한국(韓國) 시가(詩歌)에 나타난 여성의식(女性意識)

허미자 성신여자대학교 인문과학연구소 1990 人文科學硏究 Vol.9 No.-

李梅窓硏究 : 《梅窓集》版本에 關한 書誌學的 接近 A Bibliographical Approach to Mae-Chang Works

許米子 誠信女子大學校 1987 硏究論文集 Vol.25 No.-

The first step for a comprehensive analysis of a poet seems to be collect and verify the authenticity of his or her works. Mae-Chang, being a kisaeng, was unable to publish her poetic works during her life time, and her literary works never completely complied and published even after her death for several decades. Some of her works, mostly poems, were recited verbally by her colleagues, namely, kisaengs, before her poetic works were collected by kisaengs and ajons and printed in block printing in 1668, 58 years after her death. The first edition, complied in October and published in block printing in December in 1668 at Kaeam Temple contains 58 poems authored by Mae-Chang, but [Yoon Kong Bee]in the book was later verined to be the work of Lee-Won Hyoung. Later on, Shin Suck-Chung, a poet himself, verified [Chung Lee Sah Koon]contained in a book Yakchun Sunsaeng Sahbon as one of the poetic works authored by Mae-Chang. Another poem of Mae-Chang was introduced in Puan Hyangto Moonwha Jee (Literay Gazette of Puan Province), the title of which is known to be [Baekwoon Temple]. Kim Chee-Yong introduced three other verses of Mae-Chang’s works, [Jahahn], and three more verses of uncompleted poems in Yoekdae Yeoryu Hanshi Moonseon (Anthology of Chinese Poems Written by Korean Female Poets). Cho Doo-Hyun introduces yet one more newly verified poems by Mae-Chang, [HaksaShi]in his Hankook Yeoryu Hanshiseon (Selected Chinese Poems by Korean Female Poets).

現代詩의 押韻에 대하여 : 韓國詩의 分析을 中心으로

許米子 이화여자대학교 한국문화연구원 1970 韓國文化硏究院 論叢 Vol.15 No.-

Although problem of rhythm in Korean poems has been much discussed, the problem of rhyme is relatively a new study field. The problem of how does the rhyme occur in Korean poems leads us to an interesting study. In my study I have noticed that a certain form of rhyme existed both in the old Korean poems and novels. With this result I have further researched in the contemporary Korean Poems, and there I found the same usage and frequency of rhyme exist as in the old Korean writings. Rhyme shows variety in its usage depending on the place where it occurs. Rhyme in its wide sense of use is to eqate vowel sound in syllables differentiating from the consonant sound; in its narrow sense rhyme usually means an identity of sounds at the end of lines. Such rhymes appear in many poems of both Kim So-Wol and Kim Young-Rang. Many of such rhymes also can be identified in the old Korean verses. In many occasions rhyme exists in the form of refrain in syllabic repeat, word repeat, or stanzaic repeat especially in the form of onomatopoeic rhyme. When the repeatings of consonants (-ŋ, l, k, t, p, h) and vowels (o, a, i, æ, e) are reciprocated according to the level of thesound alliteration or end rhyme occur. In alliteration, when (g, m, j) and (-n, -l) sounds are combined they make (-in, -ni, -ŋi) sound. In the end rhyme they make (-ya, -yæ, -ne, li, lo) sound. When vowel and consonant are arranged in (ata, ita, cyo, syo, ci, ki, pi, itæ,c?ŋ, sæ) sequence they also make end rhymes. When such an action takes a certain from there occur similar rhyme which we observe in the western rhyme system such as couplet (aa bb cc), cross rhyme (abab, ababcbcb) enclosing rhyme (aba, abbbba) and mixed rhyme (abbcbc, aabccb, ababccb, ababcbc). Alliteration also takes similar forms like (ab, aabbcccd) cross rhyme (abab), enclosing rhyme (aba, abba) and mixed rhyme(aaba, aaba). In conclusion, the rhyme in the modern Korean poetry is the eliment which contains the original rhythmical feature when the various sound unit combinations are repeated. Thus when the foot is formed its repetition effects to the tonal color strengthening the nuance of the poem. One of the difficulties in determining the rhyme formation in both old and new Korean poems lies in the sentence structure. Firstly, noun equivalents which act as complement or object of the sentence in western language structure come after the predicate. Such noun equivalents are easily placed in the rhyme making position. However, in the Korean sentence pattern the place of noun equivalents is reversed to that of Western language and they hardly come to the position where they can make rhyme. Secondly, while the auxiliary verb comes right after the subject in Western languages, it comes at the end of the sentence as well as the conjugation in Korean sentence pattern it makes hard to find the position of rhyme. Thirdly, even when the noun equivalents come to the end of lines auxiliaries are always added. Accordingly the position of rhyme settles on the auxiliaries. In Korean, however, the use of auxiliary verb and conjugation is always attached with the main verb. We recognize the possible rhymes on the visual point of view. Accordingly the rhyme phenomena in Korean poetry is not conspicuous. In modern Korean poetry an imperfect or identical rhyme system has merely been exploited in its making process.

韓國詩에 나타난 촛불의 이미지 硏究 : 韓龍雲의 <님의 沈默>을 中心으로

許米子 이화여자대학교 한국문화연구원 1974 韓國文化硏究院 論叢 Vol.24 No.-

This is a venture to analyze Han Yong Woon's Nimeui Chimmuk along the poetical theories expounded in Gaston Bachelard's La Flamme d'une Chandelle. Bachelard tries to analyze the candle light through the material imagination and develop phenomenal exposition of the candle light by means of his unique dialectics. Han Yong Woon's poetic imagination in his Nimeui Chimmuk on the candle light shows more of Buddhism, of tear, of animal, of plant image and finally reaches the world of Nirvana.

李梅窓 硏究 - 詩를 통해 본 梅窓의 生涯 -

許米子 이화어문학회 1986 이화어문논집 Vol.8 No.-

許 楚姬의 <遊仙詞>에 나타난 이미지 硏究 : <물> · <空氣>의 分析 試論

許米子 단국대학교 대학원 1978 學術論叢 Vol.2 No.-

韓國詩에 나타난 물의 이미지 硏究 : 1923-1950年代 詩人을 中心으로

許米子 이화여자대학교 한국문화연구원 1974 韓國文化硏究院 論叢 Vol.23 No.-

This is an analysis of modern Korean poems written form 1923 to 1950 concerning the imagery used, particularly, the imagery of water. Gaston Bachelard, one of the leading French critics, analizes and formulates the psychology of L'Imagination de la Matiere in modern French poems, and evaluates the imagery of material things in les forces poetisantes in his recently published book, L'Eau et Les Reves: essai sur l'imagination de la matiere. This writer has ventured to analize Korean poems using Bachelard's approach and has found that the imagery of water in modern Korean Poems is unique in the sense that it is simple, natural, metaphysical, rural, romantic and pastoral.

상아질과 Gutta-Percha에 대한 근관충전용 Sealer의 결합강도의 측정

허미자,유미경,이세준,이광원,Her, Mi-Ja,Yu, Mi-Kyung,Lee, Se-Joon,Lee, Kwang-Won 대한치과보존학회 2003 Restorative Dentistry & Endodontics Vol.28 No.1

The purpose of this study was to investigate the bonding of resin- based root canal sealer, AH26 when the sealer was applied as a thin layer between dentine and gutta-percha surface. In this study forty non-caries extracted human molars and resin-based root canal sealer(AH 26, DeTrey/Dentsply, Germany) were used. Disks of gutta-percha, 6mm in diameter.6mm thick (Diadent/Dentsply, Korea) for thermoplastic obturation were used and dentin surfaces were treated with 2% NaOCl(Group 1) or 2%NaOCl+17% EDTA(Group 3). Disks of gutta-Percha, 6mm in diameter.6mm thick (Diadent/Dentsply, Korea) for conventional obturation were used and dentin surface were treated with 2% NaOCl(Group 2) or 2%NaOCl+17% EDTA(Group 4). Enamel was removed by a horizontal section 1mm below the deepest portion of the central occlusal groove by using a watercooled low speed diamond saw. A second horizontal section was done around cementoenamel junction. Exposed dentin surface was cut to approximately $8{\times}8{\;}mm$ rectangular shape and was ground against 320, 400, 600 grade silicon carbide abrasive paper serially. After grinding, the dentine surface were soaked in a solution of 2% NaOCl for 30 minutes and twenty of specimens were treated with 17% EDTA solution for 1 minute. The treated specimens were washed and dried, Root canal sealer, AH26 was prepared according to the manufacture's instructions The Gutta-percha and dentin surface were coated with a thin layer of the freshly mixed seal or. The specimens were left overnight at room temperature. After their initial set, they were transferred to an incubator at $37$^{\circ}C$ for 72 h. After 72 hours, resin blocks were made. The resin block was serially sectioned vertically into stick of $1{\cdot}1mm$. Twenty sticks were prepared from each group. After that, tensile bond strength f3r each stick was measured with Microtensile Tester Failure patterns of the specimens at the interface between gutta-percha and dentin were observed under the SEM(x1000) and Stereomicroscope (LEICA M42O, Meyer Inst., TX U.S.A) at 1.25 x25 magnification. The results were statistically analysed by using a One-way ANOVA and Tukey's test. The results were as follows; 1. Tensile bond strengths($mean{\pm}SD$) were expressed with ascending order as follows: Group 1, $3.09{\pm}$ 1.05Mpa : Group 2, $6.23{\pm}1.16MPa$ : Group 3, $7.12{\pm}1.07MPa$ : Group 4, $10.32{\pm}2.06MPa$. 2. Tensile bond strengths of the group 2 and 4 used disks of gutta-percha for conventional obturation were significantly higher than that of the group 1 and 3 used fir thermoplastic obturation. (p < 0.05). 3. Tensile bond strengths of the group 3 and 4 treated with 2% NaOC1+17% EDTA were significantly higher than that of the group 1 and 2 treated with 2% NaOCl. (p < 0.05). 4. In analysis of failure patterns at the interface between sealer and gutta-percha, there were observed 49 (61%)cases of adhesive failure patterns and 31 (39%) cases of mixed failures patterns.

敎養國語敎育의 實態와 그 問題點의 分析 : 梨花女子大學校 敎養國語 試驗成績 分析을 中心으로

許米子 이화여자대학교 한국문화연구원 1973 韓國文化硏究院 論叢 Vol.22 No.-

This is a study to look into and evaluate the efficiency and efficacy of the Korean language education for the freshmen at the university level in order to propose some changes. This study will propose changes in class formation with emphasis on writing, speaking, and Chinese letters. Finally it will draw to the attention of teachers the appropriateness of exam questions. The supporting evidence was collected from the answer sheets of 2,074 students enrolled in Korean language classes in the first semester of 1972, and also from the 200 sample answer sheets chosen from these 2,074 students by a random sampling method. The findings from the analysis of the data show: 1. The average of the Korean language classes were 73.53%, which seems to be fair. 2. The number of top class students (above 90%) is relatively few, whereas a majority of students belong to eh group of average (between 70-79%). 3. The result of the examination shows a great discrepancy between students of different colleges. 4. The examination results from the essay type of test are worse than those from the objective type of test. 5. The result of the test on the Chinese letters was quite below the average. 6. There were some questions in the test far too difficult and far too easy for the students. In other words, inappropriate questions were included in the test. From the above findings, this writer proposes the following: 1. Class formation should be done in such a way that each class shall be composed of students of the same level, rather than mixing good and bad students as is done at present. It is most desirable that the Korean language class shall be separately formed according to the results of the Korean language test or the university entrance examination, or on a departmental basis for better education. 2. Emphasis should be given to writing, speech, and Chinese letters. 3. it is strongly urged that the teachers pay more attention in making the appropriate test questions.

自由詩의 리듬 硏究 : 韓國詩의 分析을 中心으로

許米子 이화여자대학교 한국문화연구원 1966 韓國文化硏究院 論叢 Vol.6 No.-

Rhythm is said to be one of the most fundamental elements of the verse. And it is also widely recognized by most of the critics that the rhythmical phenomena, or rhythmical structure of the verse is peculiar in the western poems and that this may well be neglected in the contemporary Korean poems chiefly because they do have few rhymes. With these rather superficial reasons, there has been few analytical observance regarding to the rhythmical structures of the modern Korean poems. This is a rather brief analytical study of the rhythmical structures of the Korean poems. Introducing the prevailing principles of the definitions, natures and characteristics of rhythm, I tried to find out the certain indispensable factors for the rhythmic frame of the poems and also tried to formulate varied styles of rhythmic frame, if there be any, examining the contemporary Korean poems. Through the study, I have come to the following conclusions: Firstly, 5.7 or 7.5 syllabic rhythms and with these, 12 syllabic poetical line is the most familiar one and 4.4, 6.6.6, 9.9.9, 9.6, 6.4.4, 9.6.6 and 8.8.8 syllabic rhythms are rarely used by the reason that one cannot pronounce these multi-syllabic line with single breath. Secondly the rhythmic structure of the poems are organized by the variations of development by adding or mixing the unit elements of 2.3(or 3.2) and/or 2.2 rhythms. And the rhythmic structure is not the imitation from the western poems but the deep origins in Si-jo, the typical style of Korean poem. With these development, they compose the lines and eventually the stanzas and finally the poems themselves.