2 No.-

大學의 新入生들의 그동안 經驗하여 왔던 世界와는 異質的인 大學이라는 社會에 특별한 生活指導없이 막연히 適應될 것이라는 기대속에서 시작하여 4年 동안 수 없이 많은 葛藤과 煩悶으로 貴重한 大學生活을 消費하게 되는 경우가 많이 있다. 그러한 이들의 大學生活을 보람있게 영위할 수 있도록 效果的인 生活指導의 資科를 提供하기 위하여 본 硏究調査를 실시하였으며, 이의 一環으로 新入生들이 처음으로 直面하게 될 問題들을 克服할 수 있는 方案을 모색하기 위한 質問 및 調査를 하였고, 아울러 이러한 調査를 通하여 學生들에게 自己反省의 機會를 주고, 1年間의 大學生活을 整理하고 다음 過程을 위한 自己 設計를 촉구하였으며, 學生-敎授-學校가 함께 시정해야할 問題를 찾고 그 可能性을 모색하였다.

테니스 포핸드시 밀어치기와 때려치기 타법의 운동학적 분석

윤양진,정미라,서국웅,이훈식,황명숙,강영택,윤길환 釜山大學校 附設 體育科學硏究所 1999 體育科學硏究所 論文集 Vol.15 No.-

This study consists in clarifying the meaning of various angles and velocity, and two types of the stroke of a pushing shot and hitting shot through the three-dimensional image analyses among the factors of exercise. To attain the purpose of such studies, the result of experiment and analysis for each of three athletes of boys and girls in high school and three persons in general came to the conclusion as follows; 1. The last motion of a group of A having a command of a follow shot showed greatly, compared with two groups of B and C, and this showed that a group of A took a rectilinear motion greatly to gain power and two group of B and C took a rotary motion greatly to gain speed. 2. A group of A having a command of a pushing shot move body weight forward from behind and give the first consideration to a rectilinear motion, and two groups of B and C having a command of the stroke of hitting shot used the turning of the shoulder and the waist and gave much weight to a rotary motion than a rectilinear one. 3. The position of the hitting point of a group of A having a command of a pushing shot turned out to be the waist, and that of the hitting point of two groups of B and C, the chest, and namely this showed that the position of the hitting point was decided according to the form of the stroke and pictures of various kinds. 4. In impacting, the speed decreased, for the power was controled to keep an accurate timing of stroke just before impacting