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홍명희(HONG, Myung-Hee) 프랑스문화예술학회 2021 프랑스문화예술연구 Vol.76 No.-
정신분석은 바슐라르가 상상력 연구를 진행하면서 주된 이론의 근거로 사용한 학문이다. 우리는 그의 사상의 여러 곳에서 정신분석의 흔적을 찾아볼 수 있다. 무의식의 개념은 바슐라르가 정신분석으로부터 차용한 핵심 개념이다. 그러나 바슐라르가 정신분석의 개념을 전통적 의미와 다르게 사용한 것처럼 무의식의 개념이 정신분석의 무의식과 다르다는 점을 분명히 해야 한다. 무엇보다 바슐라르의 무의식은 문화정신분석의 범주에서 이해하여야 한다. 바슐라르의 무의식은 부정적인 억압의 흔적이나 어두운 성격이 없는 상상력의 원동력으로서의 긍정적 힘이다. 바슐라르는 무엇보다 무의식의 혁신적 특성에 주목했으며, 자신의 상상력 이론에 맞는 새로운 개념으로 재탄생시켰다. 그 결과 무의식은 상상력이 활동하는 몽상의 근원적 힘으로 작용하며, 문학적 독창성의 원천이 된다. 바슐라르에게 있어서 무의식은 무엇보다 인간 정신의 잠재력을 불러일으키는 창조적 무의식이다.
현대소설을 활용한 언어, 문학, 문화의 통합적 한국어교육 방안 연구 -윤흥길의 「장마」를 중심으로-
홍명희 ( Hong Myung-hee ) 국제한국어교육학회 2020 한국어 교육 Vol.31 No.1
This study proposes an integrated Korean language education of language, literature, and culture as the standard of “Applied Research for the International Standard Curriculum of Korean Language”, using Yun Heung-gil’s modern novel “Rainy Season”(1973) as the text. “Rainy Season” has a high literary evaluation and contains not only the Korean War and the division of Korea, which is a characteristic history of Korea, but also abundantly contains the seasons, weather, family, Korean emotions, folk beliefs and religion. which is suitable for an integrated Korean language education of language, literature and culture. Specific educational plans are as follows. In the first lesson, students study a story, relationships of the characters through the movie “The Rainy Season”(1979). In the second class, students study language aspects such as vocabulary based on listening and reading of texts. In the third lesson, students study the themes that depicts the process of reconciliation and healing from ideological confrontation expressed through love for children during the Korean War, and through the beliefs of native citizens. In the fourth session, students make a presentation about the aspects of social conflict and reconciliation of homeland based on their understanding of Korean War and personal beliefs, the subject of conflict and reconciliation. Through this, students study culture in terms of intercultural exchange. (Pusan National University)
다자이 오사무(太宰治) 문학에 나타난 전후 일본의 사회상 - 전후 미디어에 의해 형성된 ‘다자이 신화’와 관련하여 -
홍명희(Hong, Myung-Hee) 일본어문학회 2018 일본어문학 Vol.82 No.-
本稿では、太宰治文学に表れた戦後日本の社会像を確認した。まず、1948年当時、不況に陥っていた出版界は、太宰の情死というスキャンダルを積極的に報道する新聞や雑誌などのメディアの戦略、また知的好奇心に 飢えていた読者の存在により、太宰の多くの作品を販売することができ、 それが「太宰神話」への発端となった。第二に、1948年1月に発表された「饗 応夫人」には、本郷の医大の教授でありながら、戦場から帰還し、戦後の 困難な状況を余儀なく体現させられ、利己主義者として軽薄に振る舞う笹島、また夫の生死不明による深い喪失感や悲しみ、そして経済的、肉体的 困難を前にしても、その心情を露にせず耐えつつ、笹島たちの図々しい要 求に饗応し奉仕する「夫人」、さらにそういった「夫人」の辛さや優しさを理 解し、最終的に救済する、語り手の<私>が登場する。第三に、こういった「饗応夫人」の三人のあり様は、 人間失格 の堀木やヒラメ、葉蔵、「後記」 に登場するマダムの関係やあり様と似ている。「饗応夫人」は孤独を体現す る現代の読者にとって、深い共感や慰めを与えるという意味において、戦 後メデイアによって発現された「太宰神話」の新たな例となるだろう。 In this article, I have confirmed that the postwar Japan society surrounding the DAZAI Osamu literature has complex and diverse realities. 1) In 1948, the publishing world, which had been in recession, for media such as newspapers and magazines actively reporting on DAZAI’s death, and the presence of readers who were starved for intellectual anxiety, was able to sell many of DAZAI’s works as books, and this was the beginning of the DAZAI boom and ‘DAZAI myth’. 2) Three people who lived in the post- war appeared in “Mrs. Feast” released in January 1948. Sasajima is a medical professor in Tokyo who returned from the war. He is a person who embodies the difficult situation after the war, clearly grasping the situation and shaking it as a light selfish person. ‘Mrs. Feast’ does not reveal her feelings, even before her deep sense of loss and sadness, economic, and physical difficulties due to her husband s life-and-death uncertainty, and served. The narrator, <I>, rescues ‘Mrs. Feast’ by understanding her suffering and ultimately assimilating to it. 3) The relationship of the three persons of “Mrs. Feast” resembles the relation of Horiki, Yojo, and Madam of “No Longer Human”. “Mrs. Feast” will be a new example of the “New DAZAI myth” developed by the media after the war in the sense that it gives deep sympathy and comfort to the modern readers embodying loneliness.