담론의 공백기에서 발견한 근대 개념과 사유체계 : 『근대계몽기 지식의 발견과 사유 지평의 확대』(이화여대 한국문화연구원 편, 소명출판, 2006)

홍혜원 이화여자대학교 한국문화연구원 2006 한국문화연구 Vol.11 No.-

이광수 일인칭 소설의 서술상황 연구

홍혜원 개신어문학회 2000 개신어문연구 Vol.17 No.-

20대 여성의 진 팬츠 보유 현황 및 진 팬츠 핏에 대한 지각

홍혜원,하희정 服飾文化學會 2014 服飾文化硏究 Vol.22 No.1

This research aims to analyze jeans possession and perceptions of jeans' fit among women in their 20s to help improve the accuracy of purchase decisions in online shopping and to provide basic data necessary to overcome limits in the fit conveyance method of online shopping malls. A sample of 149 females in their 20s was divided into two groups according to height, waist size, and interest in fashion, and several factors were analyzed: jeans possession status, the fit of purchased jeans, the reason for purchase, and the perception of jeans' fit. The results are as follows. The group with a high interest in fashion owned more skinny jeans, and there was a higher frequency of purchasing skinny jeans during the last year among those with a height of 160 cm or more, a waist size of less than 27 inches, and a high interest in fashion. Of the respondents, 92.6% accurately understood skinny fit, 51.7% understood straight fit, and 56.4% understood regular fit. There was no significant difference in the perception of skinny fit or regular fit, but straight fit was better understood by the group with a waist size of 27 inches or more. Thus, by providing accurate size information and analyzing the body shapes of consumers, online shopping malls will be able to increase customer satisfaction with pants of various fits to reduce the rate of returns.

이광수 소설에 나타난 여성상과 근대성

홍혜원 한국현대소설학회 2002 현대소설연구 Vol.- No.16

A Study of the Feminine and Modernity at Lee, Gwang su′Novel

이태준 소설과 식민지 근대성

홍혜원 한국비평문학회 2006 批評文學 Vol.- No.24

A study of Female Character in the Novels of Lee, Tae-jun This paper is the study to analyze the representing process of female characters in the novels written by Lee, Tae-jun. We can closely look into the essence of colonial modernity based on this analysis. Representing process of female characters in his novels expressed the strategy “exclusion and inclusion” in the modern discourse. In the case of composing the identity of male subject, female characters were sometimes excluded by having them otherized. Unless it was easy to compose the identity of male subject, female characters were interpellated under the modern discourse mechanism. In the short story “Grimza”, a reactionary female character was introduced to grow the male subject. But, the female characters became otherised, for the introduction interrupted the establishment of modern male subject. Owing to his emotion of “Compassion” in this novel, the male subject also became “the others” and placed on a colonized status. In his novel “Sung Mo”, the heroin embodied the maternal ideology and reproduced the myth of patriarchal system. The female characters that were desexualized in the modern discourse were interpellated in the modern discourse again. Owing to imaginary figure, the desexualized female characters did not had the reality. Finally, the colonial modern aspects in Lee, Tae-jun’s novel were assumed complicated, floating and unstable.

신소설『牧丹花』에 나타난 대중성 연구

홍혜원 대중서사학회 2004 대중서사연구 Vol.10 No.1

「메밀꽃 필 무렵」의 소설과 오페라 대본 비교 연구

홍혜원 한국문학이론과비평학회 2019 한국문학이론과 비평 Vol.85 No.-

Lee Hyo-seok’s novel, When Buckwheat Flowers Bloom is considered to be the representative work of the artist, being evaluated as compressively containing the essential characteristics of Lee Hyo-seok’s literature. In other words, the two keywords, human instinct and affinity with nature, are combined properly. In addition, his works stand out with his sensational and sophisticated style, close harmony between nature and nature, figures and events, and detailed composition of time and space. As such, When Buckwheat Flowers Bloom was a relatively short novel, but various narrative media were interested by drawing a longing of people’s lives and longings for their families against the backdrop of beautiful scenery. In this way, various works such as TV dramas, cartoons, plays, and operas were used as the original works, resulting in new creations. In this paper, I will compare and analyze the novel and opera scripts of When Buckwheat Flowers Bloom. In particular, we will look into the changes of 「Tak Gye-seok script」 and 「Lee Seung-won script」. When the same narrative starts from a novel and is converted to another style, the biggest change is the change of the plot. In general, when a literary work is used as the basis for an opera script, the entire plot remains intact, but the plot changes according to the characteristics of the medium. In this paper, we compare and analyze the plots of Lee Hyo-seok’s novel, When Buckwheat Flowers Bloom and the script of the opera, and what each piece is trying to convey by examining the personality of the characters and the way of accepting the motifs. The purpose of this study is to examine how the changes in media are caused by differences in media. Since the opera script presupposes a performance, all the events in front of the audience are presently present. The novel freely divides the events and arranges them according to the artist’s intentions, moving back and forth between the past and the present. In contrast, the opera must be performed before the script becomes a reality. However, the present representation has the advantage of being able to convey concreteness and liveliness directly to the audience. According to this style, the novel When Buckwheat Flowers Bloom was constructed based on the temporal momentum and plotted the past events in a retrospective manner. Or plot the plot over time. This change in plot brought about a change in the character’s personality, and also the addition and deletion of various motifs. This aspect will eventually be an example of the advantages of each medium in the media transformation of the same narrative. 이효석의 소설 「메밀꽃 필 무렵」은 인간의 본능과 자연과의 친화라는 이효석 문학의 본질적 특징이 압축적으로 담겨져 있다는 평가를 받으며 작가의 대표작으로 손꼽힌다. 비교적 짧은 소설이면서도 고단한 민중의 삶과 가족에 대한 그리움을 아름다운 풍광을 배경으로 그려냄으로써 TV드라마, 만화, 연극, 오페라 등 다양한 매체에서 이 작품을 원작으로 삼아 새로운 창작물을 탄생시켰다. 이 논문은 소설 「메밀꽃 필 무렵」이 창작오페라 대본(탁계석 대본과 이승원 대본)으로 전환되는 과정에서 나타난 다양한 변이의 양상을 전반적으로 비교, 고찰하였다. 우선 플롯의 측면에서 소설은 시간성을 기반으로 하여 대화 속에서 회상의 방식으로 과거사건을 불러오는 구성을 보이며, 오페라 대본은 과거의 사랑 사건을 독립된 단위 사건으로 선택하여 시간의 역순 혹은 시간의 흐름에 따라 서사를 구성하였다. 이렇게 플롯상의 차이로 인해 허생원, 성서방네 처녀, 동이 등 인물의 성격에 있어 변화가 나타나며, 또한 나귀 모티프, 꿈 모티프, 씨름 모티프 등의 사용에서도 대본에 따라 추가와 삭제의 양상을 보여주었다. 오페라는 공연을 전제하기에 사건 제시의 현재성, 스토리의 명징성과 단순성, 멜로드라마적 특성을 지니며 앞서 지적한 소설과의 차이는 바로 오페라 대본의 양식적 특성에 기인한 것이라 할 수 있다. 이러한 연구 작업은 동일 서사의 매체 전환에서 각 매체의 장점을 적절히 구현하는 방식을 보여주는 하나의 사례가 될 것이다.

현진건 단편소설에 나타난 시선과 젠더

홍혜원 현대문학이론학회 2018 現代文學理論硏究 Vol.0 No.75

This paper aims to analyze the way of establishing norms of gender through the characteristics of the narratives of female narrator, female -focused subject, and female character in Hyun jin-gun's short story. In other words, the subjects of gaze will look at how to construct oneself through what is differentiated and excluded. The exclusionary gender, femininity, is rendered differentiated by the narrator or the unconscious of the writer, even if it becomes the subject of gaze. "Dear Reproachful Look" is the first-person heroine, and the narrator and the focuser is woman. The discourse of the first person narrator 'I' can be said to be reversal and false. The narrative of 'I', which hides inwardly with utterances and lies that repeatedly overturned her story, constitutes a gender identity that women have insecurity and selfishness and can not believe. As a result, women are set as unsuitable as members of modern society. "Society Advising You to Drink" is an omniscient viewpoint, in which the woman-focus subject appears. In this work, the narrator builds her husband's despair based on his wife's ignorance. To highlight the suffering of a knowledgeable husband, the ignorant wife is constantly sacrificed. The "A Poor Wife" and "A Degenerate" are male descriptors and focus-subjects. The narrative structure of the work is a gender consciousness in which a male subject makes a woman with a negative attribute to construct her own, and then uses or criticizes it. Through this process, an immature person, like a child, is reborn as a mature male who feels a responsibility to the family. Especially, male subject constitutes self-identity because of inner self and self-reflective remarks of 'I' performing confession. Furthermore, he becomes a modern subject. If the foundation of modernity is to set the subject on the basis of omitting other people, in the novel of Hyun jin-gun, the woman becomes a stranger and is expelled to the outside of modernity, and the male excludes negative women and reborn as modern subjects by their reflexive inner. The character of Hyun jin-gun's gender unconsciousness comes from the way of discourse that excludes female gender and subjects male gender.

이광수의『흙』연구

홍혜원 이화여자대학교 이화어문학회 1999 이화어문논집 Vol.17 No.-

To analysis of the principle of narrative formation and the type of narrator, which is what this article aims to, provides an interpretation of The Soil by Kwang-soo Lee as a manifestation of the authors's literary modernity. Concerning the principle of narrative formation, it is argued that The Soil builds the plot which is knitted up with paradigms on the basis of optimistic view to time and syntagms of mixture of ideal desires and real desires. As for the narration, the novel has a narrator with strong indoctrinating voice, which gives multiple focalization and multi-time narrating. The optimistic view to future and the inconsistency of characters' desires indicate the author's own experience of the modem time. That is, namely the dualism of modernity. Being inclined to enlightment -philosophy, the author shows preference to discourse style, which is distinguished with the subject-centered idea and eventually with instrumental others.

1930년대 한,중 리얼리즘 전개 양상 비교 고찰 : 林和와 胡豊을 중심으로

홍혜원 한국비교문학회 2003 比較文學 Vol.31 No.-

這篇論文是討論在1930 40年代作爲韓國與中國的左翼理論家、林和與胡風的現實主義理論體系的。本稿 試以比較硏究視角先考察他們各自的理論化過程進而說明這兩種理論‘相同’與‘相異’以及其原因。 我們會發現旣然他們所在的處境與條件的不同而他們具有關鍵的相同點首先他們的現實主義是試圖 變革各自的‘現實’的方法而提出的。因此他們的理論中帶着强烈的主體意志及其能動作用也就是們 是對作家的實踐問題的思考中産成的。進而們關注到創作過程中的藝術認識方式、形象思維問題。由此 他們都克服旣往機械唯物論的暗影而創出獨特的理論體系。這是作爲馬克思主義者的他們解決世界觀與創 作方法問題的一關鍵。其次他們理論築是針對當時文學傾向的檢討與批判而産生的因而他們的寫 作是以戰略的排斥方式而展開的而具有較强的現實戰斗性。有時這一特征給們帶來自己所反對的功利 主義的限制。 這兩者理論實踐的現實意義在于主體對現實的變革意志上。幷且他們兩者的探索過程以及結果中他們 路線的相同不基于他們人的偶然選擇而是東亞細亞現代化過程的一必然現象。也就是他們所面臨的 ‘現實’是不可展望的暗澹的‘東亞細亞’, 他們是以主體意志爲基礎、以現實主義爲方法去解決現實問題的