『국긔복소션』에 기록된 19세기 왕실 여성의 기일복식 고찰

하신혜,권영숙 한복문화학회 2014 韓服文化 Vol.17 No.4

『Guk Gi Bok Sik So Seon』 is a book concerning anniversaries of kings and queens' death, names of royal tombs, and anniversary costumesin the Joseon Dynasty. It has two versions: one is owned by Sookmyung Women's University Museum and the other is housed byOryundae Korea Martyrs Museum. Both versions are important materials that provide new historical data of the Korean traditional costumesin terms of anniversary costumes for royal women. This study tries to identify the time when those versions of Sookmyung Women'sUniversity and Oryundae were written and their author, characterize costumes in each version in terms of headdresses, costumes, shoes, accessories,and makeup, and identify the characteristics of the anniversary costumes for royal women in the nineteenth century by comparingthe two versions. Guk Gi Bok Sik gives information about bearings and costumes for royal women participating in annual memorial servicethree years of mourning after death of the precedent king and queen. It is presumed that the version of Sookmyung Women's Universitywas written approximately forty years earlier than that of Oryundae and that both versions were written by Gyeongbin Kim, a mistress ofHeonjong, the 24th king of the Joseon Dynasty. Both versions demonstrate that royal women had a simple meal with just a few dishes includingno fish or meat in respect for the precedent king and queen at the anniversary of death, got dressed in Whabangju, the coarsestand cheapest type of silk, and avoided splendid costumes and accessories, and put almost no makeup in making arrangements for and performingrites for the anniversary humbly and respectfully.

미술치료 사례개념화에 대한 치료사의 인식: 포커스 그룹 인터뷰를 중심으로

하신혜,김갑숙 한국미술치료학회 2017 美術治療硏究 Vol.24 No.4

This study assumes that Art therapy, -which is composed of a triangular relationship of a therapist, a client, and a work of art, - requires differentiated case-conceptualization because of its uniqueness. The purpose of this research was to examine therapists’ cognition about case-conceptualization. An expert group composed of practicing art therapists had a discussion in two separate groups and analyzed the results; their finding follow. First, the therapists perceived case-conceptualization as an essential element for the therapy process. Second, the utility of case-conceptualization helps them to know clients’ problems and to proceed with counselling effectively. Third, practical limits in the clinical setting, a lack of cognition because of absence of education, diversity, and the complexity of art therapy are the difficulties involved in case-conceptualization. Fourth, an art evaluation with a work of art and media should be added to factual and inferential information. Fifth, an appropriate case-conceptualization style should be provided through continuous education and research about case-conceptualization, and therapists' habit to conceptualize cases is much needed for their development. Through this study, I expect that more researches of case-conceptualization for art therapy will take place in the future. 미술치료는 치료자, 내담자, 미술작품의 삼자관계로 이루어져 있으므로 그 독특성으로 인해 사례개념화도 상담 및 심리치료와는 차별화되는 부분이 있을 것이라는 전제를 가진다. 본 연구는 미술치료의 사례개념화에 대한 치료사의 인식을 알아보는 데 목적이 있다. 연구 참여자는 현재 미술치료사로 활동 중인 13명의 전문가 그룹을 모집하고 2개의 집단으로 나누어 포커스그룹 인터뷰를 진행하였다. 결과는 첫째, 사례개념화는 치료 진행을 위한 필수요소라는 점과 발표와 제출을 위한 형식 틀이라는 반응이 나타났다. 둘째, 사례개념화는 내담자 문제를 인식하고 상담을 효율적으로 진행하는데 효용성이 있다고 하였다. 셋째, 사례개념화의 어려움은 임상현장의 현실적인 제약과 교육부재로 인한 인식 부족, 미술치료의 다양성과 복잡성으로 나타났다. 넷째, 사례개념화의 구성요소는 기술적인 정보와 추론적 정보 외 매체와 미술작품을 통한 미술평가가 반드시 첨가되어야 함을 강조하였다. 다섯째, 사례개념화의 활성화 방안에서는 사례개념화에 대한 지속적인 교육과 연구를 통하여 미술치료에 적합한 사례개념화 양식이 도출되고 치료자의 성장을 위해 사례개념화 하는 습관이 꼭 필요하다는 것으로 나타났다. 이를 바탕으로 미술치료에 적합한 사례개념화 요소 개발 및 활성화를 위한 연구가 이루어지길 기대한다.

학술정보 : 『상한론(傷寒論)』중의 "화(和)"에 대한 분석

하신혜,주교옥,장위항 대구한의대학교 제한동의학술원 2007 東西醫學 Vol.32 No.4

출토복식의 보수방법에 관한 연구 : 대전 목달동 출토 여산송씨 출토복식을 중심으로

하신혜,권영숙 한국문화재보존과학회 2013 보존과학회지 Vol.29 No.2

본 연구의 목적은 실질적인 출토복식의 보수를 통해서 보수방법의 합리적인 방안을 모색하는데 있다. 출토복식의 경우 유기물이라는 특징으로 인해 출토되는 순간 이미 위약한 상태이므로 출토복식에 대한 상태를 철저히 조사한 후 가능한 물리적 힘을 가하지 않는 방법으로 최소한의 보수만을 진행하였다. 그리고 다음과 같은 과정으로 보수하였다. 보수는 출토복식의 상태에 따라 보수 가능한 것을 분류하여 출토복식 직물의 상태를 고려하여 최대한 안정하게 적용시켰다. 보수용 실의 경우는 강도가 약한 정련한 얇은 주아사의 실을 뽑아서 사용하거나 광열화시킨 명주실을 사용하였다. 보수용 직물은 직물의 종류에 따라 셀룰로오스 계 직물은 면직물을 견직물은 주아사나 명주를 정련하여 사용하였으며 일부는 비슷한 색을 내기위해 오리나무 염색과 감 염색을 하였고 방충·방균 처리를 위해 정향으로 염색한 천을 사용하여 보수하였다. 보수의 방법은 손상형태 및 복식의 구성양식에 따라 구분하여 실시하였다. 보수의 바느질법은 시침질, 홈질, 박음질, 공그르기, 감침질의 방법을 사용하여 훼손 부위와 상태에 적합한 바느질법을 선택하였다.

학술정보 : 중의논문 번역 ; 『상한론(傷寒論)』중의 "화(和)"에 대한 분석

하신혜,주교옥,장위항,최애련(역),박수진(역) 대구한의대학교 제한동의학술원 2006 東西醫學 Vol.31 No.1

2013∼2015년(6기) 국민건강영양조사 자료를 이용한 청소년의 과일·채소 섭취에 따른 영양소 섭취와 건강상태의 비교

하신혜 ( Sin-hye Ha ),허은실 ( Eun-sil Her ),이경혜 ( Kyung-hea Lee ) 대한영양사협회 2017 대한영양사협회 학술지 Vol.23 No.3

This study was conducted to compare the nutrient intake, physical characteristics, and health status according to daily fruits and vegetables intake of adolescents using the Korean national health and nutrition examination survey for the sixth period (2013∼2015). Subjects were 1,096 adolescents aged 13∼18 years. The average daily intake of fruits and vegetables was 518.49±4.94 g. The two groups (insufficient, sufficient) were divided by fruits and vegetables intake (<500 g/day, ≥500 g/day) and the ratio of the insufficient group was 75.9% while that of the adequate group was 24.1%. The mean of intake of energy, calcium, phosphorus, sodium, potassium, iron, thiamin, niacin, vitamin C and dietary fiber differed significantly between the insufficient and sufficient groups (P<0.01, P<0.001). However, there was no significant difference in physical characteristics between groups. The self-perceived health status was better in the sufficient group (P<0.05), while the insufficient group was aware of more stress in their daily life (P<0.05). The serum triglyceride was significantly higher in the sufficient group (P<0.05), while the total cholesterol was lower (P<0.05). As the characteristics of fruits and vegetables are different, it will be necessary to determine standards for consumption of each type. It is also necessary to consider whether a fruits and vegetables intake of 500 g would be a reasonable standard for adolescents. Nevertheless, the results of this study indicate efforts to increase fruits and vegetables intake by young people are necessary.

『국긔복식소션』에 기록된 19세기 왕실 여성의 기일복식 고찰

하신혜(Ha Shin-Hye),권영숙(Kwon Young-Suk) 한복문화학회 2014 韓服文化 Vol.17 No.4

『Guk Gi Bok Sik So Seon』is a book concerning anniversaries of kings and queens" death, names of royal tombs, and anniversary costumes in the Joseon Dynasty. It has two versions: one is owned by Sookmyung Women"s University Museum and the other is housed by Oryundae Korea Martyrs Museum. Both versions are important materials that provide new historical data of the Korean traditional costumes in terms of anniversary costumes for royal women. This study tries to identify the time when those versions of Sookmyung Women"s University and Oryundae were written and their author, characterize costumes in each version in terms of headdresses, costumes, shoes, accessories, and makeup, and identify the characteristics of the anniversary costumes for royal women in the nineteenth century by comparing the two versions. Guk Gi Bok Sik gives information about bearings and costumes for royal women participating in annual memorial service three years of mourning after death of the precedent king and queen. It is presumed that the version of Sookmyung Women"s University was written approximately forty years earlier than that of Oryundae and that both versions were written by Gyeongbin Kim, a mistress of Heonjong, the 24th king of the Joseon Dynasty. Both versions demonstrate that royal women had a simple meal with just a few dishes including no fish or meat in respect for the precedent king and queen at the anniversary of death, got dressed in Whabangju, the coarsest and cheapest type of silk, and avoided splendid costumes and accessories, and put almost no makeup in making arrangements for and performing rites for the anniversary humbly and respectfully.

학령전기 여아의 당의 원령설계에 관한 연구

하신혜(Ha Shin-Hye),권영숙(Kwon Young-Suk) 한복문화학회 2013 韓服文化 Vol.16 No.2

This study designs Dang-ui pattern fit to body characteristics of early elementary schoolgirls and actions based on esthetic characteristics of our traditional costume, and aims at letting school-age children enjoy and wear our traditional costume through manufacturing traditional full dresses having high functionality for children who do a lot of physical activities. Regarding to research methods, the study analyzed the size of dang-ui pattern in existing textbooks on Korean costume’s configuration theory, and set up allowances to the width and length based on ‘Jegory Original Design of Early Elementary School Girls (Lee Jeong Eun, 2003)’ as a preceding research, and thus completed the research original form through 1st and 2nd wearing experiments after designing the experimental origin form. In order to check compatibility of the finished research original form, fitness evaluation was carried out. This research original form set up the length ratio vs. total length compared to existing original forms by considering body proportion and characteristics of school-age children, and laid differences between the front and back by enlarging 1m more to back width than front one by reflecting upon body characteristics of early elementary schoolgirls to whom the back width was larger owing to projection of scapula. Also, the point of enhancing fitness of neck parts by making upper parts of collar lines three-dimensional as a designing method of deepening the neck line while lessening its width compared to existing original forms etc is corresponded to the original form designing method differentiated from existing ones.

미술치료사의 사례개념화 과정 경험에 대한 연구

하신혜(Ha Shin-hye),김갑숙(Kim Gab-sook) 한국미술치료학회 2020 美術治療硏究 Vol.27 No.2

Art therapy has unique factors that are different from those of other counselling and therapy. Thus, case-conceptualization that is appropriate for an art therapy must be different from case-conceptualization for general counselling and therapy. This research studied the process of case-conceptualization, in the same way art therapists conceptualize a client’s problem at the therapy field, the way they plan for the therapy and the way the evaluation of cases takes place. Through a purposeful sampling, in-depth interviews were conducted on 9 professional art therapists and data were analyzed by applying an inductive theme analysis. Through the data analysis, 25 concepts, 11 sub-categories and 6 categories were founded. The categories of art therapist s experience of case-conceptualization process are: “understanding the necessity of case-conceptualization,” “It was found that the components for a case-conceptualization are not appropriate,” “the limitation of art therapy case-conceptualization,” “the reality of art therapy case-conceptualization,” “the understanding of client’s problem’ and ‘the finding of an appropriate case-conceptualization for an art therapy.” Based on these categories, the significance and limitation of this research were also discussed. 미술치료는 상담 및 심리치료와는 다른 고유한 치료 요인을 가지고 있다. 따라서 미술치료에 적합한 사례개념화는 일반 상담 및 심리치료와는 차이가 있을 것이다. 본 연구는 치료 현장에서 미술치료사들이 어떻게 내담자 문제를 개념화하고 치료 개입을 위한 계획과 사례 평가를 실시하는지 등 사례개념화 과정을 알아보고자 하였다. 이를 위하여 목적적 표집에 의해 9명의 전문 미술치료사를 대상으로 심층 면접을 실시하고 귀납적 주제분석을 적용하여 자료를 분석하였다. 면담 자료를 분석한 결과 25개의 개념과 11개의 하위범주 그리고 6개의 상위범주가 도출되었다. 미술치료사 사례개념화 과정 경험의 주제는 ‘사례개념화의 필요성 인식’ ‘사례개념화의 틀이 딱 맞지 않음을 알게 됨’ ‘미술치료 사례개념화 작성 시 느끼는 한계’ ‘사례개념화 하는 실제 방법’ ‘내담자에 대해 그림을 그려나가는 방법’ ‘미술치료에 적합한 사례개념화에 대한 요구 및 활성화 방안 모색’이다. 그리고 이 주요 범주를 중심으로 본 연구가 가지는 의의와 연구의 제한점에 대해 논의하였다.

『사졀복식자장요람』과 『법복사졀복식』을 통해 본 19세기 말 왕실 여성 복식

하신혜(Ha Shin-hye),권영숙(Kwon Young-Suk) 한복문화학회 2016 韓服文化 Vol.19 No.2

『Boepbok-Sajeol-Boksaek』 which is kept in the Oryundae Korean Martyrs Museum, records the royal female costumes of the late 19th century. It is a similar record with 『Sajeol-Boksaek-Jajang-Yoram』 in the Sookmyung Women"s University Museum. The former deals with costumes for fours seasons, festive days, wedding ceremony, and coming-of-age ceremony after wedding. The latter those for four seasons and festive days of a general year. This study, at first aims to make a comparison between four season and festive costumes common in the two versions, and then investigate wedding and coming-of age ceremony costumes recorded in the Oryundae version. Specifically, this study compared characteristics between royal female ordinary and ceremonial costumes in the late 19th century, with a focus on costume, headdress, accessory and pouch. Royal women wore Dangeuis (female minor ceremonial jackets) as normal four season costumes in the late 19th century. They wore Green Jikgeum Dangeuis or Subokja Geumbak Danheuis as festive costumes. According to the Oryundae version, wedding and coming-of-age ceremony costumes were Hong Jangsams, and Green Jikgeum Wonsams. This version shows that the costumes in the version were worn by royal concubines, prince wives, or princesses, not queens or crown prince wives. For the hair style, Daesu was combined with Hong Jangsams, Keunmeori with Green Jikgeum Wonsam, and Jikgeum or Geumbak Dangeui, and Jojinmeori with an ordinary Dangeui. For the Norigae, Samjak-norigae were worn for wedding ceremony, coming-of-age ceremony, king"s birthday, festive days, etc., and light and heavy feeling Norigae were worn in summer and winter, respectively. For the ring, jade, agate, or pearl rings were worn in summer, paran or seho rings in spring and autumn, and gold rings in winter. For the pouch, pearl-decorated pouches were worn for wedding ceremony.