폐플라스틱을 파동 에너지를 통해 친환경적으로 처리하는 도시유전의 RGO기술 소개

최지안 한국폐기물자원순환학회(구 한국폐기물학회) 2021 한국폐기물자원순환학회 심포지움 Vol.2021 No.1

Quartet: A Narrative of Female Self-Victimization

최지안 한국현대영미소설학회 2014 현대영미소설 Vol.21 No.1

Jean Rhys has presented a sociological analysis of commodification of the female body in her first novel Voyage in the Dark, dealing with an underprivileged woman’s entry into prostitution by the impelling social forces such as gender, class and race. In her 1928 novel Quartet, however, Rhys takes a rather different angle in approaching the question. The abiding issue of woman-as-commodity remains central to making sense of the text but the focus seems to have shifted. Here, the emphasis is placed not so much on a consideration of the external determinants as on that of psychological factors within female subjects. In brief, Quartet is a novel about the ‘enemy within’ and the social vision it presents is dreary in that it reveals the ways in which the existing social order is sustained and consolidated through women’s own complicity with dominant gender politics within a patriarchal system. What is particularly problematic about the narrative of Quartet is that none of the female characters in the fiction make positive attempts to challenge or unsettle the existing power structure. Far from seeking to subvert the status quo, they are invariably portrayed as complying with and even colluding with the system. In conclusion, Quartet suggests that the prevailing social order is reproduced and reinforced through the collaboration of women themselves. Herein lies the fundamentally bleak vision of the novel.

유산영화(Heritage Film)의 정치학: 󰡔하워즈 엔드󰡕의 영화적 각색

최지안 한국현대영미소설학회 2011 현대영미소설 Vol.18 No.1

Picturing Leisure Society 1870-1910

최지안 경희대학교 인문학연구원 2017 인문학연구 Vol.0 No.35

The turn of the the twentieth century witnessed the rise of leisure society. The period coincided with that of the emerging modern entertainment industry, which fundamentally changed entrenched forms of sociability and leisure-making. One’s pastime, hitherto informally arranged in private, was subject to increasingly commercialized and organized pleasures in the public sphere. This particular current had an impact on the cultural disposition of the day, and the visual arts were profoundly touched by it. Painters were engaged in this juncture of modern life, seeking to reformulate it with their creative forces. With this in mind, the present article is intended to consider key aspects of turn-of-the-century leisure society as represented in a selection of significant but under-researched images of contemporary artists. This body of works address the pathology of modern entertainment, holding a mirror up to the historical moment at which everyday life was being restructured by the imperatives of the capitalist market. They thus open to critical scrutiny the consumer-oriented leisure culture of modern society.

A Female Déclassé’s Dislocation: After Leaving Mr. Mackenzie

최지안 한국현대영미소설학회 2014 현대영미소설 Vol.21 No.3

After Leaving Mr. Mackenzie, Jean Rhys’s novel of 1930, is concerned with the dislocation or “placelessness” of Julia Martin, an ageing prostitute, in an organised society where there is little available space for a liminal woman who stands outside conventional social structures. As a sexual worker, she is in conflict with the family, the couple and the institutions of patriarchal capitalism. Consequently she is bound to drift incessantly from place to place, never mooring at one site. The numerous place-names in the novel, which serve as the subtitles of each section, not only document the heroine’s restless itinerary, but elucidate her desperate quest for a place in a given society that she could be possibly fit into and claim as her own. Yet the prevailing social dictates are determined to ostracize her out to the fringes of society where she is to stand on the precarious borderline, suspended in “the hour between dog and wolf.” In this context, the seemingly subdued narrative of a social outcast’s career proves to be a highly charged text with a sharp edge to it, critically touching upon the issue of prostitution. The novel suggests that the institution of prostitution is inextricably linked with capitalist social arrangements and bourgeois double standards as to female sexuality, calling into question the legitimate, sanctioned expressions of dominant social values and ideas. The novel thus gives a lie to the mystified aura of family and mounts a critique of the hypocrisy and philistinism of the middle classes and their moral bankruptcy.

The Iconography of Femininity in Pre-Raphaelite Painting

최지안 한국영미문화학회 2014 영미문화 Vol.14 No.1

The Pre-Raphaelite oeuvre abounds in the image of women, which indicates the impact of gender question on contemporary visual culture. The representation of women in their art tends to evince the entrenched myth of womanhood, marked by a stereotyped dichotomy in the apprehension of femininity. Yet there are a significant number of pictures which attest to the point that their iconography of womanhood cannot be fully elucidated by exploring the dichotomy alone. They falsify the dyadic model, defying the attempt to accommodate them in a clean-cut category. The curious blend of the mystical, the sensual, and the domestic that characterizes these images suggests that they are open to multiple interpretations. In sum, the Pre-Raphaelite representation of women both endorses and challenges the ideal of femininity, indicating that it was shaped by and shaped contemporary perceptions of women at a time when gender relations were shifting and the traditional institution of patriarchy revealed a sign of strain.

조상에 발생한 편평상피세포암: 증례 보고

최지안,곽정하,최정환,임광열,김대철,윤청민 대한수부외과학회 2020 대한수부외과학회지 Vol.25 No.1

Malignant tumors of the hand are rare. Squamous cell carcinoma (SCC) is the most common tumor that can develop at the nail bed. However, its prevalence is extremely rare. We report a male patient with SCC in the middle finger and provide a review of related literature. A 70-year-old male patient presented with subungal exudate of the right middle finger for 2 years. The lesion was treated by the patient himself without any relief. He visited the other hospital and underwent removal of the affected fingernail followed by histopathological examination. An extended excision was performed to remove the lesion located in close proximity with the distal phalanx along with a portion of the phalangeal soft tissues. The tumor shows malignant squamous sheets and nests with invasive growth pattern and pleomorphism. At the 6-month postoperative follow-up, neither symptom relapse nor other complications were observed. Various types of skin cancers, such as SCCs and malignant melanomas, can develop in the hand. However, their incidence is extremely rare. In particular, subungal lesions, which may be mistaken as fungal nail infections, require histopathological examination if they respond only slowly to treatment. 수부의 종양은 드문 것으로 알려져 있다. 조상의 가장 흔한 종양은 편평상피세포암이지만, 유병률 자체가 매우 드물다. 저자들은조갑진균증으로 오인된 중지의 편평상피세포암을 경험하여 문헌고찰과 함께 보고한다. 상기 환자는 70대 남자환자로, 약 2년 전부터우측 중지 조상에 삼출물이 발생하였으나, 조갑진균증으로 생각하고 자가치료하다 호전이 없어 타병원에서 조상 제거 후 조직검사를시행하였다. 병변부위가 원위지골과 인접하여 있어 광범위 절제술 후 원위지골 일부를 절제하였다. 병리조직검사에서 침습적 성장 양상및 다형성을 보이는 편평상피세포암이 관찰되었다. 수술 후 6개월간 경과관찰 결과 재발 및 합병증은 관찰되지 않았다. 수부의 피부암의경우 악성흑색종, 편평상피세포암등 다양한 암이 발생할 수 있지만, 유병률이 흔하지 않다. 조상의 경우 조갑진균증으로 오인하기 쉬워치유 속도가 느린 경우 반드시 조직검사가 필요할 것으로 사료된다.

“The Garden Party” Revisited

최지안 한국현대영미소설학회 2017 현대영미소설 Vol.24 No.1

“The Garden Party”, Katherine Mansfield’s short story of 1922, deal with a bourgeois mode of consumption, interrogating the ways in which a new paradigm of shopping helped to fashion class consciousness in the early twentieth-century city. It indicates that the making of the middle class in contemporary society is involved not only with the matter of means of production but also with that of consumption style. The party in the story represents a nouveau riche version of the aristocratic banquet. It is a ceremony in which the rising middle-class family displays its wealth, social status and privileged lifestyle. The festivity epitomizes a celebration of bourgeois culture as consumer culture, affirming the point that the formation of class identity, to a great extent, hinges upon the acquisition and use of appropriate consumer goods. The story thus suggests that middle-class ideas, values and lifestyle are reproduced through the appropriation of commodities. Furthermore, the fact that the affluent world of the bourgeoisie is depicted in antithesis with the seedy world of the underclass can be read as Mansfield’s oblique social critique of class segregation; and the juxtaposition of the two incompatible rituals—the party and the funeral—in the story could be construed as her comment upon the futility of materialism that penetrates into the very heart of bourgeois culture.

회원작품 - 빌라드루

최지안,Choi, Jian 대한건축사협회 2021 建築士 Vol.629 No.-

Villette Revisited: Lucy Snowe's Urban Experience

최지안 MANEY PUBLISHING 2012 Bronte Studies Vol. No.